
Using SetupNavi and SetupLog with the DSR-1/1P
5
To abort the data recording while in progress
Press the DOWN/OFF button.
After the data has been recorded, the following display appears.
Viewing SetupLog Data
1 Connect the
2 Play back the tape.
| For details of playback operation, see the operating |
Chapter 4 | instructions for the |
3 Press the MENU/STATUS switch up to the | |
Viewfinder | STATUS side. |
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Status display (page 2)
PLAY
TCR 12:34:56:00
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SETUP | LOG |
| 2/3 | W:A | |
A.IRIS | : | ± | 0 |
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DTL | LEV | : | ± | 0 |
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M.BLACK | : | ± | 0 | F5.6 | |
STRETCH | : | ± | 0 | 0dB | |
SS | :1/100 |
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| 3200 |
Status display (page 3)
PLAY
TCR 12:34:56:00
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SETUP | LOG |
| 3/3 | W:A | |
M.GAMMA | : | ± | 0 |
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V DTL | LEV: | ± | 0 |
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DTL FREQ | : | ± | M | F5.6 | |
SKIN | SAT | : | 0 | 0dB | |
SKIN | HUE | : | ± | 0 | 3200 |
SAT |
| : | ± | 0 |
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HUE |
| : | ± | 0 |
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Notes
• SetupLog data is not recorded while SetupNavi data |
or a setup file is being recorded onto a tape. (If you |
play back a tape containing SetupNavi data or a setup |
file, the data displayed in the setup display is not the |
SetupLog data of the playback picture.) |
• In the following cases, changed settings that were not |
recorded may appear as blank settings. |
– SetupLog data is overwritten at intervals of a few |
Chapter
Adjustments and
Settings
White Balance Adjustment
Adjusting the white balance ensures that as lighting |
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conditions change white objects remain white in the | 4 | 1 | 2 1 |
image and tones remain natural. | |||
The color of light emitted varies from one light source |
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to another, and as the lighting changes the apparent |
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color of an illuminated subject changes. It is therefore |
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necessary to adjust the white balance each time the |
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principal lighting source changes. |
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Screen | The display changes to page 1 of the status display. | ||||
PLAY |
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Indications | TCR | 12:34:56:00 |
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SETUP | LOG | 1/3 | W:A |
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WHITE |
| : A 3200 |
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A.IRIS | : STD |
| Settings during | ||
FILE |
| : STD | F5.6 | ||
and |
| recording | |||
DCC+ |
| : ON | 0dB | ||
SKIN | DTL | : OFF | 3200 |
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Menus |
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seconds during recording. If the settings are |
changed frequently for certain items, it may not |
always be recorded in time. |
– If the recording time is very short, recording may |
be ended before all of the data has been |
overwritten. |
Saving an Appropriate White Balance Value in Memory
You can save two white balance values in separate memories, A and B. Unless changed, the saved values are retained for approximately ten years, even when the camera is powered off.
Once a value is saved, you can automatically restore the adjustment by moving the W. BAL switch to the A
5 3 1
1 Make the following settings on the camera.
Each time you press upward the MENU/STATUS switch, the status display cycles through the status pages and playback display in the order: page 2, page 3, the playback display (containing the current settings), and page 1.
DXC- | |
D35P/D35WSP(CE)V1 | |
| 78 Chapter 4 Viewfinder Screen Indications and Menus |
or B position. This makes shooting under alternating lighting conditions easy.
Separate white balance values for each FILTER control setting
In the default case, as described above, the same two A and B white balance values apply to all four settings of the FILTER control. It is possible, however, to change the AWB MEM menu setting is advanced menu page 3 (see page 65) so that there are eight possibly different values for the A and B positions and for the four FILTER control settings.
•POWER switch: ON SAVE
•OUTPUT/DL/DCC+ switch: one of the CAM positions
•Lens iris selector: A (automatic)
•ATW button: off
2 Set the FILTER control according to the lighting conditions. (See page 43.)
3 Set the W. BAL switch to A or B.
(continued)
Chapter 5 Adjustments and Settings | 79 |