Wipes DME 6 Chapter

•Create the first transition to end such that the image can be seen within the screen. At this point, press the [PAUSE] button in the keyframe control block, turning it on, to set a pause for the keyframe.

•Either create the last keyframe image outside the screen area, or set the image size to zero so that it cannot be seen within the screen.

•In the <Transition Mode> group of the Key Frame>DME User PGM menu, select [FRAME I/O].

Notes on picture-in-picture (one-channel mode)

Create a minimum of three keyframes.

•Create the first keyframe with the image full-size.

•Create the first transition to end such that the image can be seen within the screen. At this point, press the [PAUSE] button in the keyframe control block, turning it on, to set a pause for the keyframe.

•Create the last keyframe again with the image full-size.

•In the <Transition Mode> group of the Key Frame>DME User PGM menu, select [P In P].

Notes on dual transition mode (two-channel mode)

•Create the first keyframe for each channel as follows. Channel 1: create the image full-size.

Channel 2: either create the image outside the screen area, or set the image size to zero so that it cannot be seen within the screen.

•Create the last keyframe for each channel as follows.

Channel 1: either create the image outside the screen area, or set the image size to zero so that it cannot be seen within the screen.

Channel 2: create the image full-size.

•In the <Transition Mode> group of the Key Frame>DME User PGM menu, select [Dual].

Notes on picture-in-picture (two-channel mode)

Create a minimum of three keyframes.

•Create the first keyframe for each channel as follows. Channel 1: create the image full-size.

Channel 2: since the priority is low, it will not be visible on the screen, so no particular restrictions apply.

In the Global Effect>Ch1 to Ch4>Combiner menu, when setting the priority of channel 1 and channel 2, set the channel 1 priority higher.

•In the intermediate part of the transition, create the two images so that both are visible within the screen. In the Global Effect>Ch1 to Ch4>Combiner menu, when setting the priority of channel 1 and channel 2, set the channel 2 priority higher.

Note

It is recommended to make the priority settings at a keyframe point at which the two images are not overlapping.

344 Creating User Programmable DME Patterns