Yamaha 02R96 manuals
Musical Instruments & Equipment > Music Mixer
When we buy new device such as Yamaha 02R96 we often through away most of the documentation but the warranty.
Very often issues with Yamaha 02R96 begin only after the warranty period ends and you may want to find how to repair it or just do some service work.
Even oftener it is hard to remember what does each function in Music Mixer Yamaha 02R96 is responsible for and what options to choose for expected result.
Fortunately you can find all manuals for Music Mixer on our side using links below.
317 pages 3.97 Mb
2 NEDERLANDTHE NETHERLANDS C A U T I O N • Explanation of Graphical Symbols 3 Wichtige Hinweise7 Inhalt14 1 Willkommen17 BedienfeldAnschlüsse und18 AD Input-SektionA +48V ON/OFF-Schalter(AD 1–16) B PAD-Taster (1–16) CGAIN-Regler D PEAK-Diode E SIGNAL-Diode FINSERT ON/OFF-Taster(AD 1–16) 19 KanalzügeA Zuweisbare Drehregler B AUTO-Taster C SEL-Taster DSOLO-Taster EON-Taster FKanal-Fader 20 AUX SELECTAAUX SELECT DISPLAY-Taster BAUX 1–8-Taster ENCODER MODE AENCODER MODE DISPLAY-Taster BPAN-Taster CAUX-Taster DASSIGN-Taster1 & 21 FADER MODEAFADER-Taster BAUX-Taster AAUTOMIX-Taster BDIO-Taster CSETUP-Taster DUTILITY-Taster EREMOTE-Taster FMIDI-Taster 22 GMETER-TasterHVIEW-Taster IPAIR-Taster JGROUP-Taster KINPUT PATCH-Taster LOUTPUT PATCH-Taster EFFECTS/PLUG-INS AEFFECTS/PLUG-INS DISPLAY-Taster BINTERNAL EFFECTS-Taster CPLUG-INS-Taster 23 DCHANNEL INSERTS-TasterEEFFECTS/PLUG-INS 1–4-Taster FParameter ▲/▼-Taster GParameterregler 1–4 24 Display-SektionADisplay BKontrastregler CF1–F4-Taster DLinker Registerwahltaster ERechter Registerwahltaster 25 SELECTED CHANNEL-SektionROUTING AROUTING DISPLAY-Taster BFOLLOW PAN-Taster CSTEREO-Taster DDIRECT-Taster EROUTING 1–8-Taster 26 APHASE/INSERT-TasterBDELAY DISPLAY-Taster DYNAMICS ADYNAMICS DISPLAY-Taster BGATE ON-Taster CCOMP ON-Taster DGATE/COMP-Taster 27 FGATE/COMP-DiodenPAN/SURROUND APAN/SURROUND DISPLAY-Taster BL- & R-Taster CPAN-Display DPAN-Regler ELINK-Taster 28 FGRAB-TasterGEFFECT-Taster HJoystick EQUALIZER (Klangregelung) AEQUALIZER DISPLAY-Taster BFREQUENCY/Q-Regler CEQ GAIN-Regler 29 DEQ ON-TasterEFREQUENCY/Q-Dioden FEQ-Displays LAYER A1–24, 25–48Taster BREMOTE-Taster CMASTER-Taster 30 STEREOAAUTO-Taster BSEL-Taster 20C ON-Taster D Fader SCENE MEMORY ASCENE MEMORY DISPLAY-Taster BScene Memory-Display CEditierdiode DSTORE-Taster 31 E▲/▼-TasterFRECALL-Taster USER DEFINED KEYS AUSER DEFINED KEYS DISPLAY-Taster BUSER DEFINED KEYS 1–16-Taster MACHINE CONTROL AMACHINE CONTROL DISPLAY-Taster BLOCATE MEMORY-Taster CSET-Taster 32 DREW-TasterEFF-Taster FSTOP-Taster GPLAY-Taster HREC-Taster Dateneingabe & Transport ASHUTTLE-Taster BSCRUB-Taster CParameterrad 33 DENTER-TasterEDEC- & INC-Taster FCursor-Taster Monitor-,Phones- & Talkback-Sektion ASTUDIO LEVEL-Regler BPHONES LEVEL-Regler CPHONES-Buchse DKommandomikrofon 34 ETALKBACK LEVEL-ReglerMONITOR-Sektion STUDIO AMONITOR DISPLAY-Taster BCONTROL ROOM-Taster DAUX 7-Taster EAUX 8-Taster SOLO ASOLO-Diode BCLEAR-Taster 35 CONTROL ROOMA STEREO 2TR D1-Taster B STEREO 2TR D2-Taster C STEREO 2TR D3-Taster DSTEREO 2TR A1-Taster ESTEREO 2TR A2-Taster FSTEREO-Taster GSTEREO ASSIGN 1-Taster HSTEREO ASSIGN 2-Taster ISURROUND BUS-Taster JSURROUND SLOT-Taster KSURROUND MONITOR LEVEL-Regler 36 LCONTROL ROOM LEVEL-ReglerMDIMMER-Taster NTALKBACK-Taster 38 AINPUT A & B (BAL) BuchsenBINSERT I/O +4dB (UNBAL) Buchsen (AD 1–16) 39 Analog Master I/O-SektionASTUDIO MONITOR OUT +4 dB (BAL) BSTEREO OUT +4 dB (BAL) C2TR IN ANALOG 1 +4 dB (BAL) DCONTROL ROOM MONITOR OUT +4 dB (BAL) ESTEREO OUT –10dBV (UNBAL) F2TR IN ANALOG 2 –10dBV (UNBAL) 40 OMNI OUT, Digital-Ein-/Ausgängeund SteueranschlüsseAOMNI OUT +4dB (BAL) BSMPTE TIME CODE INPUT-Buchse CMTC TIME CODE INPUT-Anschluss DUSB TO HOST-Anschluss ESERIAL TO HOST-Anschluss F2TR OUT DIGITAL COAXIAL 2 & G2TR OUT DIGITAL AES/EBU 41 H2TR IN DIGITAL COAXIAL 2 &I2TR IN DIGITAL AES/EBU JWORD CLOCK OUT-Buchse K WORD CLOCK 75Ω ON/OFF-Abschluss LWORD CLOCK IN-Buchse MCONTROL-Anschluss NMETER-Anschluss OMIDI IN-,OUT- & THRU-Buchse PCASCADE IN- & OUT-Buchse 42 POWER-SektionAPOWER ON/OFF-Schalter BErdungsschraube CAC IN-Buchse DGebläse (Ventilator) SLOT-Sektion ASLOT 1–4 43 3 Die wichtigsten Bedienvorgänge53 4 Analog-Ein-/Ausgänge& AD Input-Sektion55 5 Digital-Ein-/Ausgänge& Cascade66 6 Routen der Ein- und Ausgänge73 7 Eingangskanäle87 8 Stereo-Bus90 9 Die (Summen-)Busse93 10 Die AUX-Wege94 Verwendung der Fader1Wählen Sie mit den LAYER-Tasterndie benötigte Eingangskanal- ebene 2Drücken Sie den FADER MODE [AUX]-Taster,um den „Aux”-Moduszu wählen 3Wählen Sie mit den Tastern AUX SELECT [1]–[8]den benötigten AUX-Weg (1–8) 1Wählen Sie mit den LAYER-Tasterndie benötigte Ebene 2Drücken Sie den FADER MODE [AUX]-Taster,um den „Aux”-Moduszu wäh- len 4Stellen Sie mit den zuweisbaren Reglern der Kanalzüge den Hinweg pegel ein 95 ‘Variable’-Modus2Wählen Sie mit den Tastern AUX SELECT [1]–[8]den benötigten AUX-Weg (1–8) Um die Verbindung des Eingangskanals mit dem angezeigte Bei Bedarf können Sie den 96 ‘Fixed’-Modus3Wählen Sie mit den Cursor-Tasternund dem Parameter-Radeinen ON/OFF- Button Stellen Sie die Verbindung des Eingangskanals mit dem 97 Hinwegpegel (LEVEL)2Führen Sie den Cursor zum (DISPLAY) LEVEL-Buttonund drücken Sie [ENTER] Führen Sie den Cursor zum 4Ändern Sie den Hinwegpegel mit dem Parameterrad oder den INC/DEC-Tas-tern 98 Pre/Post-Parameter2Führen Sie den Cursor zum DISPLAY PRE/POST-Buttonund drücken Sie [ENTER] 3Führen Sie den Cursor zum änderungsbedürftigen Punkt in der AUX Send- Matrix 99 1Rufen Sie mit dem AUX SELECT [DISPLAY]-Tastereine „Aux Pan”-Seiteauf2Wählen Sie mit den AUX SELECT [1–8]-Tasternden benötigten AUX Send- Bus (1–8) Führen Sie den Cursor zum 100 Schalten Sie die nicht benötigten101 3Stellen Sie mit den Fadern 9–16den Summenpegel der AUX-Wegeein102 11 Funktionen für alle Kanäle129 12 Überwachung & Kommandofunktion137 13 Die Speicherbereiche (Libraries)146 14 Interne Effekte und Plug-Ins147 DelayModulationseffekte Effekte für Gitarre Dynamische Effekte Effektkombinationen 148 Andere1Drücken Sie den EFFECTS/PLUG INS [INTERNAL EFFECTS]-Taster 2Wählen Sie mit EFFECTS/PLUG INS [1]–[4]den änderungsbedürftigen Pro- zessor Rufen Sie mit dem EFFECTS/PLUG INS 4Rufen Sie mit EFFECTS/PLUG INS [DISPLAY] die „Effects Edit”-Seiteauf 149 MIX BALANCE:BYPASS: TEMPO: 150 1Drücken Sie den EFFECTS/PLUG INS [PLUG-INS]-Taster2Wählen Sie mit dem EFFECTS/PLUG INS [DISPLAY]-Tasterdie „Plug-In Setup”-Seite TARGET: 151 PORT:Wählen Sie mit den Tastern EFFECTS/PLUG INS TRANSMIT: INITIALIZE: BANK: PARAMETER ID/NAME: 152 DATA:MIN/MAX: VAL: 154 15 Szenenspeicher161 16 Automix179 17 MIDI-Parameterdes 02R96185 18 Die Pro Tools-Fernbedienung186 1Starten Sie Pro ToolsWählen Sie im 3Wählen Sie im „Setups”-Menü„Peri- pherals” 4Klicken Sie im „Peripherals”-Fensterauf den „MIDI Controllers”-Button 5Wählen Sie als Steuertyp „HUI” 187 F2 (INSERT), F3 (CHANNEL), F4 (METER)TARGET COUNTER CURSOR MODE 188 SELECT ASSIGNINSERT ASSIGN/EDIT-Modus INSERT/PARAM-Display Anzeige der Reglerfunktionen Channel Display-Modus 189 Meter Display-ModusRegler und Schaltfunktionen [AUTO]-Taster [SEL]-Taster 190 [SOLO]-Taster[ON]-Taster Fader [PAN] (PAN) [AUX] (SEND LEVEL) 191 [FADER] & [AUX][DISPLAY] (SHOW INSERT) [PLUG-INS](DEFAULT) [CHANNEL INSERTS] [1] (ASSIGN) [2] (COMPARE) [3] (BYPASS) [4] (INSERT/PARAM) 192 (SCROLL) Parameter [DISPLAY] (AUTO STATUS) [1] (MIX/EDIT) [2] (SUSPEND) [3](WRITE), [4] (TOUCH), [5] (LATCH), [6] (READ), [7] (TRIM), [8] (OFF) [9] (BANK) & [10] (BANK ) [11](FADER), [12] (MUTE), [13] (PAN), [14] (SEND), [15] (SEND MUTE) [16](PLUG-IN) 193 [DISPLAY] (MEM-LOC)LOCATE MEMORY [1]–[8] [REW] [FF] [STOP] [PLAY] [REC] 194 Parameterrad[SHUTTLE] & [SCRUB] [ENTER] [DEC] (ESC) [INC] (CURSOR MODE) Cursor-Taster 195 1Drücken Sie den [SEL]-Tasterdes benötigten Kanals1Stellen Sie mit den Fadern die Kanalpegel ein 1Drücken Sie den [ON]-Tastereines nicht benötigten Kanals 1Drücken Sie den Taster ENCODER MODE [PAN] (PAN) 2Stellen Sie mit dem zuweisbaren Regler die gewünschte Stereoposition ein 196 Drücken Sie einen Taster AUX SELECT [AUX2Stellen Sie mit zuweisbaren Reglern die Hinwegpegel ein 197 1Drücken Sie den FADER MODE [FADER]- oder [AUX]-TasterNehmen Sie mit den Fadern, zuweisbaren Reglern und 198 1Drücken Sie den Taster EFFECTS PLUG-INS[CHANNEL INSERTS]2Drücken Sie den [SEL]-Tasterdes Kanals, den Sie einem Insert zuordnen möchten 3Drücken Sie den Taster EFFECTS/PLUG-INS[1] (ASSIGN) 4Wählen Sie mit den Parameterreglern 1–4einen Insert/ein Plug-In 199 2Drücken Sie den [SEL]-Tasterdes Kanals, dessen Plug-InSie editieren möchtenDrücken Sie einen Parameterregler Drehen Sie an den Parameterreglern 5Wählen Sie mit den Tastern Parameter ▼ (SCROLL >) und Parameter ▲ (< SCROLL) die Anzeige mit den änderungsbedürftigen Parametern 200 2Wählen Sie mit den [SEL]-Tasten Plug-Ins1Drücken Sie [INC] (CURSOR MODE), um den Navigationsmodus anzuwäh- len Drücken Sie Cursor 4Wählen Sie mit Cursor ▲ die vorangehende Spur 5Mit Cursor ▼ kann die nachfolgende Spur gewählt werden 201 1Drücken Sie [INC] (CURSOR MODE), um den „Zoom”-Modusanzuwählen1Drücken Sie [INC] (CURSOR MODE), um den „Select”-Modusanzuwählen Halten Sie Cursor 6Doppelklicken Sie den Taster Cursor √, um zur IN-Positionder gewählten Region zu springen 7Doppelklicken Sie den Taster Cursor ®, um zur OUT-Positionder gewählten 202 1Halten Sie Pro Tools an203 Anzeige des gewählten Automation-Modus’1Drücken Sie den [F3]- oder [F4]-Taster 2Halten Sie den [AUTO]-Tasterdes gewünschten Kanalzuges gedrückt 3Halten Sie den Taster USER DEFINED [DISPLAY] (AUTO STATUS) gedrückt Ändern des Automation-Modus’ 204 Trim-ModusParameterauswahl für die Automation 1Wählen Sie die Parameter mit den USER DEFINED KEYS-Tastern: 205 19 Fernbedienung (‘Remote’)213 20 Andere Funktionen214 1Rufen Sie mit dem DISPLAY ACCESS [SETUP]-Tasterdie „Preferences 1”-SeiteaufFühren Sie den Cursor mit den Auto ROUTING Display: Auto DYNAMICS Display: Auto PAN/SURROUND Display: Auto EQUALIZER Display: Auto SOLO Display: Auto WORD CLOCK Display: Auto Channel Select: Store Confirmation: Recall Confirmation: 215 Patch Confirmation:L/R Nominal Pan: Fast Meter Fall Time: TC Drop Warning: DIO Warning: MIDI Warning: Initial Data Nominal: Meter Follow Layer: Scene MEM Auto Update: Joystick Auto Grab: Cascade COMM Link: 1Rufen Sie mit dem DISPLAY ACCESS [SETUP]-Tasterdie „Preferences 2”-Seiteauf Channel ID/Channel: 216 Port ID/Port:Display Brightness: Fader Touch Sensitivity: 1Rufen Sie mit dem DISPLAY ACCESS [SETUP]-Tasterdie „Preferences 3”-Seiteauf Mix Update Confirmation: Auto EQ Edit In: Auto Inc TC Capture: Link Capture & Locate Memory: Show Compact Size: Automix Store Undo: Copy Initial Fader: 217 Touch Sense Control:Touch Sense Select: Receive Full Frame Message: Clear Edit Channel after REC: 1Rufen Sie mit dem DISPLAY ACCESS [UTILITY]-Tasterdie „Oscillator”-Seiteauf OSCILLATOR ON: WAVEFORM: 218 Halten Sie den SCENE MEMORYGeben Sie den SCENE MEMORY 219 Anhang A: Parameterübersichten277 Anhang B: Spezifikationen290 Anhang C: MIDI292 1. CHANNEL MESSAGE2. SYSTEM COMMON MESSAGE 3. SYSTEM REALTIME MESSAGE 4. EXCLUSIVE MESSAGE 1. NOTE OFF (8n) 2. NOTE ON (9n) 3. CONTROL CHANGE (Bn) 293 8. CONTINUE (FB)9. STOP (FC) 10. ACTIVE SENSING (FE) 4. PROGRAM CHANGE (Cn) 5. SONG POSITION POINTER (F2) 6. TIMING CLOCK (F8) 7. START (FA) 11. SYSTEM RESET (FF) 12.SYSTEM EXCLUSIVE MESSAGE (F0) 305 Anhang D: Sonderzubehör306 Bedienelemente der MeterleisteA Kanalanzeigen 9 B INPUT METERING POSITION-Taster& -Dioden C PEAK HOLD-Taster D LAYER-Taster OUTPUT METERING POSITION-Taster & Dioden F Meter G STEREO-Meter H CONTROL ROOM-Taster I BUS-Meter 308 Index
Also you can find more Yamaha manuals or manuals for other Musical Instruments & Equipment.
Yamaha 02R96 Owner Manual
315 pages 3.75 Mb
2 IMPORTANTFCC INFORMATION (U.S.A.) NEDERLAND THE NETHERLANDS Explanation of Graphical Symbols CAUTIONThe above warning is located on the side of the unit. i 3 Important InformationCautions Warnings 4 ii Interference Operating Notes 7 Contents8 vi 7 Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59 8 Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73 9 vii 9 Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76 10 Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79 11 ix 16 Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145 18 Pro Tools Remote Layer . . . . . . . . . . . . . . . . . . . . 169 17 MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163 12 x 19 Remote Control . . . . . . . . . . . . . . . . . . . . . . . . . . 189 Appendix B: Specifications . . . . . . . . . . . . . . . . . . . . . 260 Appendix A: Parameter Lists . . . . . . . . . . . . . . . . . . . 202 20 Other Functions . . . . . . . . . . . . . . . . . . . . . . . . . . 196 14 1 Welcome I/O Architecture Channel Architecture Sonic Spec 16 Surround Sound Control Surface MIDI Remote Control 4 Chapter 2Control Surface & Rear PanelUSER DEFINED KEYS (p. 16) MONITOR Section (p. 20) Section (p. 19) Monitor, Phones & Talkback (p. 18) Data Entry & Transport LAYER (p. 15) STEREO (p. 15) Display Section (p. 10) SELECTED CHANNEL Section (p. 11) Channel strips (p. 5)125 1.00 4.00 10.0PAD 19 20 21 22 23 24 17 18123456789101112131415161718192021222324 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24MACHINE CONTROL USERDEFINED KEYS ROUTING DISPLAY ACCESS SELECTED CHANNELHIGH HIGH MID LOW MID CONTROLROOM 8 7 6 5 4 3 2 1 9 10 11 12 13 14 15 1620 23 49 50 51 52 53 54 55 56 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 17 2 Control Surface & Rear Panel Control Surface24 21 22 19 STUDIO SOLO EQUALIZER LOW DYNAMICS PAN/SURROUND SCENE MEMORY LOCATEMEMORY STEREOAUXSELECT ENCODER MODE EFFECTS / PLUG INS STEREO MONITOR LAYER AD Input Section (p. 5) MACHINE CONTROL (p. 17) AUX SELECT (p. 6) FADER MODE (p. 7) ENCODER MODE (p. 6) DISPLAY ACCESS (p. 7) EFFECTS/PLUG-INS (p. 9) SCENE MEMORY (p. 16) 19 621 823 10 25 12 PAN/SURROUND 26 A 8 234567 B C D E F 27 14 29 16 31 18 33 20 35 22 37 24 AD Input Section 2A B Analog Master I/O Section A 21 3 4 5 6 39 26 OMNI OUTs, Digital I/O & Control Section N PO 2 3 4 5 6 7 8 9 J L M K 41 28 42 3 Operating Basics52 4 Analog I/O & the AD Input SectionAD Input SectionAD Input Connectors (AD 116) AD Input Connectors (AD 1724) Phantom Power (AD 116) Pad (AD 116) Gain PEAK & SIGNAL Indicators 53 40 Stereo Out Control Room Monitor Out Studio Monitor Out Omni Outs 2TR Analog INs 54 5 Digital I/O & CascadingWordclocks 55 42 Selecting the Wordclock Source Terminating External WordclocksStar Distribution Daisy Chain Distribution 56 2TR Digital Outs57 44 2TR Digital Ins 2TR In Sampling Rate Conversion 58 Slot I/OAvailable Cards Card Combination Restrictions 59 46 61 48 Dithering Digital Outputs Monitoring Digital Input Channel Status 62 Cascading Consoles63 50 Cascade Hookup Examples02R 02R96 #1/2 02R96 #3 02R96 #1 02R96 #2/3 02R96 #4 02R96 #1 02R96 #2 Cascading an 02R Digital Recording Console Cascading Two 02R96s Cascading Three or More 02R96s 64 Attenuating Cascade InputsTurning On & Off Cascade Outputs 52 65 6 Input & Output Patching72 7 Input Channels86 8 Stereo Out89 9 Bus Outs90 Muting Bus Outs (ON/OFF)Grouping Master Mutes (ON/OFF) Setting Bus Out Levels Grouping Master Faders Delaying Bus Outs Soloing Bus Outs Pairing Bus Outs 91 78 Sending Bus Outs to the Stereo Out Viewing Bus Out Settings Naming Bus Outs 92 10 Aux SendsPatching Aux Send Masters to Outputs Setting the Aux Send Mode Pre-Fader or Post-Fader Aux Sends 93 80 Setting Aux Send LevelsUsing the Faders Using the Encoders Aux Send Pages 95 82 Viewing Aux Send Settings 97 84 Panning Aux Sends 99 86 Settings Aux Send Master Levels Grouping Master Faders Delaying Aux Send Masters Soloing Aux Sends Pairing Aux Sends Viewing Aux Send Master Settings Naming Aux Send Masters 100 11 Common Channel Functions127 12 Monitoring & Talkback135 13 Libraries144 14 Internal Effects & Plug-Ins151 15 Scene MemoriesAbout Scene Memories 02 02 158 16 Automix176 17 MIDI182 18 Pro Tools Remote Layer202 19 Remote Control209 20 Other Functions215 Appendix A: Parameter ListsUSER DEFINED KEYS 217 204 USER DEFINED KEYS Initial Assignments Input Patch Parameters 219 206 Initial Input Patch Settings 207 220 Initial Input Patch SettingsInput channel Inputs Effects Processors Inputs 221 208 Output Patch Parameters 223 210 225 212 Initial Output Patch Settings 213 226 Initial Output Patch SettingsSlot Outputs Direct Outs Omni Outs 227 214 Initial Input Channel Names Initial Output Channel NamesInitial Input Port Names 215 228 Initial Input Port Names229 216 Initial Output Port NamesGPI Trigger Source List 217 230 GPI Trigger Source List231 218 User Defined Remote Layer Initial Bank Settings 219 232 User Dened Remote Layer Initial Bank Settings233 220 Bank 2 (GM Vol & Effect 1)User Defined Remote Layer Initial Bank Settings 221 234 Bank 3 (XG Vol & Pan)Short Long 12345678910111213141516 235 222 Bank 4 (Nuendo VST Mixer) 236 Effects ParametersREVERB HALL, REVERB ROOM, REVERB STAGE, REVERB PLATEOne input, two output early reections. One input, two output hall, room, stage, and plate reverb simulations, all with gates. EARLY REF. 237 224 GATE REVERB, REVERSE GATEOne input, one output basic repeat delay. One input, two output early reections with gate, and early reections with reverse gate. MONO DELAY 238 STEREO DELAYTwo input, two output basic stereo delay. One input, two output basic repeat delay with modulation. MOD. DELAY 239 226 DELAY LCROne input, two output 3-tap delay (left, center, right). 240 ECHOTwo input, two output stereo delay with crossed feedback loop. Two input, two output chorus effect. CHORUS 241 228 FLANGETwo input, two output symphonic effect. Two input, two output ange effect. SYMPHONIC 242 PHASERTwo input, two output 16-stage phaser. Two input, two output autopanner. AUTOPAN 243 230 TREMOLOOne input, two output high-quality pitch shifter. Two input, two output tremolo effect HQ. PITCH 244 DUAL PITCHTwo input, two output pitch shifter. One input, two output rotary speaker simulator. ROTARY 245 232 RING MOD.One input, two output distortion effect. Two input, two output ring modulator. MOD. FILTERTwo input, two output modulation lter. DISTORTION 246 AMP SIMULATEOne input, two output guitar amp simulator. Two input, two output dynamically controlled lter. DYNA. FILTER 247 234 DYNA. FLANGETwo input, two output dynamically controlled phaser. Two input, two output dynamically controlled anger. DYNA. PHASER 248 REV+CHORUSOne input, two output reverb and chorus effects in parallel. One input, two output reverb and chorus effects in series. REV->CHORUS 249 236 REV+FLANGEOne input, two output reverb and anger effects in series. One input, two output reverb and anger effects in parallel. REV->FLANGE 250 REV+SYMPHO.One input, two output reverb and symphonic effects in parallel. One input, two output reverb and symphonic effects in series. REV->SYMPHO. 251 238 REV->PANOne input, two output reverb and autopan effects in parallel. 252 DELAY+ER.One input, two output delay and early reections effects in parallel. 253 240 DELAY->ER.One input, two output delay and early reections effects in series. 254 DELAY+REVOne input, two output delay and reverb effects in parallel. 255 242 DELAY->REVOne input, two output delay and reverb effects in series. 256 DIST->DELAYOne input, two output distortion and delay effects in series. Two input, two output 3-band multi-lter (24 dB/octave). MULTI FILTER 257 244 FREEZETwo input, two output stereo reverb. One input, one output basic sampler. ST REVERB 258 REVERB 5.1One input, six output reverb for 5.1 surround, with surround panning. Eight input, eight output reverb. OCTA REVERB 259 246 AUTO PAN 5.1Six input, six output chorus for 5.1 surround. CHORUS 5.1 260 FLANGE 5.1Six input, six output anger for 5.1 surround. Six input, six output symphonic effect for 5.1 surround. SYMPHO 5.1 261 248 263 250 264 Preset EQ Parameters265 252 267 254 Preset Gate Parameters (fs = 44.1 kHz) 255 268 Preset Gate Parameters Preset Compressor Parameters 269 256 271 258 260 273 Appendix B: SpecicationsInput Gain=Min. General Spec 275 262 277 264 Gate Parameters Comp Parameters 278 ControlsAnalog Section Digital Section 279 266 280 IndicatorsAnalog Section Digital Section Libraries 281 268 Analog Input Spec Analog Output Spec 282 Digital Input SpecDigital Output Spec 283 270 I/O Slot Spec (14) Control I/O SpecEach I/O SLOT accepts a digital interface card. Only SLOT #1 has a serial interface.Connector Pin Assignments 271 284 Connector Pin AssignmentsCASCADE IN CASCADE OUT CONTROL Port 285 272 Dimensions125 1.00 4.00 10.0PAD 1920 21 22 23 24 17 18123456789101112131415161718192021222324 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24MACHINE CONTROL USERDEFINED KEYS ROUTING DISPLAY ACCESS SELECTED CHANNELHIGH HIGH MID LOW MID CONTROLROOM 8 7 6 5 4 3 2 1 9 10 11 12 13 14 15 1620 23 49 50 51 52 53 54 55 56 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 239 mm 697 mm 667 mm24 21 22 19 STUDIO SOLO EQUALIZER LOW DYNAMICS PAN/SURROUND SCENE MEMORY LOCATEMEMORY STEREOAUXSELECT ENCODER MODE EFFECTS / PLUG INS STEREO MONITOR LAYER Scene Memory to Program Change Table 273 286 Appendix C: MIDIScene Memory to Program Change Table 287 274 Initial Parameter to Control Change Table 288 MIDI Data Format1. CHANNEL MESSAGE 2. SYSTEM COMMON MESSAGE 3. SYSTEM REALTIME MESSAGE 4. EXCLUSIVE MESSAGE4.1 Real Time System Exclusive 4.2 System Exclusive Message4.2.1 Bulk Dump 4.2.2 PARAMETER CHANGE Format Details1. NOTE OFF (8n) 2. NOTE ON (9n) 3. CONTROL CHANGE (Bn) 289 276 If [TABLE] is selected If [NRPN] is selected 4. PROGRAM CHANGE (Cn) 5. SONG POSITION POINTER (F2) 6. TIMING CLOCK (F8) 7. START (FA) 8. CONTINUE (FB) 9. STOP (FC) 10. ACTIVE SENSING (FE) 11. SYSTEM RESET (FF) 12. SYSTEM EXCLUSIVE MESSAGE (F0)12.1 MIDI MACHINE CONTROL (MMC) 12.2 BULK DUMP 290 Format Details 27712.2.1 Scene memory bulk dump format 12.2.2 Scene memory bulk dump request format 12.2.3 Setup memory bulk dump format 12.2.4 Setup memory bulk dump request format 12.2.5 User dene layer bulk dump format 291 278 12.2.6 User dene layer bulk dump request format 12.2.7 User dene plug-in bulk dump format 12.2.8 User dene plug-in bulk dump request format 12.2.9 User Dene Key bulk dump format 12.2.10 User Dene Key bulk dump request format 292 Format Details 27912.2.11 Control change table bulk dump format 12.2.13 Program change table bulk dump format 12.2.12 Control change table bulk dump request 12.2.14 Program change table bulk dump request 12.2.15 Equalizer library bulk dump format 12.2.16 Equalizer library bulk dump request format 293 280 12.2.17 Compressor library bulk dump format 12.2.18 Compressor library bulk dump request format 12.2.19 Gate library bulk dump format 12.2.20 Gate library bulk dump request format 12.2.21 Effect library bulk dump format 294 Format Details 28112.2.22 Effect library bulk dump request format 12.2.25 Channel library bulk dump format 12.2.26 Channel library bulk dump request format 12.2.27 Input patch library bulk dump format 12.2.28 Input patch library bulk dump request format 295 282 12.2.29 Output patch library bulk dump format 12.2.30 Output patch library bulk dump request format 12.2.31 Bus to Stereo library bulk dump format 12.2.32 Bus to Stereo library bulk dump request format 12.2.33 Surround Monitor library bulk dump format 296 Format Details 28312.2.34 Surround Monitor library bulk dump request 12.3.3 Parameter request basic format 12.2.35 Plug-in effect card bulk dump format 12.2.36 Plug-in effect card bulk dump request format 12.3 PARAMETER CHANGE12.3.1 Parameter change basic format 12.3.2 Parameter Change basic format (Universal format) 297 284 12.3.4 Parameter request basic format (Universal format) 12.3.5 Parameter Address 12.3.6 Parameter change (Edit buffer) 12.3.7 Parameter request (Edit buffer) 12.3.8 Parameter change (Patch data) 12.3.9 Parameter request (Patch data) 12.3.10 Parameter change (Setup memory) 12.3.11 Parameter request (Setup memory) 298 Format Details 28512.3.12 Parameter change (Backup memory) 12.3.13 Parameter request (Backup memory) 12.3.14 Parameter change (Function call Library: store/recall) 12.3.15 Parameter change (Function call: title) Reception Transmission 12.3.16 Parameter request (Function call: title) 299 286 12.3.17 Parameter change (Function call: Scene/Library Clear) 12.3.18 Parameter change (Function call: pair, copy) 12.3.19 Parameter change (Function call Event: Effect) 12.3.20 Parameter change (Key remote) 12.3.21 Parameter change (Remote Meter) 300 Format Details 28712.3.22 Parameter request (Remote Meter) 12.3.23 Parameter change (Remote Time Counter) 12.3.24 Parameter request (Remote Time Counter) 12.3.25 Parameter change (Automix Status) 12.3.26 Parameter request (Automix Status) 288 301 Appendix D: OptionsMB02R96 Peak Meter Bridge 291 304 Index
Also you can find more Yamaha manuals or manuals for other Musical Instruments & Equipment.