• Mono/Poly

Determines whether the Voice is played back monophonically (single notes only) or polyphonically (multiple simultaneous notes).

Settings Mono, Poly

• KeyAsgnMode

When this is set to “single,” double playback of the same note is prevented. This is useful when two or more instances of the same note are received nearly simultaneously, or without a corresponding note off message. To allow playback of each instance of the same note, set this to “multi.”

Settings single, multi

• MicroTuning

Determines the tuning system for the voice. Normally, this should be set to 00 (Equal temperament); however thirty- one additional tuning systems are available for a variety of tuning applications and effects.

Settings

See below.

 

 

 

 

 

 

No.

 

Type

Key

Comments

00

Equal

 

The “compromise” tuning used for most of

 

temperament

 

the last 200 years of Western music, and

 

 

 

 

found on most electronic keyboards.

 

 

 

 

Each half step is exactly 1/12 of an

 

 

 

 

octave, and music can be played in any

 

 

 

 

key with equal ease. However, none of

 

 

 

 

the intervals are perfectly in tune.

 

 

 

 

01~12

Pure major

C~B

This tuning is designed so that most of

 

 

 

 

the intervals (especially the major third

 

 

 

 

and perfect fifth) in the major scale are

 

 

 

 

pure. This means that other intervals will

 

 

 

 

be correspondingly out of tune. You need

 

 

 

 

to specify the key (C~B) you will be

 

 

 

 

playing in.

 

 

 

 

13~24

Pure minor

A~G#

The same as Pure Major, but designed

 

 

 

 

for the minor scale.

 

 

 

 

25

Werckmeister

 

Andreas Werckmeiser, a contemporary of

 

 

 

 

Bach, designed this tuning so that

 

 

 

 

keyboard instruments could be played in

 

 

 

 

any key. Each key has a unique

 

 

 

 

character.

 

 

 

 

26

Kirnberger

 

Johann Philipp Kirnberger was also

 

 

 

 

concerned with tempering the scale to

 

 

 

 

allow performances in any key.

 

 

 

 

27

Vallotti & Young

 

Francescatonio Vallotti and Thomas

 

 

 

 

Young (both mid-1700s) devised this

 

 

 

 

adjustment the Pythagorean tuning which

 

 

 

 

the first six fifths are lower by the same

 

 

 

 

amount.

 

 

 

 

28

1/4 shifted

 

This is the normal equal tempered scale

 

 

 

 

shifted up 50 cents.

 

 

 

 

29

1/4 tone

 

Twenty-four equally spaced notes per

 

 

 

 

octave. (Play twenty-four notes to move

 

 

 

 

one octave.)

 

 

 

 

30

1/8 tone

 

Forty-eight equally spaced notes per

 

 

 

 

octave. (Play forty-eight notes to move

 

 

 

 

one octave.)

 

 

 

 

31

Indian

C~B

Usually observed in the Indian music

 

 

 

 

(white keys [C~B] only).

 

 

 

 

 

[F1]-[SF3] Normal Common General Master EQ Offset

From this display you can adjust the master (global) EQ settings for the entire voice. The settings made here are applied as offsets to the EQ settings (with the exception of “MID”) in the Utility mode, page 253.

Voice Edit mode

 

PAN

REVERB

CHORUS

TEMPO

 

CUTOFF

RESONANCE

ATTACK

RELEASE

KNOB

ASSIGN A

ASSIGN B

ASSIGN 1

ASSIGN 2

CONTROL

 

 

 

 

FUNCTION

 

 

 

 

 

KN 1

KN 2

KN 3

KN 4

 

MEQ LOW

MEQLOWMID MEQ HI MID

MEQ HIGH

Settings

-64 ~ 0 ~+63

 

 

[F1]-[SF4] Normal Common General Portamento

This display allows you to set the Portamento related parameters. Portamento is used to create a smooth transition in pitch from the first note played on the keyboard to the next.

• Switch

 

Voice mode

 

Reference

• Time

 

Determines whether Portamento is on or off.

 

Settings

off, on

 

Determines the pitch transition time. Higher values result in a longer pitch change time, when Time Mode below is set to “Time.” (When Time Mode is set to “Rate,” higher values result in a faster pitch change time.)

Settings 0 ~127

• Mode

Determines the Portamento mode. With the “fingered” setting, Portamento is only applied when you play legato (playing the next note before releasing the previous one). With the “fulltime” setting, Portamento is always applied.

Settings fulltime, fingered

• TimeMode

This determines how the Time parameter above affects the Portamento effect. Setting this to “Time” makes the above parameter a true time scale — the higher the value, the longer the time. The “Rate” setting simply reverses this, for a rate scale — the higher the value, the faster the rate (in other words, the shorter the time). Naturally, you should set this to your own personal preference, depending on whether you think of Portamento in terms of time or rate.

Settings rate, time

rate

Sets the Time parameter range to reflect “rate”: 0 (slow) - 127 (fast)

MOTIF Reference 131