Auto PAN, 155, When Using 3D Effects | Roland XV-88 manual

63: AUTO PAN

The Auto Pan effect cyclically modulates the stereo location of the sound.

L in Auto Pan 2-Band EQ L out

R in		Auto Pan		2-Band EQ		R out
R in		Auto Pan		2-Band EQ		R out

Mod Wave (Modulation Wave)

TRI: The sound will be modulated like a triangle wave.

SQR: The sound will be modulated like a square wave.

SIN: The sound will be modulated like a sine wave.

SAW1/2: The sound will be modulated like a sawtooth wave. The teeth in SAW1 and SAW2 point at opposite directions.

SAW1SAW2

Rate #

Adjust the frequency (speed) of the change.

Rate parameter can be set as a note-value of a specified tempo. In this case, specify the value of the desired note.

When Rate is Set as a Note Value

As the specified tempo, you may use either the Patch Tempo (p. 71) or the tempo clock of the XV-88’s system (p. 169).

Depth #

Sets the depth to which the effect is applied.

LowGain (Low Gain)

Adjust the low frequency gain (amount of boost or cut). Positive (+) settings will emphasize (boost) the low frequency range.

Hi Gain (High Gain)

Adjust the high frequency gain (amount of boost or cut). Positive (+) settings will emphasize (boost) the high frequency range.

Level (Output Level)

Adjust the output level.

Chapter 7. Adding Effects

When Using 3D Effects

The following three 3D effects utilize RSS (Roland Sound Space) technology to create a spaciousness that cannot be produced by delay, reverb, chorus, etc.

48:3D DELAY

60:3D CHORUS

61:3D FLANGER

When using these effects, we recommend that you place your speakers as follows. Also, make sure that the speakers are at a sufficient distance from the walls on either side.

fig.RSS

30˚ 30˚

				7
				Chapter
	If the left and right speakers are too far apart, or if there			Chapter

	is too much reverberation, the full 3D effect may not
	appear.
	appear.
	Each of these effects has an Out (Output Mode)
	parameter. If the sound from the OUTPUT jacks is to be
	heard through speakers, set this parameter to SPEAKER.
	If the sound is to be heard through headphones, set it to
	PHONES. This will ensure that the optimal 3D effect will
	be heard. If this parameter is not set correctly, the full 3D
	effect may not appear.

155

Image 155

Roland XV-88 owner manual Auto PAN, 155, When Using 3D Effects

Contents

Page Important Safety Instructions Page Using the Unit Safely Important Notes How to Use This Manual How to Use This Manual Contents Creating Performances Contents Adding Effects Using the XV-88 as a GM Sound Module GM Mode 192 Appendices 213 Main Features Front Panel Front and Rear Panel Front and Rear Panel Effects Section Numeric Keys Group SectionBank Section INC/+, DEC Rear Panel Individual 1-4 Jacks Wave Expansion Board Installation SlotOutput a MIX Jacks L MONO, R Output B Jacks L, R Basic Structure OverviewHow the XV-88 Is Organized Patches Classification of XV-88 Sound TypesTones Part Rhythm SetsParts Generator Keys are played Overview Setting the Midi Connection Zone and Part Overview Voice Reserve Number of VoicesCalculating the Number of Voices Being Used How a Patch Sounds Basic Operations on Switching ModesSystem Mode Utility Mode GM Mode Edit Indicator is Extinguished Performance Mode Edit Indicator is ExtinguishedOverview Patch Mode Edit Indicator is Extinguished Rhythm Set Mode Edit Indicator is Extinguished Moving Between Display Pages Overview When Edit Indicator is LitRemote Control of External Sequencers About the Cursor Buttons Numeric Keys Modifying a ValueValue Dial INC/+ and DEC Convenient Functions Using the Numeric KeysAvailable characters/symbols Assigning a Name Selecting a Patch Playing in Patch ModePlaying Express Patch Select Digit Hold Selecting Patches by Category Patch Finder Following categories can be selected Selecting Favorite Patches from Favorite List Making a Patch Sound Thick or Thin Turning a Tone On/Off Using Phrase Preview to Play PatchesPreview Mode Preview Sound Mode Creating Smooth Pitch Changes Portamento Playing Single Notes Solo About the Midi Connection Settings Zone and Part Playing in Performance ModeUsing the Sliders to Modify the Sound in Realtime Changing the Volume of Each Tone Single Performance PR-A, B Preset A, BSelecting a Performance Layer Performance Playing Fatter and Richer Sounds by Combining Patches Layer Selecting a Part You Want to Play on the Keyboard Assigning a Different Patch to a Part Playing Muting a Specific Part Turning Receive Switch On/Off Selecting a Rhythm Set Playing in Rhythm Set ModeAdjusting the Volume Balance Between Parts PR-A-F Presets A-F Selecting Favorite Rhythm Sets from the Favorite List Playing Percussion Instruments Patch/Rhythm Set/GM ModePerformance Mode Playing Arpeggios Arpeggiator Playing a Keyboard Instrument Playing a GlissandoPlaying a Bass Part Playing a Guitar Holding an Arpeggio Playing an Arpeggio Over a Preset Keyboard AreaWhen Using a Hold Pedal Creating an Arpeggio Pattern Simulating a Rhythm GuitarPlaying an Arpeggio from an External Midi Device Assign parameter SYSTEM/D BEAM/D Beam Control p Output parameter SYSTEM/D BEAM/D Beam Control p Effective range of the D Beam Controller Convenient Functions for PerformanceTransposing the Keyboard in Octave Units Octave Shift If Stuck Notes Occur Panic When Sounds from the XV-88 Do Not Stop PlayingTransposing the Keyboard in Semitone Steps Transpose How a Performance Is Organized How to Make Performance SettingsCreating Performances Copying the Settings of Another Part Part Copy Making Settings While Comparing Parts Palette Edit KEY Rang Key Range Settings Common to the Entire Performance CommonFunctions of Performance Parameters Perform Name Performance Name Midi Setting Effects for a Performance EffectsMaking Settings for Receiving Midi Midi RxSWITCH Receive Switch Patch Making Settings for Each Part PartSetting Velo CRV Velocity Curve Pitch Modify Creating Performances MONO/POL Mono/Poly Vo Voice Information Confirming Midi Information for Each Part InfoInfo Part Information How to Make the Zone Settings Zone Settings Functions of Zone Parameters Making Settings While Comparing Zones Palette EditSettings Common to the Entire Zone Common Key Mode Lower Key Range Lower Setting the Keyboard Range KEY RangeMaking Settings for Transmitting Midi Midi Tx Transmit Switch EXT Ctrl External Control Controlling External Sound Module EXT ControlEXT P.C External Program Change Octave Range Arpeggiator Settings ArpeggioArpeggio Style Arpeggio Style Shuffle Rate MotifBeat Pattern Accent Rate Beam Control Setting the D Beam Controller D Beam Info Zone Information Confirming the Settings for Each Zone InfoBeam Range Beam Sens How a Tone Is Organized Creating PatchesHow a Patch Is Organized Decide which Tones will sound p , p How to Make the Patch SettingsCheck the Structure setting p Four Tips for Editing Patches Making Settings While Comparing Tones Palette Edit Copying the Settings of Another Tone Tone Copy Patch Name Settings Common to the Entire Patch CommonFunctions of Patch Parameters Waveform Patch Common Creating Patches Patch LVL&PAN Patch level & PanPatch OCT&TUNE Patch Octave & Tune Patch Modify Patch Tempo TMT VEL Rang TMT Velocity Range TMT Velo Control TMT Velocity Control Type Structure Type TMT KEY Rang TMT Key RangeCreating Patches Struct Structure Creating Patches Booster Booster Gain Setting Effects for a Patch EffectsWhat is a Booster? What is a Ring Modulator? Patch Portamnt Patch Portamento Using Controllers to Change How Sounds Are Played ControlPatch KEY Mode Patch Key Assign Mode Start Portamento Start Pitch Bender Receive Pitch Bend SwitchHold-1 Receive Hold 1 Switch Ctrl Rx Midi Control Receive Midi Matrix Ctrl SRC Matrix Control Source TMT CTRL&BENDER TMT Control & Bender Opening and Closing the Filter Changing the Volume, Pan, and PitchMatrix Control Dest Matrix Control Destination Changing the TVF Envelope Changing How the Effects Are AppliedApplying LFO to Modulate Sounds Changing the Pitch Envelope FXM Frequency Cross Modulation Modifying Waveforms WaveWave Mode Tone Delay Mode Tone Delay LFO1/LFO2 Wave Modulating Sounds LFO LFO1/LFO2 Fade LFO1/LFO2 DelayHow to Apply the LFO TVF TVF LFO Depth 1 LFO DepthLFO is gradually added after the key is released Pitch Pitch LFO Depth 1 PCH Envelope Pitch Envelope Modifying Pitch Pitch TVF Filter Modifying the Brightness of aSound with a Filter TVF Keyfollow Cutoff Frequency Keyfollow Cutoff Cutoff FrequencyResonance TVF Envelope TVF Velocity TVA Adjusting the Volume and Pan TVA PAN Modulate Bias TVA Envelope Creating Patches TVA Time ENV TVA Time Envelope How a Rhythm Set Is Organized How to Make the Rhythm Set SettingsCreating Rhythm Sets Copying the Settings of Another Rhythm Tone Rhythm Tone Copy Making Settings While Comparing Waveforms Palette Edit Waveform to create a decay that is longer than the original Rhythm Common Rhythm Set Common Settings Common to the Entire Rhythm Set CommonFunctions of Rhythm Set Parameters Rhythm Name Rhythm Set Name Rx Midi Receive Midi Setting Effects for a Rhythm Set EffectsControl WMT Wave Modifying Waveform of a Rhythm Tone WaveTone Name Rhythm Tone Name WMT PAN WMT VEL Rang WMT Velocity RangeCreating Rhythm Sets Velo Control Velocity Control WMT Frequency Cross Modulation Modifying Pitch of a Rhythm Tone PitchCreating Rhythm Sets WMT Tune WMT Tune WMT FXM 101 Changing the Tone Filter of a Rhythm Tone TVF 102 Pan Rhythm Tone Pan Adjusting the Volume and Pan of a Rhythm Tone TVA103 Level Rhythm Tone Level Velocity Curve TVA Envelope Velocity Curve TVA Velocity104 Velocity Sens TVA Envelope Velocity Sensitivity Turning Effects On/Off Adding EffectsAbout the Onboard Effects Effect Types 106 Applying Effects in Patch Mode or Rhythm Set ModeBasic Process of Making Effects Settings REV Adding Effects Audio Signal Flow107 Tone MFX About the Output Jacks Selecting the Way the Direct Sound is Output108 109 Settings for Each Tone/ Rhythm ToneWhen Selecting a Tone When Selecting a Rhythm Tone Reverb Reverb Send Level 110Chorus Chorus Send Level 111 Applying Effects Performance Mode REV Main 112 113 MFX Type Making Multi-Effects SettingsSetting Procedure Functions of Parameters 115 What is the Multi-Effects Controller?MFX PRM MFX Parameter MFX Ctrl MFX Control 116 MFX OUT MFX Output 117 Multi-Effects Types 118 Adding Effects Selecting Multi-Effects by Category 119 Stereo EQ Stereo EqualizerOverdrive 120 PhaserDistortion 121 SpectrumEnhancer 122 Auto WAHRotary 123 CompressorLimiter 124 HEXA-CHORUSTremolo Chorus 125 PhaseSPACE-D Stereo Chorus 126 Stereo FlangerStep Flanger 127 Stereo Delay Fbk Feedback Level Modulation Delay128 129 Triple TAP Delay 130 Quadruple TAP Delay 131 Time Control Delay22 2VOICE Pitch Shifter Coarse Coarse Pitch #1 FBK Pitch Shifter Feedback Pitch Shifter132 Lvl Bal Level Balance 133 ReverbGated Reverb 134 OVERDRIVE→ ChorusOVERDRIVE→ Flanger DISTORTION→ Flanger OVERDRIVE→ DelayDISTORTION→ Delay DISTORTION→ Chorus Enhancer Sens Enhancer Sensitivity # ENHANCER→ ChorusENHANCER→ Flanger 136 137 ENHANCER→ DelayCHORUS→ Delay Delay Balance # Flg Bal Flanger Balance # FLANGER→ DelayCHORUS→ Flanger 138 CHORUS/FLANGER CHORUS/DELAYFLANGER/DELAY Stereo Phaser 140 Keysync Flanger 141 Formant Filter Mod Modulator Ring Modulator142 Freq Frequency # 143 Multi TAP Delay 144 Reverse Delay 145 Shuffle Delay 146 Adding Effects 48 3D Delay 147 Pitch ShifterLofi Compress 148 Lofi NoiseSpeaker Simulator Tone Amp Type Amp Simulator Switch/Type149 Attack Attack Time Stereo CompressorStereo Limiter 150 151 GateSlicer 152 Isolator60 3D Chorus 153 61 3D Flanger Mod Wave Modulation Wave Tremolo154 155 When Using 3D EffectsAuto PAN Type Chorus Type Making Chorus SettingsCHO Type 156 157 CHO PRM CHO Parameter 158 Making Reverb SettingsAdding Effects CHO OUT Chorus Output 159 REV TypeAdding Effects REV PRM REV Parameter 160 REV OUT REV Output 161 Copying Another Effect Setting Effects Copy 162 Saving SoundsAbout Memory Non-Rewritable Memory Temporary MemoryRewritable Memory 164 Saving to Internal MemoryComparing with the Save Destination Patch Compare Function Registering Data Without Displaying the Favorite List 165 166 When Saving a PerformanceWhen Saving a Patch When Saving a Rhythm Set Saving to an External Midi Device 167 Saving a Group of Tones to a Memory Card Functions of System Parameters How to Make the System Function SettingsDisplay Screen Contrast and Clock Settings Setup System Setup 169 Midi Settings MidiPerform Midi Performance Midi 170 Patch MidiGM Midi Receive Midi Keyboard Settings ControlKeyboard and Controllers Transmit Midi 172 Hold PedalControl Pedal 1 C1-C4 Assign C1-C4 Slider Assign Patch Scale Adjusting Tuning TuneSYS Ctrl Assign 1, 2 System Control Assign 1 System Tune Just Temperament Tonic of C KEY Scale174 Equal Temperament Getting More Familiar with the XV-88 System Functions 175 176 Preview Velocity Phrase Preview Settings PreviewSystem Preview Preview KEY Transmit P.C Battery CheckInfo EXP Basic Procedure in Utility Mode Memory Settings Utility ModeAbout Utility Mode Internal Write Protect Storing Sound Data in User Memory WriteSaving a Performance 180 Compare Function Saving a PatchSaving a Rhythm Set 181 Copying a Performance Copying Sound Generator Settings Copy Patch Name Copy Copying a PatchPatch Tone Copy Patch Effects Copy Rhythm Set Name Copy Copying a Rhythm SetRhythm Tone Copy Rhythm Set Effects Copy Transmitting Sound Settings Xfer Initializing Sound Generator Settings Init Block Source Block Transmitting Data to186 Type Data Type 187 188 Memory Card-Related Settings CardBefore Using a Memory Card Protecting the Internal Memory Protect Copying Files Between Memory Cards File Copy Formatting the Memory Card for the XV-88 FormatRenaming a File Rename Deleting Unwanted Files Delete Saving Data to Memory Card Save Checking the Contents of a Memory Card InfoLoading a File from Memory Card into the XV-88 Load 191 Recalling Factory Default Settings Factory Reset General MIDI/General Midi 2 System On Message Entering GM ModePlaying Back GM Scores 192 193 Modifying GM Mode SettingsUsing the XV-88 as a GM Sound Module GM Mode 194 Making Effects Settings in GM Mode EffectsOutput 195 Making Settings for ReceivingGM Chorus GM Reverb 196 197 Confirming Midi Information forEach Part Info Basic Procedure Convenient Functions in GM Mode GM UtilityInitializing GM Mode Init Transmitting GM Mode Settings Xfer 199 Techniques for Using PatchesReinforcing Filter Characteristics Using the Slider to Change the Pan in Realtime 200 Changing the Tone Produced with the Modulation LeverSyncing the LFO Cycle to System Tempo Multi-effects Type Parameter synchronized To tempo Modifying Multi-Effects to Match the System’s TempoPlaying Phrase Loops in Sync with the System Tempo 201 202 Using the XV-88 to Play Live Playing an External Midi Sound Module from Using External Midi DevicesChanging Sounds with a Pedal Switch Patch/Rhythm Set Mode 204 Controlling an External Midi Sequencer from Generator from an External Midi Device p GM Mode205 Group Number Bank Select Selecting XV-88 Sounds from an External Midi DeviceSelecting Performances 206 Number Bank Select Realizing the Potential Selecting PatchesSelecting Rhythm Sets 207 Two Connection Methods Connecting to Your ComputerConnecting with Computer Connector Enjoying Desktop Music 209 Connecting with Midi Connectors USB 210 211 Turn on the Midi Thru Function of Your Sequencer Software 212 When the Computer Switch Is Set to Mac or PCWhen the Computer Switch Is Set to How Midi Messages Are Exchanged with a Computer 213 Appendices 214 TroubleshootingCannot Turn the Power On No Sound Specific Keyboard Area Does Not Sound Song Data Does Not Play Back CorrectlySpecific Part Does Not Sound No Sound from Connected Midi Device Effects Do Not Apply When You Play the Keyboard, Notes Do Not StopSound Is Distorted Pitch Is Incorrect Is the memory card SmartMedia formatted? Cannot Use Memory Cards217 218 Error Messages 219 Error Messages 220 Quick Reference of ProceduresPerformance Mode 221 Patch ModeQuick Reference of Procedures 222 Rhythm Set Mode 223 Controller Settings 224 225 Saving and Loading Data 226 227 Controlling External Midi Devices 228 Controlling the XV-88 from an External Midi Device 229 Others Effects Group p Parameter ListPerformance Parameters Common Group p 231 Parameter List Midi Group pPart Group p Information Group p Zone Parameters 233 Patch ParametersParameter List Beam Group p Info Group p 234 Parameter List Effects Group p 235 Parameter List Control Group pWave Group p 236 Parameter List LFO Group pPitch Group p 237 Rhythm Set ParametersParameter List TVF Group p TVA Group p 238 TVA Velocity Parameter List Pitch Group p239 240 GM Mode Parameters Multi-Effects Parameters Tremolo Chorus p Stereo Delay pParameter List Limiter p HEXA-CHORUS p Parameter List Time Control Delay p Modulation Delay pTriple TAP Delay p Quadruple TAP Delay p CHORUS→ Delay p OVERDRIVE→ Delay pDISTORTION→ Delay p ENHANSER→ Delay p Stereo Phaser p FLANGER→ Delay pCHORUS/DELAY p FLANGER/DELAY p 48 3D Delay p Parameter List Multi TAP Delay pReverse Delay p Shuffle Delay p Distortion 2 p Lofi Noise pSpeaker Simulator p Overdrive 2 p Chorus Parameters 249 DELAY, PAN-DLYReverb Parameters SRV ROOM/SRV HALL/SRV Plate p 250 Setup Group pSystem Parameters 251 Parameter List Tune Group pPreview Group p 252 User Group Preset a Group Preset B GroupPerformance List User PR-A PR-B No. Name Voice Key Assign User User Group PR-A Preset a GroupPatch List 253 254 Patch List PR-B Preset B Group PR-C Preset C Group 255 PR-D Preset D Group PR-E Preset E GroupPatch List Name Voice Key Assign Patch List PR-F Preset F Group256 Name Voice LSB Patch List PR-H GM2 Group257 Name Voice 258 User User Group PR-A Preset a GroupRhythm Set List 259 PR-B Preset B Group PR-C Preset C Group PR-D Preset D GroupRhythm Set List 001 002 XV Pop Kit XV Rock Kit XV Jazz Kit XV Rust Kit PR-E Preset E Group PR-F Preset F Group260 001 002 003 004 005 006 261PR-H GM2 Group 007 008 009 262 Wave Name Waveform List263 PWM Waveform List264 MMM VOX 265 266 REV 909 Nzhh 267 Style Motif Beat Pattern Accent Rate Arpeggio Style List268 Midi Channels and Multi-timbral Sound Generators About Midi ConnectorsAbout Midi Control Change Midi Implementation270 Polyphonic Key Pressure 271 Midi Implementation Pitch Bend Change 272Program Change Channel Pressure 273 Global Parameter Control 274Universal Realtime System Exclusive Messages Data Transmission 275 Data set 1DT1 12H 276 277 278 279 Performance Common MFX 280System Keyboard Performance Common Performance Common Reverb 281Performance Common Chorus Performance Keyboard 282Performance Midi Performance Part Patch Common 283 Patch Common MFX 284 Patch TMT Tone Mix Table 285Patch Common Chorus Patch Common Reverb Patch Tone 286 Rhythm Common MFX 287Rhythm Common Rhythm Tone 288Rhythm Common Chorus Rhythm Common Reverb 289 Part Parameter 290System Parameter Common Parameter 291 Drum Setup Parameter Arpeggio Beat Pattern 292Arpeggio Style Arpeggio Motif Examples of Actual Midi Messages 293 Example of an Exclusive Message Calculating a Checksum 294 Arabian Scale 295Equal Temperament Just Temperament Tonic of C 296 Midi Implementation Chart RPN LSB, MSB 297 298 Specifications 299 Computer Cable Wiring Diagrams 300 Index 301 Index Expression 302 Info 303 Lower 304 Output 305 PCH Envelope 306 258 307 308 Setting TVF Envelope 309 310 Avis Africa Information