Boss Audio Systems GS-10 owner manual Introduction to Effects and Parameters Type

Chapter 4 Introduction to Effects and Parameters

Type

This sets the type of the guitar preamp.

JC-120	This is the sound of the Roland JC-120.
Jazz Combo	This is a sound suited to jazz.
Full Range	This is a sound with flat response. Good for
	acoustic guitar
Warm Clean	This gives a mellow, clean sound.
Clean TWIN	This models a Fender Twin Reverb.
Pro Crunch	This models a Fender Pro Reverb.
Tweed	This models a Fender Bassman 4 x 10”
	Combo.
Crunch	This is a crunch sound that can produce
	natural distortion.
Blues	This is a sound suited to blues.
Wild Crunch	This is a crunch sound with wild distor-
	tion.
VO Drive	This models the drive sound of a VOX AC-
	30TB.
VO Lead	This models the lead sound of the VOX
	AC-30TB.
MATCH Drive	This models the sound input to left input
	on a Matchless D/C-30.
Fat MATCH	This models the sound of a MATCHLESS
	with a modified high gain.
BG Lead	This models the lead sound of the MESA/
	Boogie combo amp.
BG Drive	This models a MESA/Boogie with TREBLE
	SHIFT SW on.
BG Rhythm	This models the rhythm channel of a
	MESA/Boogie.
Smooth Drive	This is a smooth drive sound.
MS1959 (I)	This models the sound input to Input I on a
	Marshall 1959.
MS1959 (II)	This models the sound input to Input II on
	a Marshall 1959.
MS1959 (I+II)	This models the sound of a Marshall 1959
	with Inputs I and II connected in parallel.
MS HiGain	This models the sound of a Marshall with a
	modified midrange boost.
Power Stack	This provides the sound of a stack amp
	with active type tone circuitry.
R-FIER Red	This models the lead channel of a MESA/
	Boogie Dual Rectifier.
R-FIER Orng	This models the rhythm channel of a
	MESA/Boogie Dual Rectifier.
R-FIER Vint	This models a MESA/Boogie Rectifier with
	VINTAGE SW on.
T-AMP Clean	This models a Hughes & Kettner Triamp
	AMP1.
T-AMP Crunch	This models a Hughes & Kettner Triamp
	AMP2.
T-AMP Lead	This models a Hughes & Kettner Triamp
	AMP3.
SLDN	This models a Soldano SLO-100.
Drive Stack	This is a drive sound with high gain.

Lead Stack	This is a lead sound with high gain.
5150 Drive	This models the lead channel of a Peavey
	EVH 5150.
Metal Stack	This is a drive sound suited to metal.
Metal Lead	This is a lead sound suited to metal.
CONCERT 810	This models a Ampeg SVT.
SESSION	This models a SWR SM-400.
BASS 360	This models a acoustic 360.
T.E.	This models a Trace Elliot AH600SMX.
B-MAN	This models a Fender Bassman100.
FLIP TOP	This models a Ampeg B-15.
Bass Clean	This clean sound is great for use with bass
	guitars.
Bass Crunch	This is a crunch sound with natural distor-
	tion that sounds great with bass guitars.
Bass HiGain	This is a high-gain sound suitable for use
	with bass guitars.
Mic Preamp	Preamp suitable for vocals.
Custom 1	Custom amp 1
Custom 2	Custom amp 2
Custom 3	Custom amp 3

*When the type is set to CONCERT 810, SESSION, BASS 360, T.E., B-MAN, FLIP TOP, Bass Clean, Bass Crunch, Bass HiGain, or Mic Preamp set OUTPUT SELECT (p. 16) as shown below to match the GS-10 to the type of amp to be connected.

When connecting to an audio amp or similar equipment: Line/Phones

When connecting to a guitar amp: Combo Amp or Combo Return

When connecting to a bass amp: Stack Amp or Stack Return

Section 4

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