Roland XV-88 owner manual Creating Patches

Chapter 5. Creating Patches

TYPE 4

TONE 1 (3)	WG	TVA	TVF
			B
TONE 2 (4)	WG		TVF	TVA

This type applies a booster to distort the waveform, and then combines the two filters. The TVA for Tone 1 (or 3) controls the volume balance between the two Tones and adjusts booster level.

TYPE 5

TONE 1 (3)	WG	TVA	TVF
			R
TONE 2 (4)	WG		TVF	TVA

This type uses a ring modulator to create new overtones, and combines the two filters. The Tone 1 (3) TVA will control the volume balance of the two Tones, adjusting the depth of ring modulator.

TYPE 6

TONE 1 (3)	WG	TVA	TVF
			R
TONE 2 (4)	WG		TVF	TVA

This type uses a ring modulator to create new overtones, and in addition mixes in the sound of tone 2 (4) and stacks the two filters. Since the ring-modulated sound can be mixed with Tone 2 (4), Tone 1 (3) TVA can adjust the amount of the ring-modulated sound.

TYPE 7

TONE 1 (3)	WG	TVF	TVA
			R
TONE 2 (4)	WG		TVF	TVA

This type applies a filter to tone 1 (3) and ring-modulates it

with tone 2 (4) to create new overtones.

TYPE 8

TONE 1 (3)	WG	TVF	TVA
			R
TONE 2 (4)	WG		TVF	TVA

This type sends the filtered Tone 1 (3) and Tone 2 (4) through a ring modulator, and then mixes in the sound of Tone 2 (4) and applies a filter to the result.

TYPE 9

TONE 1 (3)	WG	TVF	TVA
			R
TONE 2 (4)	WG	TVF	TVA

This type passes the filtered sound of each tone through a ring modulator to create new overtones. The TVA for Tone 1 (or 3) controls the volume balance between the two Tones and adjusts ring modulation depth.

TYPE 10

TONE 1 (3)	WG	TVF	TVA
			R
TONE 2 (4)	WG	TVF	TVA

This type passes the filtered sound of each tone through a ring modulator to create new overtones, and also mixes in the sound of tone 2 (4). Since the ring-modulated sound can be mixed with Tone 2 (4), Tone 1 (3) TVA can adjust the amount of the ring-modulated sound.

•If you select a Tone while on the STRUCT page, the Tone paired with the selected Tone will also be selected.

•When TYPE 2–10 is selected and one Tone of a pair is turned off, the other Tone will be sounded as TYPE 1 regardless of the displayed setting.

•If you limit the keyboard area in which a Tone will sound (Key Range p. 73) or limit the range of velocities for which it will sound (Velocity Range p. 72), the result in areas or ranges where the Tone does not sound is just as if the Tone had been turned off. This means that if TYPE 2–10 is selected and you create a keyboard area or velocity range in which one Tone of a pair does not sound, notes played in that area or range will be sounded by the other Tone as TYPE 1 regardless of the displayed setting.

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