MIXER MODE
Copyright 1996 ROLAND CORPORATION
MASTER OUT
INPUT SENS
For the U.K
IMPORTANT SAFETY INSTRUCTIONS SAVE THESE INSTRUCTIONS
GROUNDING INSTRUCTIONS
For the USA
Before using this unit, make sure to read the
How this manual is organized
Introduction
About the package contents
Chapter 3 Basic operation as a replacement for a tape MTR
Chapter 5 Use with MIDI devices
Chapter 8 Using the internal effects
Chapter 10 Overall settings and status checking
Chapter 4 Editing a recorded performance track editing
Chapter 1 Trying out the expanded functions
Contents
Chapter 2 Before you start VS-880 terminology
Chapter 4 Editing a recorded performance track editing
Chapter 3 Basic operation as a replacement for a tape MTR
Chapter 5 Use with MIDI devices
Chapter 7 Use with a DAT recorder DAT backup
Chapter 8 Using the internal effects
Chapter 10 Overall settings and status checking
Appendices
Chapter 11 Taking advantage of the VS-880 ideas and examples
Easy-to-operate controls
Main features
A full complement of connectors
Digital audio workstation
Maintenance
Important notes
Power Supply
Placement
Important notes
Additional Precautions
Concerning copyright
Disclaimer of liability
Mixer section
Front and rear panels
Chapter
Front and reat panels
Recorder section
Display section
Rear panel
Master Block
Chapter 1 Trying out the expanded functions
Using auto mix
Mixer-related
Preparations for auto mix
Recording the mixer settings, method 1 Snapshot
Recording the mixer settings, method 2 Gradation
Recording the mixer settings, method 3 Realtime
A.Mix Snap Auto Mix Snapshot Mode
If you do not wish to record top panel settings Mask Fader
Playing back the auto mix
Erasing the auto mix
Turning the equalizer on/off
Using the 3-band equalizer in INPUT MIX/TRACK MIX
EQ Switch equalizer switch
About “!!! Lack of EVENT !!” display
Mixing in a stereo source Stereo In
Adjusting the level of each track Track Level
Causing top panel fader and pan knob operations to take
Using the 3-band equalizer
D.CpyProtect Digital Protect Switch
When the Recording mode is set to Mastering
When a digital signal with emphasis is input
Creating a master tape which disables digital copying
Reverb
Newly added preset patches
Effect related
Newly added algorithms
EQ Equalizer
Space Chorus
SCH Space Chorus
LFP Lo-fi processor
Lo-Fi Processor
Chapter
LNK Link
4-Band Parametric Equalizer
RMF Realtime modify filter
NS Noise suppressor
Chapter
10-Band Graphic Equalizer
LNK Link
EQA/EQB Graphic equalizer channel A / channel B
VC Vocal canceller
Hum Canceler
Vocal Canceller
HC Hum canceller
Chapter
Vocoder
EQ Equalizer
VOC Vocoder
CHO Chorus
Voice Transformer
VT Voice transformer
Chapter
MID MIDI control
REV Reverb
FE Fader edit
LNK Link
Mic Simulator
MCA/MCB Mic converter channel A / channel B
DSA/DSB Distance channel A / channel B
Adjusting the send level and balance for all effects
LMA/LMB Limiter channel A / channel B
BCA/BCB Bass cut filter channel A / channel B
Inserting an effect
Recording while an effect is inserted
EFFECT1 Effect 1 switch
Chapter
Inserting in stereo
EQ/EffPreIns Equalizer/effect pre-insert switch
EFF1 INS Sw Effect 1 insert switch
Inserting two effects into one channel
Checking the remaining disk capacity
PeakHoldSw Peak hold switch
Display related
Holding the level meter peaks
Checking that a disk is not damaged
To halt during the procedure
Disk drive related
Checking the reliability of a disk
Cluster Info. Cluster information
To stop during the procedure
If the display indicates “No Err”
If the display indicates “ Err”
Assign mark points according to the tempo
When using the sync track
RecoverResult Recovery result
Synchronization related
CV Convert
Generating the tempo map from the sync track
Creating the sync track automatically
CV Convert
Gen Sync generator
Using the tempo map
Adding an offset to the sync track/tempo map
Generating a tempo map from mark points
MIDI related
Using program change mes sages to select scenes
Using program change mes sages to select effects
Using control change mes sages to control effects
Example procedure when NUMERICS Type=Dwn
Using the numeric keys NUMERICS
Example procedure when NUMERICS Type=Up
Example procedure when switching the mixer mode
Example procedure when modifying a Locate Point
Easy time adjustment
Chapter
Doing everything in the digital domain Digital Studio Workstation
Chapter 2 Before you start VS-880 terminology
Signal flow busses
Sources, tracks, and channels
Chapter 2 Before you start VS-880 terminology
Where a performance is recorded Song
Chapter
Input Sources
Frequency Resonance Boost or Cut Selector Switch
Mixer section
About mixer modes
KEY TO KNOBS
INPUTS
1 2 3 4 L R
TRACKS
Output
When the mixer corresponds to the input sources INPUT MIX
Input
Equalizer
Input
Switching the mixer mode
When the mixer corresponds to recorded tracks TRACK MIX
Recording the current condition of the mixer Scene
Recalling a scene without affecting the current fader values
Storing the current mixer settings
Clearing the settings of a scene
Recalling a scene
Virtual tracks provided for each track V-tracks
Recorder section
Differences with a tape-type MTR
Number of tracks that can be recorded/played simultaneously
About the effect expansion board VS8F-1
Switching conditions
Effects section
VS-880 operation
Selecting parameters
Modifying the value of settings
Switching the track status Track Status
Selecting the operation menu
Moving to the end of the performance Song End
Changing the current time
About the current time display
Moving to the beginning of the performance Song Top
Chapter
Storing a time location, method 1 Locate Point
Storing a time location
Changing the Locate Bank
Modifying a stored time location
Moving to a stored time location
Deleting a stored time location
Adding a Mark Point to the current time
Storing a time location, method 2 Mark Points
Marking a time location
Moving to a marked time location
Clearing all Mark Points
Modifying a marked time location
Clearing a mark
Clearing a Mark Point
If an un-initialized hard disk was installed
Chapter 3 Basic operation as a replacement for a tape MTR
When you turn the power on
If a hard disk containing a demo song was installed
Specifying the recording mode Song New
Making a new recording
Naming the song Song Name
Record a performance onto a
General procedure for multi- track recording
Switching V-tracks
Connect the instruments
Re-recording only your mistakes Punch-in/out
Using the record button
Recording additional tracks while listening to the perfor
mance Overdubbing
Using mark points
Recording procedure
Using the foot switch
Using locate points
Repeatedly recording over the same area Loop recording
Recording procedure
Using locate points
Using mark points
another track Track bouncing
Adjusting the tone Equalizer
MIX Sw mix switch
Combining the performances of two or more tracks into
EQM F equalizer middle frequency / Q
EQ Switch equalizer switch
EQM equalizer middle
EQL equalizer low
MIX Pan MIX Bal Mix balance
Adjusting the volume and pan Level/Pan
Applying effects Loop
MIX Level
EFFECT 1 Effect 1 switch
Each channel settings
EFF2 INS Sw Effect 2 insert switch
Master block settings
EFFECT 2 Effect 2 switch
EFF1 INS Sw Effect 1 insert switch
Digital recording
Connecting digital devices
If you are using a cassette tape
If you are using a DAT
MasterClk Master clock
When digital recording is not possible
Selecting digital input as the source
Turn off the Vari-pitch function
Protecting a performance
Before you finish operations
Saving the performance to disk Song Store
Preventing accidental erasure of your performance Song Protect
If the display asks “STORE Current?”
Turning the power off Shut Down
Re-starting the VS-880
Selecting a song Song Select
Finding the location where the sound begins example
Chapter 4 Editing a recorded performance track editing
What is editing?
Using TO and FROM
Scrub Len Scrub length
Basic procedure
Finding the location where sound begins example
Adjusting the scrub length
Example 1 Copying twice to the same track
Re-using part of the perfor- mance Copy
Example 3 Copying using the “Frm” setting
About the bar display
Chapter
Modifying the organization of the performance Move
End end point Specify the ending time of the move source playback data
Exchanging performance data between tracks Exchange
Erasing part of a performance Erase
Chapter
Inserting blank space into a performance Insert
Chapter
Deleting a portion of a performance Cut
To cancel the operation, press CANCEL NO
MIDI implementation chart
Chapter 5 Use with MIDI devices
What is MIDI
MIDI connectors
Using MTC
Using MIDI to switch the track status
Synchronizing with a MIDI sequencer
Chapter
Synchronizing to the VS-880 Master
Gen Sync generator
MTC Type
Gen Sync generator
ErrLevel Error level
Synchronizing to a MIDI sequencer Slave
Source Sync source
Ofs Offset
Using the tempo map
What is the tempo map?
TimeDispFmt Time display format
Tempo
MIDIThr MIDI thru switch
Creating a tempo map
Synchronized operation
Chapter
Using the sync track
Changing the tempo during the per- formance
Gen Sync generator
Synchronized operation
When you experience prob- lems with synchronization
MIDIThr MIDI thru switch
Recording MIDI clock messages
Select the Zip drive as the recording destination Drive Select
Chapter 6 Use with a Zip drive
Connecting a Zip drive
Initializing the disk Drive Initialize
Saving on a single disk Playable
Saving performance data on a Zip disk Song Copy
Playable
Chapter
When the data cannot be saved on a single disk Archive
Procedure for saving on multiple disks Store In
Archive
Procedure for loading from multiple disks Extract
If you have problems saving the data
Saving performance data to a DAT recorder Backup
Chapter 7 Use with a DAT recorder DAT backup
Chapter
Tape Len Tape length
Loading performance data from a DAT recorder Recover
Bak backup
Backup Wait
Checking the storage status of performance data that was saved Verify
Checking the names of the per- formance data that was saved Name
Chapter
Examples of how the effects can be used
Chapter 8 Using the internal effects
MIX Sw mix switch
EFFECT 1 Effect 1 switch
EFF1 RTN Lev Effect 1 return level
EFFECT 1 Send Effect 1 send level
EFFECT 1 Pan Effect 1 pan
EFF1 RTN to Effect 1 return to
Applying reverb as you record Loop
BUSS Sw buss switch
BUSS Sel buss select
EFFECT 1 Pan Effect 1 pan
EFFECT1 Effect 1 switch
BUSS Sw buss switch
EFFECT 1 Send Effect 1 send level
EFF1 Bal Effect 1 balance
Applying a vocoder while you record Insert
EFF1 RTN to Effect 1 return to
EFF1 RTN Lev Effect 1 return level
EFF1 InsRtn Effect 1 insert return level
EFFECT1 Effect 1 switch
EQ/EffPreIns Equalizer/effect pre-insert switch
EFF1 InsSend Effect 1 insert send level
EFFECT1 Effect 1 switch
MIX Sw mix switch
Applying reverb while bouncing tracks Loop
EFF1 RTN to Effect 1 return to
EFFECT 1 Send Effect 1 send level
EFFECT 1 Pan Effect 1 pan
Input input select
EFF1 Bal Effect 1 balance
If the effect does not sound as you expect
MetroOUT Metronome output
Chapter 9 Other convenient functions
Using an external MIDI sound source to play the metronome
Sounding the metronome
Marker Stop
Using a foot switch to play- back/stop
FootSw Foot switch assign
Stopping automatically Marker stop
Chapter
Changing the pitch during playback Vari-pitch
Listening only to a specific channel Solo
VariPitch
Undoing a recording or editing operation
Simultaneously adjusting a stereo source Channel Link
Recording/editing operations which can be undone Undo
Deleting only unneeded perfor mance data Song Optimize
When the disk has little remaining space
Canceling the last-performed Undo Redo
Canceling only the last-per formed operation
Adjustment procedure
Chapter 10 Overall settings and status checking
Switching the contents of the display Bar Display
Adjustment procedure
MetroOut Metronome output
Displaying measures/beats
Checking the size of a recorded performance
Gen Sync generator
If there is no internal hard disk
Restoring the mixer settings to the initial state
IDE Drv IDE drive
BUSS Sel buss select
BUSS Sw buss switch
Chapter 11 Taking advantage of the VS-880 ideas and examples
Recording multiple sources to one track
Chapter 11 Taking advantage of the VS-880 ideas and examples
Collecting just the sections that you like
FadeLength Fade length
Copying an 8-track MTR performance to the VS-880
Chapter
Correspondence between MIDI chan- nels and controller numbers
Controlling the mixer from a MIDI sequencer
Performing a compu-mix
CtrLocal Mixer control local switch
Preparations
Recording mixer operations
Synchronizing the operation of two VS-880 units
Settings for the master VS-880
MIDIThr MIDI thru switch
Operating the VS-880 from another device MMC
Source Sync source
SysEx.Tx System exclusive transmit switch
MMC MMC mode
CtrType Mixer control type
MMC MMC mode
Settings for the slave VS-880
SysEx.Rx System exclusive receive switch
DeviceID Device ID
Operating the VS-880 from an MMC-compatible device
Make settings for the VS-880
MIDIThr MIDI thru switch
SysEx.Rx System exclusive receive switch
Make settings for the sequencer program
If you have problems with synchronization
MTC Type
Chapter
Using external effect units
Applying an effect during playback
Applying an effect while bouncing tracks
Use the track channels 1 and 2 ÒAUX LevelÓ and the master section AUX knob to adjust the signal level sent to the external effect unit. Use the faders of input chan- nels 1 and 2 to adjust the signal level from the effect. However this will change depending on the effect device that you use, so it is best to adjust the volume level on the external effect device, and fix the VS-880 at an appropriate volume level
Appendices
Terminators
Using an external disk drive About SCSI
Connecting a disk drive
Connectors and cables
Appendices
Using an external disk drive About SCSI
SCSI ID numbers
Partitions
Specific channel does not sound
Troubleshooting
Problems with sound
No sound
When synchronizing a MIDI sequencer to the VS-880
Disk drive problems
Synchronization problems does not synchronize
Other problems
Can’t Communicate Drive Time Out Message Error Phase Mismatch
Error messages
Aborted Command Illegal Request
Arbitration Fail Busy Status Check Condition Status Error
No Effect Board
SCSI ID Error
Memory Full
Write Protected
EDIT CONDITION buttons
Special key operations
MIXER MODE buttons
CH EDIT buttons
Appendices
Other
Special key operations
INPUT MIX Mode
Parameter list
Mixer Parameters channel
INPUTTRACK Mode
TRACK MIX Mode
Equalizer/Effect Pre-Insert Switch
Parameter list
A-, -B-, A+B, 1-2, 3-4, 5-6
System Parameters
Master Block
System
Sync Track Convert
MIDI
Disk
Sync/Tempo
Drive Initialize
Scene/Auto Mix
Auto Mix Erase
Drive Select
Model VS-880
MIDI Implementation Chart
Digital Studio Workstation
Date Dec. 12
INPUTTRACK mode
Mixer section block diagram
INPUT MIX mode and TRACK MIX mode
SMPTE time code
Glossary
COSM
S/P DIF
Power Supply
Specifications
Signal Processing
Connectors
SELECT Select button
About the V-XPANDED sticker
Channel faders
LOCATOR buttons
About the included sticker
Special key operations
Index
Index
Moving to the end of a song Song End
Re-using part of a track Track Copy
Creating a new song Song New
Protecting a song from erasure Song Protect
Track sheet
CLASSE B
FEDERAL COMMUNICATIONS COMMISSION
RADIO FREQUENCY INTERFERENCE STATEMENT
CLASS B
01129434 97-1-C3-21T
Information