Roland V-Synth owner manual Vocal Multi, Guitar Multi, 133, Limiter, De, Esser

33: Vocal Multi

A limiter/de-esser, enhancer, 3-band equalizer, and delay are connected in series.

A limiter holds down high signal levels to prevent distortion.

A de-esser cuts the sibilant sounds of a voice, producing a gentler tone.

fig.MFX-33
L
	Limiter/		Enhancer	3-Band				Delay
	De-esser			EQ
R
Parameter		Value			Description
Limtr Mode		LIMITER, DE-			Selects whether the effect will
		ESSER			function as a limiter or as a de-
					esser.
						* When the limiter mode is DE-
							ESSER, the setting for Limtr
							xxxxx will be ignored. When
							the mode is LIMITER, the
							setting for DE xxxxx will be
							ignored.
Limtr Thresh-		-60–0 dB			Adjusts the level (Threshold
old					Level) at which the limiter will
					begin to operate.
Limtr Release		0–127			Adjusts the time until when the
#1					limiter will turn off after the in-
					put level falls below the thresh-
					old level.
Limtr Gain		-60– +12 dB			Adjusts the gain of the sound
					that passes through the limiter.
DE Sens		0–127			Adjusts the sensitivity relative
					to the input volume, which con-
					trols how the effect is applied.
DE Frequency		1000–10000 Hz			Adjusts the frequency at which
					the de-esser effect will apply.
Enhan Sens		0–127			Sensitivity of the enhancer
Enhan Frequen-		0–127			Sets the lower limit of the fre-
cy					quencies to which the enhance-
					ment effect is added.
Enhan Mix Lev-		0–127			Level of the overtones generated
el					by the enhancer
Enhan Level		0–127			Volume of the enhancer sound
EQ Low Freq		50–4000 Hz			Frequency of the low range
EQ Low Gain		-15– +15 dB			Gain of the low range
EQ Mid Freq		50–20000 Hz			Frequency of the middle range
EQ Mid Q		0.5, 0.7, 1.0, 2.0,			Gain of the middle range
		4.0, 8.0			Set a higher value for Q to nar-
					row the range to be affected.
EQ Mid Gain		-15– +15 dB			Gain of the middle range
EQ Hi Freq		2000–20000 Hz			Frequency of the high range
EQ Hi Gain		-15– +15 dB			Gain of the high range
Delay Time		0–1300 ms, note			Adjusts the delay time from the
					direct sound until the delay
					sound is heard.
Delay Feedback		-98– +98 %			Adjusts the proportion of the de-
					lay sound that is fed back into
					the effect. Negative (-) settings
					will invert the phase.

Effects List

Parameter	Value	Description
Low Damp Freq	50–4000 Hz	Adjusts the frequency below
		which sound fed back to the ef-
		fect will be cut.
		The Low Damp function damps
		the low frequency band of the
		delay sound quicker than other
		bands, which makes for a clearer
		delay effect.
Low Damp	-36–0 dB	Degree of Low Damp
Gain
Hi Damp Freq	2000–20000 Hz	Adjusts the frequency above
		which sound fed back to the ef-
		fect will be cut.
		High Damp, by attenuating the
		higher frequencies first, makes
		the delay sound more natural.
Hi Damp Gain	-36–0 dB	Degree of High Damp
Delay Level	0–127	Volume of the delay sound.

34: Guitar Multi

Guitar Multi provides Comp/Limiter, Overdrive or Distortion, Chorus or Flanger, and Delay effects connected in series.

fig.MFX-34
L
Comp/	Overdrive/	Chorus/
Limiter	Distortion	Flanger
R

Delay

Parameter	Value	Description
Comp Sw	OFF, ON	Turns the comp/limiter on/off.
Comp Thresh-	-60–0 dB	Sets the volume level at which
old		the compression begins.
Comp Attack	0–127	Sets the time after the sound vol-
		ume is crossed the compressor
		threshold until compression be-
		gins.
Comp Release	0–127	Specifies the time from when the
		volume drops below the com-
		pressor threshold until com-
		pression is no longer applied.
Comp Ratio	1.5:1, 2:1, 4:1,	Sets the “source sound:output
	100:1	sound” compression ratio.
Comp Gain	-60– +12 dB	Adjusts the output gain.
Distortion Sw	OFF, ON	Selects whether to use overdrive
		or distortion.	Appendices
Distortion	OD, DS	Selects whether to use overdrive
Mode		(OD) or distortion (DS).
Drive	0–127	Degree of distortion
Amp Sim Sw	OFF, ON	Turns the amp simulator on/off.
Amp Type	SMALL,	Type of guitar amp
	BUILT-IN, 2-	SMALL: small amp
	STACK, 3-	BUILT-IN: single-unit type amp
	STACK	2-STACK: large double stack
		amp
		3-STACK: large triple stack amp
Distortion Level	0–127	Volume of the overdrive or dis-
		tortion sound.

133