Basic functions |
| AUTO PLAY CHORD |
| APC/SEQUENCER |
| FADE |
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| TEMPO / PROGRAM |
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| SEQUENCER |
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| SPLIT |
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| BALLROOM |
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| GUITAR & |
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| EASY | PROGRAM | DISK | ||
MAIN | POINT | MODE |
| OFF/ON | PLAY |
| IN | OUT | ARRANGER | METRONOME | POP | ROCK | SOUL |
| DISCO | POP BALLAD BALLAD | & SHOW |
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| STRINGS | VOCAL | HARPSI | BRASS | WOODWIND ACCORDION | SYNTH | EXPLORER |
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| PLAY | REC FAVORITES | MENUS | DISK | IN USE | ||
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| MAX |
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| CHORD FINDER |
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| SET |
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| CHORD STEP REC |
| LOAD |
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| CONDUCTOR |
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| PROGRESSIVE |
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| WALTZ | JAZZ & | LATIN & |
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| PIANO | ORCH | DIGITAL |
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| PIANIST | PIANO STYLIST |
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| 8 BEAT | 16 BEAT | USA |
| & TRAD | SWING | WORLD | MEMORY | CONTRAST |
| BASS | ORCH PERC | WORLD | MIXTURES | MIXTURES DRAWBARS DRUM KITS | MEMORY | LEFT | RIGHT 2 | RIGHT 1 | EFFECT | EFFECT | CHORUS REVERB | ||||||
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| MIN |
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| LOAD |
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| P.MEM |
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| C |
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| 1 | 2 | 3 | 4 BEAT |
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| A | B |
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DEMO | MUSIC STYLE ARRANGER |
| VARIATION |
| FILL IN | INTRO & ENDING | SYNCHRO & BREAK START / STOP |
| TAP TEMPO | - TRANSPOSE + | HELP OTHER PARTS/TR | DISPLAY HOLD EXIT | GRAND UPRIGHT ELECTRIC MODERN | SIMPLE PIANO | BANK | SET | 1 / 5 | 2 / 6 | 3 / 7 | 4 / 8 | |||||||||||||||
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| MUTE | PAGE |
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| RESET INTRO |
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| PIANO |
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| PANEL MEMORY |
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| SEQUENCER COUNT |
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| 5 |
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Recall data from a floppy disk
1 | Press and hold the DISK button for a few | |
seconds. |
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| DISK | DISK |
| IN USE | |
| LOAD |
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2 | Select the file you wish to load. | |
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| Press the LOAD button. | |
| • The data is copied to the internal memory of this | ||
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4 |
| Press the PLAY button in the | |
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| SEQUENCER section to turn it on. | ||
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| SEQUENCER |
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| EASY |
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| PLAY REC |
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| CHORD STEP REC |
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5 | Press the START/STOP button. | |
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1 2 3 4 BEAT
START / STOP
MUTE | • The recalled song is played back. |
■The following data can be saved/loaded:
| CURRENT PANEL (The current panel settings) | |
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| PANEL MEMORY | |
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PERFORMANCE | SEQUENCER | |
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COMPOSER (MEMORY contents) | ||
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| SOUND MEMORY | |
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| EFFECT MEMORY | |
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BACKUP | MIDI (USER memory of the MIDI PRESETS) & FAVORITES | |
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•For detailed infomation, refer to page 90.
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