Part IV | Sequencer |
Summary of the SEQUENCER menu items
RECORD & EDIT
These functions are recording and editing operations used for creating a new perfor- mance.
REALTIME RECORD (page 78)
Record each part of your performance just as you play it on the keyboard.
PUNCH RECORD (page 84)
Correct a selected portion of your recorded performance.
STEP RECORD (page 86)
Store the sounds
•You can also store the chord or rhythm pro- gression for the AUTO PLAY CHORD.
TRACK ASSIGN (page 91)
Assign parts to tracks.
QUANTIZE (page 92)
Correct the timing of your performance.
SONG SELECT (page 84)
Select a song.
SONG CLEAR (page 93)
Erase all the recorded data of a song.
TRACK CLEAR (page 93)
Erase the contents of a specific track.
NOTE EDIT (page 94)
Store and correct performance (NOTE) data on a piano roll display.
DRUM EDIT (page 95)
Store and correct DRUMS part data on a special display.
COPY & PASTE
Copy recording data and paste it to the desired location.
TRACK COPY (page 97)
Copy data of specific tracks.
SONG COPY (page 97)
Copy data of specific songs.
TRACK MERGE (page 98)
Merge the recorded contents of two tracks and store in a third track.
TRACK CLEAR (page 97)
Erase the contents of a specific track.
SONG CLEAR (page 97)
Erase all the recorded data of a song.
MEASURE COPY (page 98)
Copy the contents of specific measures.
MEASURE ERASE (page 99)
Erase the contents of specific measures.
MEASURE DELETE (page 99)
Delete specific measures from the perfor- mance.
MEASURE INSERT (page 100)
Insert additional measures in the perfor- mance.
APC TO SMF CONVERT (page 100)
Save automatic accompaniment patterns
and pad performance data in a Standard
MIDI File (SMF).
RANGE EDIT
Change the note position etc. in the recorded data.
QUANTIZE (page 96)
Correct the timing of your performance.
NOTE CHANGE (page 101)
Change the pitch of specific notes.
VELOCITY CHANGE (page 102)
Modify the recorded velocity (how hard the keyboard was played) of performance data.
TRANSPOSE (page 102)
Change the key of the performance data.
ADVANCE/DELAY (page 103)
Speed up or delay the sound production of performance data.
Sequencer
About the measure count
The measure count on the display corresponds to the time signature of the selected rhythm. However, if rhythm data is stored in the RHYTHM part and that part is played back, the measure count on the dis- play corresponds to the stored rhythm data. (Refer to page 90.)
•If you wish to use a time signature not available in the preset rhythms, use the COMPOSER to cre- ate a new time signature. (Refer to page 106.)
75
QQTG0692
