Velocity (VELOCITY): Pressure you press a key with

Keyfollow (KEYFOLLOW): Keyboard position with C4 as 0

Tempo (TEMPO): The specified tempo (Patch Tempo/ System Tempo) or MIDI sequencer’s tempo (external tempo)

LFO 1 (LFO1): LFO 1 cycle rate

LFO 2 (LFO2): LFO 2 cycle rate

Pitch Envelope (PITCH ENV)

TVF Envelope (TVF ENV)

TVA Envelope (TVA ENV)

Velocity and Keyfollow correspond to Note messages.

You can use the tempo as a Matrix Controller. This lets you change the Tone settings in realtime according to changes in the Tempo.

When synchronizing to the Patch tempo, set the Clock Source parameter (PATCH/COMMON/PATCH TEMPO) to PATCH, and specify the Patch tempo with the TEMPO parameter (PATCH/COMMON/PATCH TEMPO).

When synchronizing to the System tempo, set the Clock Source parameter (PATCH/COMMON/PATCH TEMPO) to SYSTEM, set the Clock Source parameter (SYSTEM/COMMON/SYSTEM SETUP) to INT, and specify the System tempo with the System Tempo parameter (SYSTEM/COMMON/SYSTEM SETUP). When synchronizing to the tempo of the connected MIDI sequencer, set the Clock Source parameter (PATCH/ COMMON/PATCH TEMPO) to SYSTEM, and set the Clock Source parameter (SYSTEM/COMMON/SYSTEM SETUP) to MIDI.

Although there are no MIDI messages for LFO 1 through TVA Envelope, they can be used as Matrix Controllers. In this case, you can change the Tone settings in realtime by playing Patches.

Select SYS-CTRL1–4 if you want to use the controllers globally for the entire XV-88. MIDI messages used as System Controllers 1–4 are set with the Control 1–4 parameters (SYSTEM/CONTROL/SYS CTRL ASSIGN 1, 2) (p. 173).

Chapter 5. Creating Patches

• There are parameters that determine whether or not

 

Pitch Bend, Controller Number 11 (Expression) and

 

Controller Number 64 (Hold 1) are received (p. 77).

 

When these settings are ON, and the MIDI messages are

 

received, then when any change is made in the settings

 

of the desired parameter, the Pitch Bend, Expression,

 

and Hold 1 settings also change simultaneously. If you

 

want to change the targeted parameters only, then set

 

these to OFF.

 

• There are parameters that determine whether or not

 

specific MIDI messages are received for each MIDI

 

channel (p. 52). When a Patch with Matrix Control

 

settings is assigned to a part, confirm that any MIDI

5

messages is disabled, then the Matrix Controller will not

Chapter

messages used for the Matrix Controller will be received.

 

If the XV-88 is set up such that reception of MIDI

 

function.

 

MATRIX CONTROL 1–4

Dest (Matrix Control Destination)

Matrix Control Destination selects the Tone parameter that is to be controlled when using the Matrix Controller. The following parameters can be controlled. When not controlling parameters with the Matrix Controller, set this to OFF. Up to four parameters (DEST1–4) can be specified for each Matrix Controller, and controlled simultaneously.

In this manual, Parameters that can be controlled using the Matrix Controller are marked with a .

Opening and Closing the Filter

CUTOFF: Changes the cutoff frequency.

RESONANCE: Emphasizes the overtones in the region of the cutoff frequency, adding character to the sound.

Changing the Volume, Pan, and Pitch

LEVEL: Changes the volume level.

PAN: Changes the pan.

PITCH: Changes the pitch.

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Roland XV-88 Dest Matrix Control Destination, Opening and Closing the Filter, Changing the Volume, Pan, and Pitch