5. System Setup
Setting up the Background
9.For the two Crop settings:
~If the input resolution matches the output resolution, or if the output resolution is larger than the input resolution, the Crop settings will be bracketed.
~If the input resolution is larger than the output resolution, adjust the H Offset and V Offset values to choose which portion of the input you want to display.
~If required, press {RESET} to reset the H and V offsets to 0.
10.Press {SAVE} to save the background input configuration.
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This procedure enables you to capture a still frame image and assign it as the background “type.” Please note:
•As a recommendation, capture still frames into “temporary” memory as a setup procedure.
•Once still frames are captured, during live production you can easily switch the background between Matte, a DVI input and a still frame.
Important
It is highly recommended that you save still frames into “permanent” flash memory as a setup procedure — as this is a very
Use the following steps to assign a captured still frame as the background “type.”
1.Because the background input is the source of the still frames which you will capture, ensure that the background input is properly set up as a DVI source. Refer to the “Using the DVI Input as the Background” section on page 94 for setup details.
2.In Chapter 6, refer to the “Capturing Still Frames” section on page 117 for instructions on capturing still frames. Up to three frames can be captured into temporary memory: FG_1, FG_2 and FG_3.
3.In the Layer Functions Section, press BG/DSK. The button will blink and the BG/DSK Input Setup Menu will appear.
4.Scroll to the Mode line and select BG.
5.Scroll to the Type line and select the desired still frame (FG_1, FG_2 and FG_3).
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