Trigger Happy

size you would draw the snoozing cat on the garden wall if you traced her outline on the window.

Now usually, any object B that subtends a larger view angle than object A has a correspondingly larger plane projection. This is common artistic sense: it looks bigger, so you draw it bigger. But there are certain cases where view angle and plane projection do not tally. The simplest instance is a drawing of a sphere that is to one side of our vision. It subtends a smaller view angle than a sphere directly in front of us, but it has a larger plane projection. According to true perspective, therefore, it should have an elliptical, not a circular, outline. This is how we see, but it would “look wrong” to draw it thus. (Consider how odd a photograph looks taken with a “fish-eye” lens, even though it represents our field of vision more accurately than standard equipment.) Renaissance painters already knew that these sorts of compromises had to be made. A book on the subject argued that “il ne faut pas dessiner n’y peinder com[m]e l’oeil voit.”35

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35 “One should not draw or paint exactly as the eye sees.” Bosse, TraitÉ des pratiques gÉometrales et perspectives (1665).

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