V1 |
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Settings for Special Cases
| Settings for special cases |
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Shooting conditions | Setting | Effect |
The background is very bright, and the | Set the A.IRIS MODE switch to BACK L, | This lightens the foreground. |
subject is too dark. | turning the indicator on. |
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The subject is under a spotlight. | Set the A.IRIS MODE switch tp SPOT L, | This prevents white |
| turning the indicator on. | of faces and clothes. |
The subject is completely still (e.g. when | Enable the EVS (Enhanced Vertical | This enhances the vertical resolution. |
shooting documents, drawings, etc.). | definition System) function. (See page |
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| 84.) |
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Skin Detail Correction
The
Adjusting Color in the Specified Area
You can adjust the specified color using setup files. Perform the same procedure with the skin detail correction to designate the target area .
1 Turn the POWER switch on with holding down the UP/ON button.
Note
Enabling the EVS function tends to increase the occurrence of aliasing problems (moiré patterns). Therefore, normally leave the function disabled.
ON 
1
2
When you wish to give a lush effect, as when shooting a wedding or similar occasion.
Shooting under fluorescent lighting.
Use the HI SAT file. (Access advanced | This increases the saturation of primary |
menu page 10 with the SET UP switch | colors. |
set to FILE.) |
|
Use the FL file. (Access advanced menu | This eliminates the |
page 10 with the SET UP switch set to | restores natural hues. |
FILE.) |
|
OFF
SET 
SKIN DTL
2,3 
Chapter 5 Adjustments and Settings
When shooting bright areas mixed with dark areas (Example: A person indoors looking through a window at a bright landscape outdoors)
When adjusting for skin detail or tone (Example: When shooting to hide skin details)
When you wish to give pictures a natural taste created by film camera.
To make focusing before shooting easier.
To begin shooting immediately when there is no time to make adjustments.
Set DL to ON in the advanced menu | Prevents white breakup and color faults |
page 2 and, then set the OUTPUT/DL/ | in bright areas. |
DCC+ switch to CAM DL. |
|
See “Skin Detail Correction” or | Adjusts the skin detail or tone to a |
“Adjusting Color in the Specified Area” | designated active area. |
(page 93). |
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Use the FILMLIKE file. (Access | The “filmlike” effect is added to the |
advanced menu page 10 with the SET | picture. |
UP switch set to FILE.) |
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Press the EZ FOCUS button, turning the | This opens the iris, to make it easier to |
“easy focus” function on. | focus before beginning shooting. |
Set the EZ MODE switch to the ON | This provides automatic adjustment to a |
position. | set of standard values, to allow |
| immediate shooting. |
1 Set the SKIN DTL switch to ON.
The indication “SKIN AREA: ±0” appears in the viewfinder.
2 Press the SKIN DTL SET button.
This causes the area detect cursor to be shown in the viewfinder (for 10 seconds).
3 Place the area detect cursor on the target, then press the SKIN DTL SET button.
This designates the correction area, which is indicated by a zebra pattern, and the indication “SKIN AREA: ±0” appears again. If the area detect cursor disappears before designating the area, press the SKIN DTL SET button again to display the cursor. (Return to step 2.)
4 Press the UP/ON or DOWN/OFF button to change the SKIN AREA value
You can also change color in the designated area (see the following section).
3
4
Note
Set the SKIN DTL to 1.0 in basic menu page 2 if the skin detail correction is unnecessary.
Chapter 5 Adjustments and Settings
92 | Chapter 5 Adjustments and Settings | Chapter 5 Adjustments and Settings | 93 |
