Roland V-Synth owner manual Non-Linear, Delay, 143

09: Non-Linear

This uses digital processing to create an artificial reverberation that is quite different than naturally occurring reverberation.

Parameter	Value		Description
Pre Low Freq	50–4000 Hz		Frequency of the low range
Pre Low Gain	-15– +15 dB		Gain of the low range
Pre Mid Freq	50–20000 Hz		Frequency of the middle
			range
Pre Mid Q	0.5, 0.7, 1.0, 2.0,		Gain of the middle range
	4.0, 8.0		Set a higher value for Q to
			narrow the range to be af-
			fected.
Pre Mid Gain	-15– +15 dB		Gain of the middle range
Pre Hi Freq	2000–20000 Hz		Frequency of the high
			range
Pre Hi Gain	-15– +15 dB		Gain of the high range
Pre Dly Time	0–200.0 ms		Adjusts the delay time from
			the direct sound until the
			delay sound is heard.
Density	0–99		Density of the reverb
Early Ref Level	0–99		Volume level of the initial
			reflected sound
NLR Type	L→	R, NORMAL,	Method of output panning
	L←	R	L→ R: Pan from the L chan-
			nel to the R channel
			NORMAL: Output without
			panning
			L← R: Pan from the R chan-
			nel to the L channel
Env Time Ratio	10–120 %		The overall time will be ex-
			panded or contracted while
			preserving the time ratios
			of the various envelope
			times.
Envelope T1–T4	0.1–1000 ms		Time until each point (T1–
			T4) is reached
Envelope L1–L3	0–100		Output level for each point
			(L1–L3)
			* If the total length of
			Envelope times
			(T1+T2+T3+T4) exceeds
			1000 ms, the sound of the
			portion that extends
			beyond this will be cut.

Level
	L1
			L3
		L2
			Time
T1	T2	T3	T4

Feedback Time	0.1–1000 ms	Delay time for the feedback
		sound
Feedback Level	0–99 %	Amount of feedback
Post HC Freq	160–15000 Hz,	Frequency at which the
	THRU	high cut filter will begin to
		take effect (THRU: no filter
		is used)

Effects List

10: Delay

This is a stereo delay. Depending on the length of the delay you set,

you can get long echoes, thick sounds, or spatial sounds.

Parameter	Value	Description
Mode	MONO, STE-	Switches stereo, monaural, or al-
	REO, ALTER-	ternate.
	NATE	MONO: This is a single-input,
		dual-output delay. Stereo sound
		(left and right) are mixed before
		being input.
		STEREO: This is a dual-input,
		dual-output delay. The delay
		sound output features the same
		stereo placement as that of the
		input.
		ALTERNATE: The left and right
		delay sound output alternately.
		(Alternate delay)
Delay Time	0–1300 ms	Adjusts the delay time from the
	(MONO), 0–650	direct sound until the delay
	ms (STEREO,	sound is heard.
	ALTERNATE),
	note
L-R Shift	0–650 ms, note	Of the left and right delay
		sounds, the delay time will be
		increased for only one side.
		If the L-R order is L→ R, the R
		sound will be later. In the case of
		R→ L, the L sound will be later.
		* When the mode is set to
		MONO or ALTERNATE, this
		setting will be ignored.
L-R Order	L→ R, R→ L	In STEREO or ALTERNATE
		mode, this setting determines
		which of the left or right sides
		has the delay sound before the
		other
		L→ R: The left side is expressed
		first
		R→ L: The right side is expressed
		first
		* In MONO mode, this setting
		will be ignored.
Feedback	-98– +98 %	Adjusts the proportion of the de-
		lay sound that is fed back into
		the effect. Negative (-) settings
		will invert the phase.
Low Damp Freq	50–4000 Hz	Adjusts the frequency below
		which sound fed back to the ef-
		fect will be cut.
		The Low Damp function damps
		the low frequency band of the
		delay sound quicker than other	Appendices
		which sound fed back to the ef-
		bands, which makes for a clearer
		delay effect.
Low Damp	-36–0 dB	Degree of Low Damp
Gain
Hi Damp Freq	2000–20000 Hz	Adjusts the frequency above
		fect will be cut.
		High Damp, by attenuating the
		higher frequencies first, makes
		the delay sound more natural.
Hi Damp Gain	-36–0 dB	Degree of High Damp

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