Roland V-Synth owner manual Hall, 140

Effects List

03: Room 3

Reverb which simulates the reverberation within a room. This is suitable for simulating a fairly large room, and produces reverberation with a strong mid and low range.

Parameter	Value	Description
Pre Low Freq	50–4000 Hz	Frequency of the low range
Pre Low Gain	-15– +15 dB	Gain of the low range
Pre Mid Freq	50–20000 Hz	Frequency of the middle
		range
Pre Mid Q	0.5, 0.7, 1.0, 2.0,	Gain of the middle range
	4.0, 8.0	Set a higher value for Q to
		narrow the range to be af-
		fected.
Pre Mid Gain	-15– +15 dB	Gain of the middle range
Pre Hi Freq	2000–20000 Hz	Frequency of the high
		range
Pre Hi Gain	-15– +15 dB	Gain of the high range
Reverb Time	0.06–32.0 sec	Duration (time) of the re-
		verb
Pre Dly Time	0–200.0 ms	Adjusts the delay time from
		the direct sound until the
		delay sound is heard.
Density	0–99	Density of the reverb
Room Size	1–8	Size of the room which is
		simulated
Early Ref Level	0–99	Volume level of the initial
		reflected sound
Release Density	0–99	Density of the sound that
		reaches the listener after
		many repeated reflections
Low Damp Freq	50–4000 Hz	Adjusts the frequency be-
		low which sound fed back
		to the effect will be cut.
		The Low Damp function
		damps the low frequency
		band of the reverb sound
		quicker than other bands.
Low Damp Gain	-36–0 dB	Degree of Low Damp
Hi Damp Freq	2000–20000 Hz	Adjusts the frequency
		above which sound fed
		back to the effect will be
		cut.
		High Damp, by attenuating
		the higher frequencies first.
Hi Damp Gain	-36–0 dB	Degree of High Damp
Post HC Freq	160–15000 Hz,	Frequency at which the
	THRU	high cut filter will begin to
		take effect (THRU: no filter
		is used)

04: Hall 1

This simulates the reverberation of a concert hall. It is a conventional hall reverb. You can also apply a chorus effect to the reverberation to adjust the sense of spaciousness or to create a special effect.

Parameter	Value	Description
Pre Low Freq	50–4000 Hz	Frequency of the low range
Pre Low Gain	-15– +15 dB	Gain of the low range
Pre Mid Freq	50–20000 Hz	Frequency of the middle
		range
Pre Mid Q	0.5, 0.7, 1.0, 2.0,	Gain of the middle range
	4.0, 8.0	Set a higher value for Q to
		narrow the range to be af-
		fected.
Pre Mid Gain	-15– +15 dB	Gain of the middle range
Pre Hi Freq	2000–20000 Hz	Frequency of the high
		range
Pre Hi Gain	-15– +15 dB	Gain of the high range
Low Rev Time	0.06–64.0 sec	Duration (time) of the re-
		verb for the low frequency
		band.
Hi Rev Time	0.06–64.0 sec	Duration (time) of the re-
		verb for the high frequency
		band
Xover Freq	160–15000 Hz,	The reverberation specified
	THRU	by the Low Rev Time will
		be applied to the range be-
		low this frequency, and by
		the Hi Rev Time to the
		range above this frequency.
Pre Dly Time	0–200.0 ms	Adjusts the delay time from
		the direct sound until the
		delay sound is heard.
Density	0–99	Density of the reverb
Room Size	5.6–32.6 m	Size of the room which is
		simulated
Early Ref Level	0–99	Volume level of the initial
		reflected sound
Release Density	0–99	Density of the sound that
		reaches the listener after
		many repeated reflections
Low Damp Freq	50–4000 Hz	Adjusts the frequency be-
		low which sound fed back
		to the effect will be cut.
		The Low Damp function
		damps the low frequency
		band of the reverb sound
		quicker than other bands.
Low Damp Gain	-36–0 dB	Degree of Low Damp
Hi Damp Freq	2000–20000 Hz	Adjusts the frequency
		above which sound fed
		back to the effect will be
		cut.
		High Damp, by attenuating
		the higher frequencies first.
Hi Damp Gain	-36–0 dB	Degree of High Damp
Post HC Freq	160–15000 Hz,	Frequency at which the
	THRU	high cut filter will begin to
		take effect (THRU: no filter
		is used)
Chorus Rate	0–127	Rate of modulation for the
		reverb
Chorus Depth	0–127	Depth of modulation for
		the reverb

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