Roland XV-88 Parameter List, Performance Parameters, Common Group p, Effects Group p, 230

Parameter List

Performance Parameters

* Parameters that can be set independently for each Part are indicated by “P.”

COMMON Group (p. 51)

Display	Parameter		Value
PERFORM NAME	----	Performance name	ASCII Characters (max. 12)
PART KEY RANG	L.Fade	Key fade width lower	0–127	P
	Lower	Key range lower	C-1–G9	P
	Upper	Key range upper	C-1–G9	P
	U.Fade	Key fade width upper	0–127	P
PERFORM MFX CH	MFX Control Channel	Multi-effects control channel	1–16, OFF	P

EFFECTS Group (p. 52)

Display	Parameter		Value
OUTPUT	Output Assign	Output assign	MFX, OUTPUT A/B, INDIV 1–4, PATCH	P
		Output level	0–127	P
	Chorus	Chorus send level	0–127	P
	Reverb	Reverb send level	0–127	P
PERFORM MFX TYPE	Type	Multi-effects type	(*1)
	Source	Multi-effects source	PERFORM, PART 1–16
PERFORM MFX PRM	(*1)	Multi-effects parameters
PERFORM MFX CTRL	Source	Multi-effects control source 1, 2, 3, 4	(*2)
	Destination	Multi-effects control destination 1, 2, 3, 4	(*3)
	Sens	Multi-effects control sensitivity 1, 2, 3, 4	-63– +63
PERFORM MFX OUT	Output	Multi-effects output assign	A, B
	Dry	Multi-effects dry send level	0–127
	Chorus	Multi-effects chorus send level	0–127
	Reverb	Multi-effects reverb send level	0–127
PERFORM CHO TYPE	Type	Chorus type	OFF, CHORUS, DELAY
	Source	Chorus source	PERFORM, PART 1–16
PERFORM CHO PRM	(*4)	Chorus parameters
PERFORM CHO OUT	Output Assign	Chorus output assign	A, B
	Level	Chorus level	0–127
	Select	Chorus output select	MAIN, REV, MAIN+REV
PERFORM REV TYPE	Type	Reverb type	OFF, REVERB, SRV ROOM, SRV HALL, SRV PLATE
	Source	Reverb source	PERFORM, PART 1–16
PERFORM REV PRM	(*5)	Reverb parameters
PERFORM REV OUT	Output Assign	Reverb output assign	A, B
	Level	Reverb level	0–127

*1: Refer to “Multi-Effects Parameters” (p. 241).

*2: OFF, CC01–95 (except 32), PITCH BEND, AFTERTOUCH, SYS-CTRL1, SYS-CTRL2, SYS-CTRL3, SYS-CTRL4

*3: Refer to “Multi-Effects Types” (p. 117).

*4: Refer to “Chorus Parameters” (p. 248).

*5: Refer to “Reverb Parameters” (p. 249).

230