Yamaha MOTIF6, MOTIF7, MOTIF8, Music Production Synthesizer 141

LPF12 (Low Pass Filter12dB/oct) A 2-pole (-12db/oct) dynamic LPF, designed to be used in combination with an HPF (High Pass Filter).

Resonance

LPF6 (Low Pass Filter 6dB/oct)

A 1-pole (-6db/oct) dynamic LPF with no resonance, designed to be used in combination with an HPF (High Pass Filter).

HPF24D (High Pass Filter 24dB/oct Digital)

A 4-pole (-24db/oct) dynamic HPF with a strong resonance.

Resonance

HPF12 (High Pass Filter 12dB/oct)

A 2-pole (-12db/oct) dynamic HPF.

Resonance

BPF12D (Band Pass Filter 12dB/oct Digital)

Level

Cutoff range Range passed Cutoff range

–12db/oct

Frequency

BPF12s (Band Pass Filter 12dB/oct Staggered) Basically same as BPF12D, but with a shallower frequency curve.

BPF6 (Band Pass Filter 6dB/oct)

Level

Cutoff range Range passed Cutoff range

–6db/oct

Frequency

Voice Edit mode

BPFw (Band Pass Filter Wide)

Also the combination of –12dB/oct HPF and LPF, but allows a wider frequency band.

Level

Cutoff range

Range passed

Cutoff range

width can be increased

Frequency

BEF12 (Band Elimination Filter 12dB/oct)

BEF6 (Band Elimination Filter 6dB/oct)

Level
Range passed	Cutoff range Range passed

Center frequency

Frequency

Dual LPF

A combination of two sets of –12dB/oct LPF in parallel.

Level




						mode
				Frequency		mode
			Distance			Voice
			Distance
		The cutoff frequency can be set
		directly on the display.				Reference
	Dual HPF					Reference
	Dual HPF
	A combination of two sets of –12dB/oct HPF in
	parallel.
	Level

Frequency

Distance

The cutoff frequency can be set directly on the display.

Dual BPF

A combination of two sets of –6dB/oct BPF in parallel.

Level

Frequency

Distance

The cutoff frequency can be set directly on the display.

MOTIF Reference 141

Contents

Page SPECIAL MESSAGE SECTION CAUTION WARNING PRECAUTIONS Connections Maintenance Handling caution Backup battery Saving data FCC INFORMATION (U.S.A.) IMPORTANT NOTICE FOR THE UNITED KINGDOM NEDERLAND / THE NETHERLANDS Introduction Package Contents About the included CD-ROM About This Manual ■ The Controls & Connectors Important Features Table of Contents The Controls & Connectors Front Panel Page OCTAVE [UP] and [DOWN] buttons (page 127) 2PITCH bend wheel (page 48) 3MODULATION wheel (page 48) 4MASTER VOLUME [CS1] - [CS4] (Control Slider) (page 48) 7[REMOTE CONTROL ON/OFF] button (page 256) 8[EFFECT BYPASS] buttons [ARPEGGIO ON/OFF] button ) SEQ TRANSPORT buttons (page 78, 179, 183, 217, 221) ](Top) button ](Reverse) button ](Forward) button ™[ENTER] button £SLOT 1-3lamps (page 282) ¢BANK buttons (page 124) ∞GROUP [A] - [H] buttons (page 124) §NUMBER [1] - [16] buttons (page 124) Rear Panel Page 1 POWER Switch (page 29) 2 AC Power Cord Socket (page 20) expansion board (AIEB2) cover (page 22) 3 mLAN expansion board (mLAN8E) or I/O 4 OPTICAL OUT connectors (page 22) ^Card slot (pages 64, 262) &Plug-inboard cover (page 35) ■When the optional mLAN8E has been installed: 1SERIAL I/O connector 2mLAN (IEEE1394) connector1, 2 Setting Up Power Supply Connections ■Connecting to a mixer (with the optional AIEB2) Digital output ■When using the OPTICAL OUTPUT connector: ■When the optional AIEB2 I/O board has been installed: A/D input ■Connecting a microphone or other audio equipment (analog input) ■Connecting to mLAN-compatibleaudio equipment Digital input (when the optional AIEB2 has been installed) ■Controlling from an external MIDI keyboard ■Controlling an external MIDI keyboard ■Recording and playback using an external MIDI sequencer ■Controlling another MIDI device via MIDI THRU ■Using an mLAN interface (when an optional mLAN8E has been installed) ■Using an USB interface About the USB connector ■Using an IEEE1394 interface (when an optional mLAN8E has been installed) ■Using a MIDI interface ●Using the computer’s MIDI interface ●Using an external MIDI interface Local On/Off - When Connected to a Computer ◆MOTIF-compatibleSCSI devices/disks Page Powering Up Basic Structure Mode ■Performance mode ●Performance Play mode ●Performance Edit mode ●Performance Job mode ●Performance Store mode ■Utility mode ●Utility Job mode ■Master mode ●Master Play mode ●Master Edit mode System Overview Voice Internal AWM2 Tone Generator and optional Plug-inboard ●AWM2(Advanced Wave Memory2) ●Plug-inboard Plug-inboard line-up ●Single Part Plug-inBoards • Analog Physical Modeling Plug-inBoard (PLG150-AN) • Piano Plug-inBoard (PLG150-PF) • Advanced DX/TX Plug-inBoard (PLG150-DX) Maximum Polyphony Part structure of the Tone Generator block ●Voice mode (Internal / Plug-in) ●Performance mode Tone Generator block (Internal / Plug-in) ●Song/Pattern mode Tone Generator block (example) Effect structure ■System Effects (Reverb, Chorus, Variation) •Reverb •Chorus •Variation Effect connection ●In the Voice mode: ●In the Performance mode: ●In the Song/Pattern mode: Main functions Voices Performance Waves and Elements User Waves — Samples Sampling connector Load Wave Normal Voice and Drum Voice GM voice Voice structure ■Oscillator ■Pitch ● PEG (Pitch Envelope Generator) ■Filter ●Cutoff Frequency and Resonance ●About the main Filter types • Band Pass Filter • Band Elimination Filter ●FEG (Filter Envelope Generator) ■Amplitude AEG (Amplitude Envelope Generator) Pitch Bend Wheel Control Sliders (CS) Modulation Wheel Knobs Foot Controller Footswitch (assignable) Footswitch (sustain) Breath Controller Aftertouch ■Using several sources to control one destination ■Control Sets and External MIDI Control Track structure of Song Track structure of Pattern Pattern creation by the Patch function (Pattern) ■Style and Section ■Phrase MIDI tracks and Sample tracks MIDI track recording method ■Realtime recording and Step recording ■Replace and Overdub (Song/Pattern) ●Replace ●Overdub ■Punch In/Out (Song) Sample track recording method (Sampling) Song Chain Pattern Chain Pattern Chain Arpeggio structure Four playback types of Arpeggio ■Sequence ■ Drum Pattern ■ Control Creating User Arpeggios ●Storing settings in the Song/Pattern mode ●Storing settings in the Voice/Performance mode Four Zones (Voice Performance mode) ■Split ■Layer Wave Data created by Sampling ●Sampling data common to all modes •Wave (Sample data) •Key Bank •Waveform User Voices/Sample Voices and Waveform Three methods of Sample Recording Start ■When Trigger mode is set to “Manual”: ■When Trigger mode is set to “Level”: ■When Trigger mode is set to “Meas”: Sample playback types ■Loop ■Reverse Memory Structure MOTIF Internal Memory Memory Card External SCSI device Internal Memory ● ROM and RAM ● SRAM and DRAM Edit Buffer (DRAM) and Recall Buffer (DRAM) Page Computer Sequence Software Windows Macintosh Basic Operation Calling up the Operation Displays Special Modes — Master mode and File mode Mixing mode (in the Song/Pattern mode) Record mode (in the Song/Pattern and Sampling mode) Edit mode Job mode Store mode Using the Function buttons [F1] - [F6] Using the Sub-Functionbuttons [SF1] - [SF5] Display-basedControls 1Moving the cursor 2Changing (editing) values Page Page Page Using the Character List Quick Start Guide Playing the Song Demo Playing the Master Demo Selecting a voice 1Enter the Voice Play mode 2Select a Voice Bank 3Select a Voice Group Using the Category Search function 2Select a Category 3Select a voice Favorite Category Keyboard Octave (MOTIF6/MOTIF7) Quick Voice editing 2 Set the value of each parameter PORTA (Portamento) display EG (Envelope Generator) display ARP (Arpeggio) display Voice editing with the Control knobs Selecting the controllable functions About each assigned function 1Pan, Effect Send, and Tempo 2Filter and EG 3Assign 4Master EQ 1Press the [STORE] button in the Voice mode 3Press the [ENTER] button. (The display prompts you for confirmation.) About Plug-inVoices Editing and saving Board voices Selecting a Performance 1Enter the Performance Play mode 2Select a Performance Group 3Select a Performance number 4 Play the keyboard 1 Call up the VOICE display by pressing the 2 Assign the desired voice to each part 1Press the [STORE] button in the Performance mode Arpeggio playback 1Select a Voice/Performance 2Turn the Arpeggio on by pressing the ARPEGGIO [ON/OFF] button 3Play the keyboard Arpeggio Type, Tempo, and Limit 2 Select an Arpeggio Bank [F6] button in the Performance Play mode 3Select an Arpeggio Type 4Set the Tempo for Arpeggio playback Memorize to a Master number (page 269) 2Call up the MEMORY display by pressing the [F2] button be memorized 6Store the settings to a Master Master Keyboard settings ●Layer/Split settings using an external tone generator 7Store the settings to a Master (page 94) 5Call up the TRANS display 6Call up the NOTE display ●Control Number settings Saving data 4Call up the SAVE display 2 Call up the CONFIG display 5 Select a file type to be saved saved Loading data 3Select the device from which the data is 4Call up the LOAD display 5 Select a file type to be loaded which the data is to be loaded ■Creating Rhythm track ■Creating a Song 1. Sampling to a Pattern Track 1 Enter the Pattern mode 3Select the Style number and Section to be recorded Sampling mode 7Call up the SOURCE display 11 Set the Slice related parameters 12Execute the Slice operation 8Enter the Sampling Standby mode 9Start sampling 2. Recording MIDI data to a Pattern Track 2Select a Recording type ●Realtime recording (when selecting replace or overdub in step #2) 8 Start 9 Play the 12Record to other tracks as desired by repeating steps #3 ●Step recording (when selecting step in step #2) 5 Select the desired voice to be recorded to a track (phrase) 3. Assigning a Preset Phrase to a Pattern Track (Patch function) 1Call up the PATCH display 2Select a track to which the phrase is assigned 3Select a Phrase Bank and number as desired 4. Using the Groove function 3Set the parameters 5. Pattern Mixing 6. Creating a Pattern Chain 7. Copying the Pattern Chain data to a Song 8. MIDI recording to Song Tracks Page ●Step recording (when selecting “step” in step #5) 7 Call up the VOICE display 6Select a track to be recorded and set the MIDI event type to be recorded 8Select the desired voice to be recorded to the track Start recording 9. Sampling to a Song Track 2 Enter the recorded sample will start 3Call up the DEST display 4Select a track to be recoeded 6 Enter the Sampling Standby mode 7 Start sampling 10. Song Track Mute and Scene 2Make the desired settings for the Song Scene 3Store the settings to a Song Scene (page 97) 11. Song Mixing and storing the settings as a template 1Enter the Song Mixing mode 3 Select a part 2Call up the desired display steps #2 - 4 above 12. Saving and Exporting the recorded song to external PC (File Utility) 1Connect your computer to the MOTIF via USB cable. See page Using the Remote Control function 1 Turn the Remote Control function on by pressing the 2Operate the Control knobs or sliders on the MOTIF's panel as required Reference Voice Mode Page Page ◆Basic Procedure Voice Selection ■Using the BANK, GROUP, NUMBER buttons ●Bank and Voice Program number ●Category and Voice name ●Voice program numbers and the corresponding Group/Numbers ■Using the [INC/YES] and [DEC/NO] buttons ■ Using the data dial ■Using the Category Search function ●Favorite Category Keyboard Octave and Keyboard MIDI transmit channel settings ■Keyboard octave setting ■Keyboard MIDI transmit channel setting ◆ The [ ] Indicator ●[F2] Voice Play Plug-inBank [F4] Voice Play Portamento • Mono/Poly •PortaSw • PortaTime • Tempo • Velocity Limit •Switch • Hold ◆The [ ] Indicator ■Common edit • KeyAsgnMode • MicroTuning ●[F1]-[SF3]Normal Common General Master EQ Offset • Switch • Time ●[F1]-[SF5]Normal Common General Other • Knob Assign • ChoCtrl • PBUpper, PBLower • Assign A, Assign B, Assign 1, Assign • KeyMode •VelMode ●[F3]-[SF2]Normal Common Arpeggio Arpeggio limit • Note Limit •Velocity Limit • Velocity Rate •Gate Time Rate ●[F4]-[SF1],[SF2], [SF3] Normal Common Control Set Set1/2, Set3/4, Set5/6 • Source •Dest (Destination) ●[F5]-[SF1]Normal Common LFO Wave • Wave • Speed • Tempo Sync • Tempo Speed ●[F5]-[SF2]Normal Common LFO Delay • DelayTime • FadeInTime • HoldTime • FadeOutTime ●[F6]-[SF1]Normal Common Effect Connection • EL: OUT 1-4(Element 1-4Effect Output) • InsConnect (Insertion Effect Connect) • Ins1Category, Ins1Type • Ins2Category, Ins2Type ●[F1]-[SF2]Normal Element Oscillator Output • KeyOnDelay [F1]-[SF3]Normal Element Oscillator Limit • NoteLimit • VelocityLimit ●[F2]-[SF2]Normal Element Pitch Velocity Sensitivity • EG Time, Segment • EG Level, Curve • Pitch • TIME • Center Key • EG Time Sens (EG Time Sensitivity) ●[F3]-[SF1]Normal Element Filter Type Page • Cutoff • Gain • Reso/Width • Distance • HPF Cutoff • Resonance ●[F3]-[SF3]Normal Element Filter FEG (Filter Envelope Generator) ●[F3]-[SF4]Normal Element Filter Key Follow • CutoffSens (Cutoff Sensitivity) • CenterKey • EGTimeSens (EG Time Sensitivity) ●[F3]-[SF5]Normal Element Filter Scaling • BREAK POINT 1 ●[F4]-[SF1]Normal Element Amplitude Level/Pan • Level • AlternatePan • RandomPan • ScalingPan ●[F4]-[SF4]Normal Element Amplitude Key Follow • LevelSens (Level Sensitivity) ●[F4]-[SF5]Normal Element Amplitude Scaling ●[F5] Normal Element LFO • KeyOnSync • PMOD (Pitch Modulation Depth) • FMOD (Filter Modulation Depth) • AMOD (Amplitude Modulation Depth) ●[F6] Normal Element EQ (Equalizer) Drum Voice Edit ◆Common edit and Drum Key edit ■Common (to all keys) edit ●[F1]-[SF1]Drum Common General Name ●[F1]-[SF3]Drum Common General Master EQ Offset ●[F1]-[SF5]Drum Common General Other ●[F2] Drum Common Output ●[F6]-[SF2],[SF3], [SF4], [SF5] Drum Common Effect Parameter Insertion 1, 2, Reverb, Chorus ■Drum Key Edit ●[F1]-[SF1]Drum Key Oscillator Wave •Number ●[F1]-[SF5]Drum Key Oscillator Other • AssignMode •RcvNoteOff (Receive Note Off) •AltGrp (Alternate Group) ● [F2]-[SF1]DrumKey Pitch Tune ●[F3]-[SF2]Drum Key Filter Velocity Sensitivity • LPFCutoff ●[F4]-[SF2]Drum Key Amplitude AEG Velocity Sensitivity ●[F4]-[SF1]Drum Key Amplitude Level/Pan •RandomPan ●[F6] Drum Key EQ (Equalizer) Plug-inVoice Edit ◆About Plug-invoices and Board voices ● [F1]-[SF1] Plug-inCommon General Name ● [F1]-[SF2] Plug-inCommon General ● [F1]-[SF3] Plug-inCommon General ● [F1]-[SF4] Plug-inCommon General ● [F1]-[SF5] Plug-inCommon General Other ●[F4]-[SF3] Plug-inCommon Control Set After Touch ●[F4]-[SF4] Plug-inCommon Control Set AC (Assignable Controls) ● [F6]-[SF1] Plug-inCommon Effect ●[F6]-[SF2],[SF3], [SF4], [SF5] Plug-inCommon ■Element Edit ●[F1]-[SF1] Plug-inElement Oscillator Wave • Number ● [F1]-[SF5] Plug-inElement Oscillator Other ●[F2] Plug-inElement Pitch PEG Time, Level ● [F5] Plug-inElement LFO • Delay ●[F6] Plug-inElement EQ (Equalizer) 1LowFreq (Low Frequency) 2LowGain (Low Gain) Basic Procedure ●[F1] Initialize ●[F2] Edit Recall ●[F3] Copy • Source voice • Data type of Destination voice (current selected voice) ●[F4] Bulk Dump Performance Mode Page Performance Selection Performance Part on/off Performance editing in the Performance Play mode ◆The [] Indicator ●[F2] Performance Play A/D ●[F3] Performance Play Voices • [SF1] ADD INT (Add Internal Voice) • [SF2] ADD PLG (Add Plug-inVoice) • [SF3] DELETE • [SF4] LIMIT L (Note Limit Low) ●[F6] Performance Play Arpeggio ◆The Compare Function ◆Common (to all parts) edit and Part edit ●[F1]-[SF1]Common General Name ●[F1]-[SF4]Common General Portamento ●[F1]-[SF5]Common General Other ●[F2]-[SF1]Common Output •RevSend ●[F2]-[SF2]Common MEQ(Master Equalizer) • Q (Frequency Characteristic) • Shape • Freq (Frequency) ●[F3]-[SF1]Common Arpeggio Arpeggio type • OutputSwitch • TransmitCh ●[F4] Common Controller Assign Control Change Numbers ●[F6]-[SF1]Common Effect Connection • Chorus to Reverb • Reverb Type • Reverb Return • Reverb Pan ● [F6]-[SF2],[SF3], [SF4], [SF5] ●[F1]-[SF4]Part Voice Portamento •PB (Pitch Bend) Range ... When editing Plug-inparts 1 - 3, or when a Drum voice is selected: • VelSensDpt (Velocity Sensitivity Depth) •Pan • Voice Pan ●[F2]-[SF2]Part Output Effect Send •ChoSend (Chorus Send) •VarSend (Variation Send) ●[F3] Part Output Select • InsEF (Insertion Effect) ●[F4]-[SF1]Part Tone Tune • NoteShift • Detune • Release ●[F4]-[SF4]Part Tone AEG ●[F5] Part Receive Switch •Decay •Sustain ● [F2] Edit Recall ● [F3] Copy • Source performance •Data type of Destination performance (current selected performance) Song Mode Page Song Selection ●Song numbers and the corresponding Group/ Numbers Location ■Assigning Locations ■Jumping to an assigned Location Song track on/off — Solo and Mute ●Storing the Song Scene Song track selection Song Scene ●Recalling the Song Scene Song editing in the Song Play mode • NOTE OFFSET • CLOCK SHIFT • GATE OFFSET (Gate time Offset) • VELO OFFSET (Velocity Offset) ●[F3] Song Play Output Channel ●[F5] Song Play Copy Phrase ●[F6] Song Play Chain Play/Edit • skip • stop • end Setting up before recording ● [F1] Song Record Setup When recording type is set to something other than “step” : When recording type is set to “step” : • Type (Recording type) •Event •RecTrack •Tempo Song Recording ■Realtime Recording ●[F5] DELETE ●[F6] BCK DEL ◆Examples of Step Recording ●Entering other events ●Example 2 (Using the TIE function) ●Example 3 (Using the REST function) • Voume • InsEF (Insertion Effect Part Switch) ●[F3] Song Record Arpeggio Event Editing/Inserting/Deleting ■Editing/Deleting Existing Events ■Inserting New Events MIDI events that can be inserted (edited) ■Note ■Program Change • Bank Select MSB, LSB •Program number ■Control Change • Control number •RPN MSB-LSB •Data Entry MSB-LSB ■Non Registered Parameter Number (NRPN) • NRPN MSB-LSB • Data Entry MSB-LSB [F1] Undo/Redo [F2] Note data Job ●[F2]-01 Quantize • Quantize Value (Resolution) • Strength • SwingRate •GateTime ●[F2]-02 Modify Velocity Adjusted velocity = (original velocity x Rate) + Offset • Set All • Rate ●[F2]-04 Crescendo • Velocity Range ●[F2]-06 Glide • GlideTime •PB Range (Pitch Bend Range) ●[F2]-08 Sort Chord • Roll Velocity • Grid ●[F2]-09 Separate Chord • Clock [F3] Event Job ● [F3]-01 Shift Clock • Direction ●[F3]-03 Erase Event • Event Type ●[F3]-04 Extract Event • Track and range in which data is extracted •Destination track • Number Of Times ●[F3]-06 Thin Out Modiﬁed value = (original value Rate) + Offset [F4] Measure Job ●[F4]-01 Create Measure • Meter of measures to be inserted • Insertion point (Measure number) •Number of measures to be inserted ●[F5]-01 Copy Track • Source Song and Track • Destination Song and Track • Data Type to be copied ● [F5]-02 Exchange Track ●[F5]-05 Normalize Play Effect • TR (Track) ●[F5]-06 Divide Drum Track • Source Song track and range • Destination Arpeggio number and its track •Source song •Destination Song ●[F6]-02 Split Song To Pattern •Source song range (in measures) •Destination pattern (style and section) Song Mixing mode (Simple Mixer functions) ●[F1] VOL/PAN •PAN • VOLUME ● [F2] AD ●[F3] VOICE • Template number •Template name Song Mixing Edit mode (Detailed Mixer functions) ◆Common edit and Part edit ■Common edit • ChoCtrl (Chorus Control) •Assign A, Assign B, Assign 1, Assign ●[F3]-[SF1]Song Mixing Common Arpeggio Arpeggio type ●[F3]-[SF2]Song Mixing Common Arpeggio Arpeggio Limit ●[F3]-[SF3]Song Mixing Common Arpeggio Play FX (Effect) ●[F6]-[SF1]Song Mixing Common Effect Connection ●[F6]-[SF2],[SF3],[SF4],[SF5] Common Effect Parameter Plug-inInsertion, Reverb, Chorus, Variation ■Part Edit ●[F1]-[SF1]Song Mixing Part Voice ●[F2]-[SF1]Song Mixing Part Output Volume/Pan ●[F2]-[SF2]Song Mixing Part Output Effect Send ●[F3] Song Mixing Part Output Select ●[F4]-[SF1]Song Mixing Part Tone Tune ●[F5] Song Mixing Part Receive Switch • Display showing four parts • Display showing all parameters for one part • Source song • Data type of Destination song (current selected song) ●[F5] Performance Copy Page Pattern Mode Page Style Selection ●Style numbers and the corresponding Group/ Numbers Section Selection Pattern track on/off — Solo and Mute ● To solo a track Pattern track selection ●[F6] Pattern Play Chain Play/Edit [F4] Patch Function ●Track number, Data status, Phrase bank/ number ●Section Measure : Beat (for current playback location) ■Creating Pattern Chains with Realtime Playback (Pattern Chain Recording) ■Pattern Chain Editing ●[F6]-[EDIT]-[F2] Copy ●[F6]-[EDIT]-[F3] Convert ◆About the recording track • If the preset phrase is assigned to the track • If the user phrase is assigned to the track ●[F1] Pattern Record Setup When recording type is set to something other than “step”: When recording type is set to “step”: •Loop • Quantize ●[F2] Pattern Record Voice ●[F3] Pattern Record Arpeggio Pattern Recording ■Realtime Recording MIDI events that can be edited ● [F2]-01 Quantize ● [F2]-05 Transpose ●[F3]-01 Shift Clock ● [F3]-06 Thin Out ●[F3]-07 Modify Control Data [F4] Phrase Job ● [F4]-01 Copy Phrase ●[F4]-02 Exchange Phrase ●[F4]-03 Mix Phrase ●[F4]-04 Append Phrase ●[F4]-06 Get Phrase From Song ●[F4]-05 Split Phrase •Meter ●[F4]-07 Put Phrase To Song ●[F4]-08 Clear Phrase ●[F4]-09 Phrase Name ●[F5]-02 Exchange Track ●[F5]-03 Clear Track ●[F5]-04 Normalize Play Effect ●[F5]-05 Divide Drum Track [F6] Pattern Job ●[F6]-01 Copy Pattern ●[F6]-02 Append Pattern ●[F6]-03 Split Pattern ●[F6]-04 Clear Pattern ●[F6]-05 Style Name Sampling Mode ◆Data created by Sampling • To create a normal (User) voice — or pattern — • To create a Sample track in a song • When the Source is set to “A/D” or “digital”: Sampling Setup ■[F1] Sampling Destination settings ●When entering the Sampling mode from the Voice/Performance mode • Waveform •Keybank ■[F2] Sampling Source settings •Source • Frequency (Sampling Frequency) Sampling Standby • TriggerMode • RecMonitor (Recording Monitor) •RecGain (Recording Gain) Trigger Waiting • Start (Start Point) • Loop (Loop Start Point) • End (End Point) • Beat • (Tempo) • SubDivide •Sens (Envelope Sensitivity) ◆Tips for using the Slice Types ●Slicing percussive phrases having short decays ●Slicing phrases having long decays ◆Editing Stereo Samples ◆ Basic Procedure Sample selection and Audition function Sample Edit ●[F2] Sample Edit Trim • Fine Tune ●[F4] Sample Edit Range ●[F3] Sample Edit Parameter [F1] Key Bank Job ●[F1]-01 Copy ●[F1]-02 Delete ●[F1]-03 Extract ●[F1]-04 Move ●[F1]-05 Normalize • Ratio ●[F1]-06 Time-Stretch • Accuracy ●[F1]-07 Convert Pitch ●[F1]-08 Fade In/Out ●[F1]-09 Convert Freq • Length ●[F1]-10 Stereo to Mono ●[F1]-11 Loop-Remix • Variation ●[F1]-12 Slice • Lowest Key [F2] Waveform Job • Octave ●[F2]-01 Copy ●[F2]-02 Delete ●[F2]-03 Transpose Page Utility Mode [F1] System settings ● [F1]-[SF1]General TG (Tone Generator) •NoteShift •Tune •BCCurve (Breath Controller Curve) ●[F1]-[SF2]General Keyboard •Transpose •VelCurve (Velocity Curve) •Fixed Velocity ●[F1]-[SF3]General Effect Bypass ●[F1]-[SF4]General Other •Auto Load • Auto DemoLoad • PowerOnMode • Mic/Line • Digital ●[F2]-[SF2]I/O Output ●[F2]-[SF3]I/O mLAN connection [F3] Voice settings •Q (Frequency Characteristic) ●[F3]-[SF2]Voice Arpeggio Channel • TransmitCh (Transmit channel) ●[F3]-[SF3]Voice Controller Assign [F3] Sequencer settings ●[F3]-[SF2]Sequencer MIDI Filter ●[F3]-[SF3]Sequencer Other • PtnQuantize (Pattern Quantize) • PtnTempoHold (Pattern Tempo Hold) •SongEventChase ●[F4]-[SF2]Controller Assign Knob ASSIGN A, B • ASA, ASB (Assignable A, B) • Dest (Control Destination) ●[F4]-[SF3]Controller Assign Footswitch ●[F4]-[SF4]Controller Assign Remote ◆Remote Control Assignments •Logic Audio Plutinum Ver4.6 •Cakewalk ProAudio Ver9.0 •Cubase VST/32, Cubase VST [F5] MIDI settings ●[F5]-[SF1]MIDI Channel • BasicRcvCh (Basic Receive Channel) • KBDTransCh (Keyboard Transmit Channel) •DeviceNo. (Device Number) •ClockOut • SeqCtrl (Sequencer Control) • MTC StartOffset ●[F5]-[SF4]MIDI Other •MIDI IN/OUT ●[F6]-[SF2] Plug-inboard MIDI • DevNo (Device Number) • PORT NO. (Port number) •GM/XG ●[F6]-[SF3] Plug-inboard File Mode File/Folder selection New Folder Creation File types that can be handled by the MOTIF • All Extension: .W2A • All Voice Extension: .W2V • All Song • Aif (AIFF ﬁle) ■File names [F1] Conﬁguration ●[F1]-[SF1]CONFIG Currently recognized device • Current ●[F1]-[SF2]CONFIG SCSI ID • SELF • SCAN ●[F1]-[SF3]CONFIG Mount ●[F1]-[SF4]CONFIG Format [F2] Save [F3] Load [F4] Rename [F5] Delete Master Mode Master Selection Keyboard Octave and Keyboard MIDI transmit channel setting Master editing in the Master Play mode ●[F2] Master Play Memory • Memory • Zone Switch ◆Common edit and Zone edit (Voice Performance mode) ●[F1] Common Name ●[F2] Common Other ■Zone Edit (Voice/Performance mode only) ● [F1] Zone Transmit • TransmitCh (Transmit Channel) •TGSwitch (Tone Generator Switch) • MIDISwitch ●[F2] Zone Note • NoteLimit H, L (High, Low) ●[F5] Zone Knob/Slider •Split . . . . . . . . . page •4 Zones . . . . . . page •Layer . . . . . . . . page Appendix Information Displays ■Pattern mode ●Pattern Play mode ●Pattern Mixing mode ■Sampling mode ●Sampling mode Display Messages Page Troubleshooting Pitch or intervals are wrong Only one note sounds at a time No effect is applied Song/Pattern cannot be started Song/Pattern (Phrase) cannot be recorded Installing Optional Hardware MOTIF8 Page MOTIF6 / MOTIF7 MOTIF6 / MOTIF7 Installing the mLAN8E Important Information about Purchase of Expansion SIMMs for the MOTIF SIMM Type and SIMM Conﬁguration SIMM Installation ■Compatible Memory Card Type ■Memory Capacity ■Inserting/Removing Memory Cards •To insert a Memory Card: •To remove a Memory Card: Connecting external SCSI devices ■Realities of terminator installation ■Reasons for SCSI errors • Check the SCSI ID • Check the terminator • Check the SCSI cables Notes on musical copyright Speciﬁcations Page Index