Table of contents

Using the mouse . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56

Turning a button on/off . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

Using the controls of the top panel . . . . . . . . . . . . . . . . . . . . . . . . . . 57

Using the mouse . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

Editing the value of a fader/knob/numerical box . . . . . . . . . . . . . 58

Using the controls of the top panel . . . . . . . . . . . . . . . . . . . . . . . . . . 58

Using the mouse . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

Using the additional function buttons . . . . . . . . . . . . . . . . . . . . . 59

Using the controls of the top panel . . . . . . . . . . . . . . . . . . . . . . . . . . 59

Using the mouse . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

Inputting text . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60

Using the controls of the tab page. . . . . . . . . . . . . . . . . . . . . . . . . . . 60

Using the mouse . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62

Selecting channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63

Chapter 4 Connections and setup . . . . . . . . . . . . . . . . . . . . .67

Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67 Word clock settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

Chapter 5 Recording on the AW4416 . . . . . . . . . . . . . . . . . .73

Preparations for recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

Connections and start-up . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73 Creating a new song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75

Recording the first tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78

Set the input level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78 Assign the signals to buses . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81 Set the tracks to record-ready mode. . . . . . . . . . . . . . . . . . . . . . . 82 Make monitor settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83 Let’s record!. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85

Overdubbing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

Set the input level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87 Assign the signal to a bus. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88 Put the track in record-ready mode . . . . . . . . . . . . . . . . . . . . . . . 89 Make monitor settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90 Using EQ and the dynamics processor. . . . . . . . . . . . . . . . . . . . . 91

Using the four-band EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91

Using the dynamics processor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

Let’s overdub! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94

Mixdown . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

Creating the mix balance of the tracks . . . . . . . . . . . . . . . . . . . . . 95 Using the Solo function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96 Using the internal effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99

Other convenient functions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101

Fader groups . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101

Mute groups . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101

Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102

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— Operation Guide

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Yamaha AW4416 manual Connections Word clock settings, Preparations for recording, Recording the first tracks, Overdubbing
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AW4416 specifications

The Yamaha AW4416 is a digital audio workstation that revolutionized music production by combining powerful recording, mixing, and editing capabilities in a compact format. Introduced in the early 2000s, the AW4416 was designed to cater to musicians, producers, and engineers seeking a versatile and intuitive solution for their audio projects.

At its core, the AW4416 features 16 balanced XLR/TRS input channels, allowing professional-grade recording of vocals and instruments. Each channel is equipped with high-quality preamps, ensuring clean amplification of audio signals. The unit supports 24-bit audio resolution, which provides a dynamic range and clarity that is essential for high-fidelity recordings.

One of the standout technologies of the AW4416 is its onboard effects processing. The workstation includes a variety of studio-quality effects, such as reverb, delay, and modulation, which can be applied during tracking or mixing without the need for external equipment. This feature enables users to sculpt their sound creatively and efficiently within the device itself.

The AW4416 is powered by a user-friendly interface that combines physical controls with a graphical display. This layout allows for easy navigation and operation, making it accessible for both novice users and seasoned professionals. The large LCD screen provides a clear view of track information, parameters, and settings, enhancing the overall workflow.

Connectivity is another highlight of the AW4416. The device includes MIDI I/O, allowing users to integrate external MIDI instruments and controllers effortlessly. Additionally, the workstation features ADAT optical output, enabling multi-channel digital audio transfer to external devices or recording systems, enhancing its versatility in various studio environments.

With its onboard 40GB hard drive, the AW4416 provides ample storage for recording sessions, samples, and projects. It also includes CD-RW capabilities, making it straightforward to burn mixes and demos directly from the workstation.

In summary, the Yamaha AW4416 combines robust audio capabilities with intuitive operation and advanced features. Its combination of high-quality input channels, onboard effects, extensive connectivity options, and user-friendly interface makes it an enduring choice for those in the music production field. Whether for live recordings, studio sessions, or songwriting, the AW4416 remains a reliable and effective tool for capturing and crafting audio.
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