Roland XV-88 TMT KEY Rang TMT Key Range, Creating Patches Struct Structure, Type Structure Type

L.Fade (Velocity Fade Width Lower)

U.Fade (Velocity Fade Width Upper)

L.Fade and U.Fade set the range within which the volume gradually fades as the velocity approaches the limits of the Velocity Range as set by the Lower and Upper parameters. Use this setting when, for example, you want to have adjacent Tones in Split mode switched smoothly (Velocity Crossfade). The higher the values set, the smoother the switch is between the Tones. When you want the Tones to be switched instantly, set these to 0.

Level

Velocity

L.Fade Lower Upper U.Fade

TMT KEY RANG (TMT Key Range)

These parameters specify the range of notes that will play the Tone. This can be used to make notes in different areas of the keyboard play different Tones.

Lower (Key Range Lower)

Upper (Key Range Upper)

Specify the lower (Lower) and upper (Upper) limits in which each Tone will sound.

If you attempt to raise the lower key higher than the upper key, or to lower the upper key below the lower key, the other value will be automatically modified to the same setting.

L.Fade (Key Fade Width Lower)

U.Fade (Key Fade Width Upper)

L.Fade and U.Fade set the range within which the volume gradually fades as the velocity approaches the limits of the Key Range set in the Lower and Upper parameters. Use this setting when, for example, you want to have adjacent Tones in Split mode switched smoothly. The higher the values set, the smoother the switch is between the Tones. When you want the Tones to be switched instantly, set these to 0.

Level

Pitch

L.Fade Lower Upper U.Fade

Chapter 5. Creating Patches

STRUCT (Structure)

Type (Structure Type)

Determines how Tone 1 and 2, or Tone 3 and 4 are connected. The following 10 different Types of combination are available.

The display will show how the Tones are combined. The displayed symbols have the following meanings.

W1 (WG1), W2 (WG2), F1 (TVF1), F2 (TVF2), A1 (TVA1),

A2 (TVA2), B (booster), R (ring modulator)			5
TYPE 1			Chapter
TONE 1 (3)	WG	TVF	TVA
TONE 2 (4)	WG	TVF	TVA

With this type, Tones 1 and 2 (or 3 and 4) are independent. Use this type when you want to preserve PCM sounds or create and combine sounds for each Tone.

TYPE 2

TONE 1 (3)	WG	TVA	TVF
TONE 2 (4)	WG		TVF	TVA

This type stacks the two filters together to intensify the characteristics of the filters. The TVA for Tone 1 (or 3) controls the volume balance between the two Tones.

TYPE 3

TONE 1 (3)	WG	TVA	TVF
			B
TONE 2 (4)	WG		TVF	TVA

This type mixes the sound of tone 1 (3) and tone 2 (4), applies

a filter, and then applies a booster to distort the waveform.

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