Roland XV-88 owner manual Patch Tempo, Patch Modify

OUTPUT A: Output to the OUTPUT A (MIX) jacks in stereo without passing through Multi-effects.

OUTPUT B: Output to the OUTPUT B (MIX) jacks in stereo without passing through Multi-effects.

INDIV 1: Output to the INDIVIDUAL 1 jack in mono without passing through Multi-effects.

INDIV 2: Output to the INDIVIDUAL 2 jack in mono without passing through Multi-effects.

INDIV 3: Output to the INDIVIDUAL 3 jack in mono without passing through Multi-effects.

INDIV 4: Output to the INDIVIDUAL 4 jack in mono without passing through Multi-effects.

TONE: Outputs according to the settings for each Tone.

•When outputting in mono, the Pan setting is disabled.

•When the settings are such that signals are split and output from the INDIVIDUAL 1 jack and INDIVIDUAL 2 jack, and no plug is inserted in the INDIVIDUAL 2 jack, the sounds from INDIVIDUAL 1 and INDIVIDUAL 2 are mixed together, then output from the INDIVIDUAL 1 jack. This sound comprises the sounds from the INDIVIDUAL 1 and 2 jacks.

If the Mix/Parallel parameter (SYSTEM/SETUP/ SYSTEM SETUP) is set to MIX, all sounds are output from the OUTPUT A (MIX) jacks in stereo (p. 169).

PATCH TEMPO

Clock Source (Patch Clock Source)

The LFO cycle, Multi-effects changes, Phrase Loop, and Tone Delay time can be synchronized to a clock (tempo). When this is used by the Patch, this Clock Source setting determines the clock which will be used.

PATCH: Synchronize to the Patch Tempo setting.

SYSTEM: The global System Tempo or clock messages received from an external sequencer will be used.

For details on using clock (tempo), refer to (p. 200).

Tempo (Patch Tempo)

When Clock Source (Patch Clock Source) is set to PATCH, this setting value is effective.

The Patch Tempo Clock does not transmit clock messages from the MIDI OUT connector.

Chapter 5. Creating Patches

PATCH MODIFY

Cut (Cutoff Frequency Offset)

Cutoff Frequency Offset alters the cutoff frequency of the overall Patch, while preserving the relative differences between the cutoff frequency values set for each Tone in the Cutoff parameters (PATCH/TVF/TVF FILTER) (p. 88).

*Cutoff Frequency: the frequency at which the filter begins to have an effect on the waveform’s frequency components.

Since the values for the Cutoff parameters for each Tone	5
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are added to the values made in this setting, if the Cutoff
parameters are set to 127 (maximum), then no further
changes are made, even when a positive value is used for
this setting.

Res (Resonance Offset)

Resonance Offset alters the resonance of the overall Patch, while preserving the relative differences between the resonance values set for each Tone in the Resonance parameter (PATCH/TVF/TVF FILTER) (p. 88).

*Resonance: emphasizes the overtones in the region of the cutoff frequency, adding character to the sound.

Since the values for the Resonance parameters for each Tone are added to the values made in this setting, if the Resonance parameters are set to 127 (maximum), then no further changes are made, even when a positive value is used for this setting.

Atk (Attack Time Offset)

Attack Time Offset alters the attack time of the overall Patch, while preserving the relative differences between the attack time values set for each Tone in the T1 parameters (PATCH/ TVA/TVA ENVELOPE) (p. 92).

*Attack Time: The time it takes for a sound to reach maximum volume after the key is pressed and sound begun

Since the values for the T1 parameters for each Tone are added to the values made in this setting, if the T1 parameters are set to 127 (maximum), then no further changes are made, even when a positive value is used for this setting.

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