Roland XV-88 manuals
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When we buy new device such as Roland XV-88 we often through away most of the documentation but the warranty.
Very often issues with Roland XV-88 begin only after the warranty period ends and you may want to find how to repair it or just do some service work.
Even oftener it is hard to remember what does each function in Electronic Keyboard Roland XV-88 is responsible for and what options to choose for expected result.
Fortunately you can find all manuals for Electronic Keyboard on our side using links below.
Roland XV-88 Owner Manual
312 pages 5.51 Mb
OWNERS MANUAL 5 Important NotesPower Supply Placement Maintenance Repairs and Data Memory Backup Additional Precautions Before Using Memory Cards 6 How to Use This Manual8 Contents12 Appendices ................................21313 Main Features128-Voice Polyphony Compatible with the New SRX Series Wave Expansion Boards Powerful Array of Effects General MIDI- and General MIDI 2- Compatible 88-Key Piano Keyboard Features Hammer Action with Aftertouch Sophisticated User Interface Equipped with COMPUTER Connector Arpeggiator Included Equipped with D Beam ControllerGeneral MIDI General MIDI 2 14 Front and Rear PanelFront PanelD BEAM CONTROLLER Section PALETTE Section KEY EFFECTS Section MODE Section 1 5 2 3 4 6 7 15 8 10 9 11[PHRASE PREVIEW]/[DEMO] [PATCH FINDER]/[FAVORITE LIST] [INC/+], [DEC/-] [0][9] (Numeric Keys) [SHIFT] [ENTER]/[REGISTRY] GROUP Section[USER] [CARD] [PRESET] [EXP] BANK Section[A][H] Pitch Bend/Modulation Lever 16 9 1011 17 Rear PanelPower Switch AC Inlet MEMORY CARD Slot MIDI Connectors (IN, OUT, THRU) COMPUTER Switch COMPUTER Connector CTL 1, CTL 2 PEDAL Jack HOLD PEDAL Jack 19 Chapter 1. Overview of the XV-88How the XV-88 Is OrganizedXV-88 Basic StructureKeyboard Controller Section Sound Generator Section About the Local SwitchSequencerKeyboard Controller Sound Generator 20 Classification of XV-88 Sound Types23 Number of VoicesCalculating the Number of Voices Being Used How a Patch Sounds Note Priority in Performance Mode Voice Reserve 24 Basic Operations on the XV-88Switching ModesSound GeneratorPatch Mode Performance Mode Zone Mode Rhythm Set Mode GM Mode System Mode Utility Mode 25 About the Function ButtonsIn Performance Mode In Patch Mode In Rhythm Set Mode In GM Mode When [EDIT] Indicator is Lit 26 About the Cursor ButtonsMoving Between Display PagesMoving Between Pages Moving Between Groups Moving the Cursor (underline) Remote Control of External Sequencers 27 Modifying a ValueVALUE Dial [INC/+] and [DEC/-] [0][9] (Numeric Keys) Restoring a Previous Value (Undo) 28 Assigning a NameUsing the Numeric Keys Convenient Functions 29 Chapter 2. Playing49 Chapter 3. Creating PerformancesHow a Performance Is Organized How to Make the Performance Settings 51 Functions of Performance Settings Common to the Entire Performance (COMMON)PERFORM NAME (Performance Name) KEY RANG (Key Range)L.Fade (Key Fade Width Lower) U.Fade (Key Fade Width Upper) PERFORM MFX CH (Performance MFX Channel)MFX Control Channel (Multi-effects Control Channel) 52 Setting Effects for a Performance Making Settings for Receiving RxSWITCH (Receive Switch) VELO CRV (Velocity Curve)Velocity Curve Phase Lock (Phase Lock Switch) 53 Making Settings for Each Part (PART)PATCHType (Part Type) Group (Patch/Rhythm Set Group) Number (Patch/Rhythm Set Number) SETTINGLevel (Part Level) Pan (Part Pan) Voice Reserve 54 MODIFYCut (Part Cutoff Frequency Offset) Res (Part Resonance Offset) Atk (Part Attack Time Offset) Rel (Part Release Time Offset) Velocity Sens (Part velocity Sensitivity Offset) Octave (Part Octave Shift) Calculating the Number of Voices Being Used Coarse (Part Coarse Tune) Fine (Part Fine Tune) BendRng (Bend Range) 55 MONO/POL (Mono/Poly)Mno/Pol (Part Mono/Poly) Legato (Part Legato Switch) Portament Sw:Tm (Part Portamento Switch:Time) Coarse Tune and Octave Shift Confirming MIDI Information for Each Part (INFO) 56 Changing the Settings of the Patch/Rhythm Set Assigned to a Part57 Chapter 4. Zone Settings65 Chapter 5. Creating PatchesHow a Patch Is OrganizedHow a Tone Is OrganizedLFO (Low Frequency Oscillator) 66 How to Make the Patch Settings69 Functions of Patch Settings Common to the Entire Patch (COMMON)PATCH NAME PATCH CATEGORYCategory (Patch Category) 70 PATCH LVL&PAN (Patch level & Pan)Level (Patch Level) Pan (Patch Pan) Analog Feel (Analog Feel Depth) PATCH OCT&TUNE (Patch Octave & Tune)Octave (Octave Shift) Stretch (Stretch Tuning Depth) PATCH COMMONPriority (Voice Priority) 71 PATCH TEMPOClock Source (Patch Clock Source) Tempo (Patch Tempo) PATCH MODIFYCut (Cutoff Frequency Offset) Res (Resonance Offset) Atk (Attack Time Offset) Rel (Release Time Offset) Velocity Sens (Velocity Sensitivity Offset) 72 TMT VELO CONTROL (TMT Velocity Control)TMT Velocity Control (TMT Velocity Control Switch) TMT VEL RANG (TMT Velocity Range)Lower (Velocity Range Lower) Upper (Velocity Range Upper) L.Fade (Velocity Fade Width Lower) U.Fade (Velocity Fade Width Upper) 73 TMT KEY RANG (TMT Key Range)L.Fade (Key Fade Width Lower) U.Fade (Key Fade Width Upper) STRUCT (Structure)Type (Structure Type) Booster (Booster Gain) 75 Setting Effects for a Patch What is a Booster? TVA WG1 WG2 BoosterWhat is a Ring Modulator? 76 Using Controllers to Change How Sounds Are Played (CONTROL)PATCH KEY MODE (Patch Key Assign Mode)Assign (Key Assign) Legato (Solo Legato Switch) Legato Retrigger (Legato Retrigger Switch) PATCH PORTAMNT (Patch Portamento)Sw (Portamento Switch) Time (Portamento Time) Mode (Portamento Mode) Type (Portamento Type) What is Portamento? Start (Portamento Start Pitch) 77 CTRL Rx MIDI (Control Receive MIDI)Bender (Receive Pitch Bend Switch) Expression (Receive Expression Switch) Pan Mode (Receive Pan Mode) Hold-1 (Receive Hold 1 Switch) Redamper (Redamper Switch) Envelope Mode 78 TMT CTRL&BENDER (TMT Control & Bender)TMT Ctrl Sw (TMT Control Switch) Bend Range MATRIX CTRL SRC (Matrix Control Source)Control 14 (Matrix Control Source 14) What is the Matrix Controller? 79 MATRIX CONTROL 14Dest (Matrix Control Destination) Opening and Closing the Filter Changing the Volume, Pan, and Pitch 80 Changing How the Effects Are AppliedApplying LFO to Modulate Sounds Changing the Pitch Envelope Changing the TVF Envelope Changing the TVA Envelope Splitting Tones That Are Played Changing the Depth of Frequency Modulation for FXM Changing Specific Multi-Effects Parameters Sns (Matrix Control Sensitivity) Tone (Matrix Control Tone) 81 Modifying Waveforms (WAVE)WAVEGroup (Wave Group) Number (Wave Number) Gain (Wave Gain) Switch (Tone Switch) Wave Tempo Sync FXM (Frequency Cross Modulation)Switch (FXM Switch) Color (FXM Color) Depth (FXM Depth) What is a Phrase Loop? 82 TONE DELAYMode (Tone Delay Mode) Time (Tone Delay Time) 83 Modulating Sounds (LFO)LFO1/LFO2 WAVEForm (LFO Waveform) Ofset (LFO Level Offset) Rate (LFO Rate) Detune (LFO Rate Detune) KeySync (LFO Key Sync) 84 LFO1/LFO2 FADEFade Mode (LFO Fade Mode) Fade Time (LFO Fade Time) LFO1/LFO2 DELAYDelay Time (LFO Delay Time) Delay Keyfollow (LFO Delay Time Keyfollow) How to Apply the LFOLFO is gradually added after the key is pressed. LFO is immediately added after the key is pressed, after which the effect gradually fades. LFO is gradually added after the key is released. 85 LFO DEPTH 1:2Pitch (Pitch LFO Depth 1, 2) TVF (TVF LFO Depth 1, 2) TVA (TVA LFO Depth 1, 2) Pan (Pan LFO Depth 1, 2) 86 Modifying Pitch (PITCH)Coarse (Coarse Tune) Fine (Fine Tune) Random (Random Pitch Depth) Keyfollow (Pitch Keyfollow) PCH ENVELOPE (Pitch Envelope)Depth (Pitch Envelope Depth) V-Sens (Pitch Envelope Velocity Sensitivity) Time Keyfollow (Pitch Envelope Time Keyfollow) V-T1 (Pitch Envelope Time 1 Velocity Sensitivity) V-T4 (Pitch Envelope Time 4 Velocity Sensitivity) L0 (Pitch Envelope Level 0) T1T4 (Pitch Envelope Time 14) L1L4 (Pitch Envelope Level 14) 87 Modifying the Brightness of a Sound with a Filter (TVF)TVF FILTER 89 TVF VELOCITYV-Cutoff (Cutoff Frequency Velocity Sensitivity) V-Curve (Cutoff Frequency Velocity Curve) V-Resonance (Resonance Velocity Sensitivity) TVF ENVELOPEDepth (TVF Envelope Depth) V-Sens (TVF Envelope Velocity Sensitivity) V-Curve (TVF Envelope Velocity Curve) Time KF (TVF Envelope Time Keyfollow) V-T1 (TVF Envelope Time 1 Velocity Sensitivity) V-T4 (TVF Envelope Time 4 Velocity Sensitivity) L0 (TVF Envelope Level 0) T1T4 (TVF Envelope Time 14) L1L4 (TVF Envelope Level 14) 90 Adjusting the Volume and Pan (TVA)TVALevel (Tone Level) Pan (Tone Pan) V-Sens (TVA Envelope Velocity Sensitivity) V-Curve (TVA Envelope Velocity Curve) 91 BIASBias (Bias Level) Point (Bias Point) Direction (Bias Direction) PAN MODULATEKeyfollow (Pan Keyfollow) Random (Random Pan Depth) Alternate (Alternate Pan Depth) 92 TVA TIME ENV (TVA Time Envelope)V-T1 (TVA Envelope Time 1 Velocity Sensitivity) V-T4 (TVA Envelope Time 4 Velocity Sensitivity) Time Keyfollow (TVA Envelope Time Keyfollow) TVA ENVELOPET1T4 (TVA Envelope Time 14) L1L3 (TVA Envelope Level 13) 93 Chapter 6. Creating Rhythm SetsHow a Rhythm Set Is Organized How to Make the Rhythm Set Settings 96 Functions of Rhythm Set Settings Common to the Entire Rhythm Set (COMMON)RHYTHM NAME (Rhythm Set Name) RHYTHM COMMON (Rhythm Set Common) RHYTHM TEMPO (Rhythm Set Tempo)Clock Source (Rhythm Set Clock Source) Tempo (Rhythm Set Tempo) 97 Setting Effects for a Rhythm Set Controlling How a Rhythm Tone will Sound with Controllers (CONTROL)CONTROLBend Range Envelope Mode Mute Group Assign Type Rx MIDI (Receive MIDI)Expression (Receive Expression Switch) Pan (Receive Pan Mode) Hold-1 (Receive Hold 1 Switch) 98 Modifying Waveform of a Rhythm Tone (WAVE)TONE NAME (Rhythm Tone Name) WMT WAVEGroup (Wave Group) Number (Wave Number) Gain (Wave Gain) Level (Wave Level) Sw (Wave Switch) Tempo Sync (Wave Tempo Sync) Tips on Creating a Rhythm Tone 99 WMT VEL RANG (WMT Velocity Range)Lower (Velocity Range Lower) Upper (Velocity Range Upper) L.Fade (Velocity Fade Width Lower) U.Fade (Velocity Fade Width Upper) VELO CONTROL (Velocity Control)WMT Velocity Control (WMT Velocity Control Switch) WMT PANPan (Wave Pan) Random (Random Pan Switch) Alternate (Alternate Pan Switch) What is a Phrase Loop? WMT TUNE (WMT Tune) WMT FXM (WMT Frequency Cross Modulation)Switch (FXM Switch) Color (FXM Color) Depth (FXM Depth) 100 Modifying Pitch of a Rhythm Tone (PITCH)Random (Random Pitch Depth) PCH ENVELOPE (Pitch Envelope)Depth (Pitch Envelope Depth) V-Sens (Pitch Envelope Velocity Sensitivity) V-T1 (Pitch Envelope Time 1 Velocity Sensitivity) V-T4 (Pitch Envelope Time 4 Velocity Sensitivity) L0 (Pitch Envelope Level 0) T1T4 (Pitch Envelope Time 14) L1L4 (Pitch Envelope Level 14) 101 Changing the Tone (Filter) of a Rhythm Tone (TVF)TVF FILTERType (Filter Type) Cutoff (Cutoff Frequency) Resonance 102 TVF VELOCITYV-Cutoff (Cutoff Frequency Velocity Sensitivity) V-Curve (Cutoff Frequency Velocity Curve) V-Resonance (Resonance Velocity Sensitivity) TVF ENVELOPEDepth (TVF Envelope Depth) V-Sens (TVF Envelope Velocity Sensitivity) V-Curve (TVF Envelope Velocity Curve) V-T1 (TVF Envelope Time 1 Velocity Sensitivity) V-T4 (TVF Envelope Time 4 Velocity Sensitivity) L0 (TVF Envelope Level 0) T1T4 (TVF Envelope Time 14) L1L4 (TVF Envelope Level 14) 103 Adjusting the Volume and Pan of a Rhythm Tone (TVA)TVALevel (Rhythm Tone Level) Pan (Rhythm Tone Pan) Random (Random Pan Depth) Alternate (Alternate Pan Depth) 104 TVA VELOCITYVelocity Sens (TVA Envelope Velocity Sensitivity) Velocity Curve (TVA Envelope Velocity Curve) TVA TIME ENV (TVA Time Envelope)V-T1 (TVA Envelope Time 1 Velocity Sensitivity) V-T4 (TVA Envelope Time 4 Velocity Sensitivity) TVA ENVELOPET1T4 (TVA Envelope Time 14) L1L3 (TVA Envelope Level 13) 105 Chapter 7. Adding Effects162 Chapter 8. Saving SoundsSave Select Expansion Board Memory Card There are three methods for saving Tones. About MemoryXV-88Temporary AreaWrite SelectSelectSelect Load 163 Temporary MemoryRewritable MemorySystem Memory User Memory Memory Card (SmartMedia) Non-Rewritable MemoryPreset Memory Wave Expansion Boards (optional: SR-JV80/SRX Series) 164 Saving to Internal Memory166 Saving to an External MIDI DeviceWhen Saving a Performance When Saving a Patch When Saving a Rhythm Set 167 Saving a Group of Tones to a Memory Card168 Chapter 9. Getting More Familiar with the XV-88 (System Functions)How to Make the System Function Settings Functions of System Display Screen Contrast and Clock Settings (SETUP)SYSTEM SETUPLCD (LCD Contrast) Power Up Mode Master Level Clock Source (System Clock Source) System Tempo Mix/Parallel Patch Remain (Patch Remain Switch) 169 MIDI Settings (MIDI)PERFORM MIDI (Performance MIDI)Control Channel (Performance Control Channel) 170 PATCH MIDIRx Ch (Patch/Rhythm Set Receive Channel) Tx Ch (Patch/Rhythm Set Transmit Channel) GM MIDI RECEIVE MIDIProgram Change (Receive Program Change Switch) Bank Select (Receive Bank Select Switch) TRANSMIT MIDI SYSTEM MIDI 171 Keyboard and Controllers Settings (CONTROL)KEYBOARD 172 HOLD PEDALContinuous (Continuous Switch) Output (Pedal Output) Polarity (Pedal Polarity) CONTROL PEDAL 1, 2Assign (Pedal 1, 2 Assign) Output (Pedal 1, 2 Output) Polarity (Pedal 1, 2 Polarity) C1C4 ASSIGN (C1C4 Slider Assign)Assign (C1C4 Slider Assign) C1C4 Output (C1C4 Slider Output) SYS CTRL ASSIGN 1, 2 (System Control Assign 1, 2)Control 14 (System Control Assign 14) 173 Adjusting Tuning (TUNE)SYSTEM TUNEMaster (Master Tune) Key Shift (Master Key Shift) Scale Tune (Scale Tune Switch) PATCH SCALE KEY SCALE 174 Arpeggiator Settings (ARPEGGIO)ARPEGGIOStyle (Arpeggio Style) Equal Temperament Just Temperament (Tonic of C) Arabian Scale 175 Octave RangeMotif Beat Pattern Accent Rate Shuffle Rate Key Velocity Tempo (Arpeggio Tempo) 176 Setting the D Beam Controller (D BEAM)D BEAM CONTROLAssign (D Beam Assign) Output (D Beam Output) Polarity (D Beam Polarity) D BEAM RANGELower (D Beam Range Lower) Upper (D Beam Range Upper) D BEAM SENS 177 Phrase Preview Settings (PREVIEW)SYSTEM PREVIEWPreview Mode (Preview Sound Mode) PREVIEW KEYNote 14 (Preview Note Set 14) PREVIEW VELOCITYNote 14 (Preview Velocity) 179 Chapter 10. Memory Settings (Utility Mode)About Utility ModeUTIL 1 (Utility 1)WRITE COPY INIT (Initialize) XFER (Data Transfer) PROTECT (User Memory Protect) UTIL 2 (Utility 2)CARD LOAD SAVE FACTORY RESET Basic Procedure in Utility Mode 180 Storing Sound Data in User Memory (WRITE)182 Copying Sound Generator Settings (COPY)Copying a PerformancePerformance Part Copy Performance Effects Copy Performance Name Copy 183 Copying a PatchPatch Tone Copy Patch Effects Copy Patch Name Copy 184 Copying a Rhythm SetRhythm Tone Copy Rhythm Set Effects Copy Rhythm Set Name Copy 185 Initializing Sound Generator Settings (INIT)Mode (Initialize Mode) Initializing a Performance Initializing a Patch Initializing a Rhythm SetWhen Initializing a Rhythm Tone When Initializing a Rhythm Set Transmitting Sound Settings (XFER) 188 Protecting the Internal Memory (PROTECT)Internal (Internal Write Protect) Exclusive (Exclusive Protect) Memory Card-Related Settings (CARD) 190 Loading a File from Memory Card into the XV-88 (LOAD)Saving Data to Memory Card (SAVE) 191 Recalling Factory Default Settings (FACTORY RESET)192 Chapter 11. Using the XV-88 as a GM Sound Module (GM Mode)199 Chapter 12. Realizing the Potential of the XV-88214 TroubleshootingCannot Turn the Power On No Sound 215 Song Data Does Not Play Back CorrectlyA Specific Part Does Not Sound No Sound from Connected MIDI Device A Specific Keyboard Area Does Not Sound 216 Sound Is DistortedPitch Is Incorrect Effects Do Not Apply Sounds Are Interrupted When You Play the Keyboard, Notes Do Not Stop Exclusive Messages Are Not Received The XV-88 Does Not Transmit MIDI Data 218 Error Messages220 Quick Reference of Procedures230 Parameter ListPerformance Parameters* Parameters that can be set independently for each Part are indicated by P. COMMON Group (p. 51) EFFECTS Group (p. 52) 231 MIDI Group (p. 52)PART Group (p. 53) INFORMATION Group (p. 56) 232 Zone Parameters* Parameters that can be set independently for each Tone are indicated by Z. COMMON Group (p. 58) KEY RANGE Group (p. 59) MIDI Group (p. 59) EXT CONTROL Group (p. 60) ARPEGGIO Group (p. 61) D BEAM Group (p. 63) INFO Group (p. 64) 233 Patch Parameters237 Rhythm Set Parameters240 GM Mode Parameters* Parameters that can be set independently for each Part are indicated by P. EFFECTS Group (p. 194) MIDI Group (p. 195) PART Group (p. 196) INFO Group (p. 197) 241 Multi-Effects Parameters01: STEREO EQ (p. 119) 02: OVERDRIVE (p. 119) 03: DISTORTION (p. 120) 04: PHASER (p. 120) 05: SPECTRUM (p. 121) 06: ENHANCER (p. 121) 07: AUTO WAH (p. 122) 08: ROTARY (p. 122) 09: COMPRESSOR (p. 123) 242 10: LIMITER (p. 123)11: HEXA-CHORUS (p. 124) 12: TREMOLO CHORUS (p. 124) 13: SPACE-D (p. 125) 14: STEREO CHORUS (p. 125) 15: STEREO FLANGER (p. 126) 16: STEP FLANGER (p. 126) 17: STEREO DELAY (p. 127) 243 18: MODULATION DELAY (p. 128)19: TRIPLE TAP DELAY (p. 129) 20: QUADRUPLE TAP DELAY (p. 130) 21: TIME CONTROL DELAY (p. 131) 22: 2VOICE PITCH SHIFTER (p. 131) 23: FBK PITCH SHIFTER (p. 132) 24: REVERB (p. 133) 244 25: GATED REVERB (p. 133)26: OVERDRIVECHORUS (p. 134) 27: OVERDRIVEFLANGER (p. 134) 28: OVERDRIVEDELAY (p. 135) 29: DISTORTIONCHORUS (p. 135) 30: DISTORTIONFLANGER (p. 135) 31: DISTORTIONDELAY (p. 135) 32: ENHANSERCHORUS (p. 136) 33: ENHANSERFLANGER (p. 136) 34: ENHANSERDELAY (p. 137) 35: CHORUSDELAY (p. 137) 245 36: FLANGERDELAY (p. 138)37: CHORUSFLANGER (p. 138) 38: CHORUS/DELAY (p. 139) 39: FLANGER/DELAY (p. 139) 40: CHORUS/FLANGER (p. 139) 41: STEREO PHASER (p. 139) 42: KEYSYNC FLANGER (p. 140) 43: FORMANT FILTER (p. 141) 44: RING MODULATOR (p. 142) 246 45: MULTI TAP DELAY (p. 143)46: REVERSE DELAY (p. 144) 47: SHUFFLE DELAY (p. 145) 48: 3D DELAY (p. 146) 49: PITCH SHIFTER (p. 147) 50: LOFI COMPRESS (p. 147) 247 51: LOFI NOISE (p. 148)52: SPEAKER SIMULATOR (p. 148) 53: OVERDRIVE 2 (p. 149) 54: DISTORTION 2 (p. 149) 55: STEREO COMPRESSOR (p. 150) 56: STEREO LIMITER (p. 150) 57: GATE (p. 151) 58: SLICER (p. 151) 59: ISOLATOR (p. 152) 60: 3D CHORUS (p. 152) 61: 3D FLANGER (p. 153) 62: TREMOLO (p. 154) 63: AUTO PAN (p. 155) 248 Chorus ParametersCHORUS (p. 157) DELAY (p. 157) 249 Reverb ParametersREVERB (p. 159) SRV ROOM/SRV HALL/SRV PLATE (p. 160) 250 System ParametersSETUP Group (p. 168) MIDI Group (p. 169) CONTROL Group (p. 171) 251 TUNE Group (p. 173)ARPEGGIO Group (p. 174) D BEAM Group (p. 176) PREVIEW Group (p. 177) INFO Group (p. 178) 252 Performance ListUSER (User Group) PR-A (Preset A Group) PR-B (Preset B Group) 253 Patch List258 Rhythm Set List263 Waveform List268 Arpeggio Style List269 About MIDIAbout MIDI ConnectorsMIDI IN Connector MIDI OUT Connector MIDI THRU Connector MIDI Channels and Multi-timbral Sound Generators 270 MIDI Implementation1. Receive dataChannel Voice MessagesNote off Note on Polyphonic Key Pressure Control ChangeBank Select (Controller number 0, 32) Modulation (Controller number 1) Breath type (Controller number 2) Foot type (Controller number 4) Portamento Time (Controller number 5) Data Entry (Controller number 6, 38) 271 Volume (Controller number 7)Balance (Controller number 8) Panpot (Controller number 10) Expression (Controller number 11) Hold 1 (Controller number 64) Portamento (Controller number 65) Sostenuto (Controller number 66) Soft (Controller number 67) Legato Foot Switch (Controller number 68) Hold-2 (Controller number 69) Resonance (Controller number 71) Release Time (Controller number 72) Attack time (Controller number 73) Cutoff (Controller number 74) Decay Time (Controller number 75) Vibrato Rate (Controller number 76) Vibrato Depth (Controller number 77) Vibrato Delay (Controller number 78) General Purpose Controller 5 (Controller number 80) General Purpose Controller 6 (Controller number 81) General Purpose Controller 7 (Controller number 82) General Purpose Controller 8 (Controller number 83) Portamento control (Controller number 84) Effect 1 (Reverb Send Level) (Controller number 91) Effect 3 (Chorus Send Level) (Controller number 93) RPN MSB/LSB (Controller number 100, 101) 272 Program ChangeChannel Pressure Pitch Bend Change 273 Channel Mode MessagesAll Sounds Off (Controller number 120) Reset All Controllers (Controller number 121) All Notes Off (Controller number 123) OMNI OFF (Controller number 124) OMNI ON (Controller number 125) MONO (Controller number 126) POLY (Controller number 127) System Realtime MessageTiming Clock Active Sensing System Exclusive MessageUniversal Non-realtime System Exclusive MessagesIdentity Request Message GM1 System On GM2 System On GM System Off 274 Universal Realtime System Exclusive MessagesMaster Volume Master Fine Tuning Master Coarse Tuning Global Parameter ControlReverb Parameters Chorus Parameters Channel Pressure Controller Scale/Octave Tuning Adjust Key-based Instrument Controllers 275 Data TransmissionData Request 1RQ1 (11H) Data set 1DT1 (12H) 276 2. Data TransmissionChannel Voice MessagesNote off Note on Control ChangeBank Select (Controller number 0, 32) Modulation (Controller number 1) Breath type (Controller number 2) Portamento Time (Controller number 5) Data Entry (Controller number 6, 38) Volume (Controller number 7) Panpot (Controller number 10) Expression (Controller number 11) Hold 1 (Controller number 64) Portamento (Controller number 65) Resonance (Controller number 71) Release Time (Controller number 72) Attack time (Controller number 73) Cutoff (Controller number 74) General Purpose Controller 5 (Controller number 80) General Purpose Controller 6 (Controller number 81) General Purpose Controller 7 (Controller number 82) General Purpose Controller 8 (Controller number 83) Portamento control (Controller number 84) RPN MSB/LSB (Controller number 100, 101) 277 Program ChangeChannel Pressure Pitch Bend Change 278 Channel Mode MessagesAll Sounds Off (Controller number 120) Reset All Controllers (Controller number 121) MONO (Controller number 126) POLY (Controller number 127) System Common MessagesSong Position Pointer Song Select System Realtime MessagesContinue Stop Active Sensing System Exclusive MessagesUniversal Non-realtime System Exclusive Message Data Transmission 279 3. Parameter Address Map [128-Voice Expandable Synthesizer] Date: Feb. 15, 2000 Model XV-88 Version: 1.00 296 MIDI Implementation Chart298 Specifications299 Computer Cable Wiring DiagramsFor Apple Macintosh For PC (9-pin) For PC (25-pin) 300 IndexSymbols Numerics A B C 301 D302 EF G H I 303 JK L 304 M305 NO P 307 R308 ST 309 UV 310 WX Z FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENT 311 Apparatus containing Lithium batteriesADVARSEL! VARNING CAUTION ADVARSEL VAROITUS NOTICE AVIS 312 Information02019189 02-5-C2-71KAs of May 1, 2002 (Roland) ARGENTINAInstrumentos Musicales S.A. BRAZIL MEXICOCasa Veerkamp, s.a. de c.v. PANAMA U. S. A. VENEZUELA AUSTRALIA Roland Corporation Australia Pty., Ltd. NEW ZEALAND HONG KONGTom Lee Music Co., Ltd. Service Division CHINABeijing Xinghai Musical Instruments Co., Ltd.Shanghai Xingtong Acoustics Equipment CO.,Ltd. INDIARivera Digitec (India) Pvt. Ltd. INDONESIA MALAYSIA PHILIPPINES G.A. Yupangco & Co. Inc. SINGAPORE TAIWANROLAND TAIWAN ENTERPRISE CO., LTD. THAILAND BAHRAIN VIETNAM JORDAN KUWAIT LEBANON QATARAl Emadi Co. (Badie Studio & Stores) SAUDI ARABIAaDawliah Universal Electronics APL TURKEY Barkat muzik aletleri ithalat ve ihracat Ltd Sti U.A.E.Zak Electronics & Musical Instruments Co. L.L.C. EGYPT REUNION SOUTH AFRICAThat Other Music Shop (PTY) Ltd. Paul Bothner (PTY) Ltd. CYPRUSRadex Sound Equipment Ltd. DENMARK FRANCE FINLANDRoland Scandinavia As, Filial Finland GERMANY Roland Elektronische Musikinstrumente HmbH. GREECESTOLLAS S.A. Music Sound Light HUNGARY IRELAND ITALY NORWAYRoland Scandinavia Avd. Kontor Norge POLAND PORTUGALTecnologias Musica e Audio, Roland Portugal, S.A. RUSSIA SPAINRoland Electronics de Espaa, S. A. SWITZERLANDRoland (Switzerland) AG Musitronic AG SWEDEN Roland Scandinavia A/S SWEDISH SALES OFFICE UKRAINE UNITED KINGDOM KOREA AUSTRIARoland Austria GES.M.B.H. BELGIUM/HOLLAND/ LUXEMBOURG AFRICA EUROPE AUSTRALIA/ NEW ZEALAND ASIA CENTRAL/LATIN AMERICA NORTH AMERICA MIDDLE EAST AFRICAEL SALVADOR ROMANIA PARAGUAYDistribuidora De Instrumentos Musicales COSTA RICAJUAN Bansbach Instrumentos Musicales CRISTOFORI MUSIC PTE LTD IRAN ISRAELHalilit P. Greenspoon & Sons Ltd. SYRIATechnical Light & Sound Center CANADA Roland Canada Music Ltd. (Head Office) Roland Canada Music Ltd. (Toronto Office)
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