55STEREO Compressor, 56STEREO Limiter | Roland XV-5080 manual

55:STEREO COMPRESSOR

L in Compressor 2-Band EQ L out

R in		Compressor		2-Band EQ		R out
R in		Compressor		2-Band EQ		R out

Compressor

Attack

Adjust the attack time of an input sound.

Sustain

Adjust the time over which low level sounds are boosted until they reach the specified volume.

Post Gain

Adjust the output gain.

EQ Gain

Low (Low Gain)

Adjust the low frequency gain (amount of boost or cut). Positive (+) settings will emphasize (boost) the low frequency range.

High (High Gain)

Adjust the high frequency gain (amount of boost or cut). Positive (+) settings will emphasize (boost) the high frequency range.

Output

Level (Output Level) #

Adjust the output level.

Chapter 2 Using the XV-5080 Effects

56:STEREO LIMITER

L in		Limiter		2-Band EQ		L out
L in		Limiter		2-Band EQ		L out
R in						R out

		Limiter		2-Band EQ
		Limiter		2-Band EQ

Limiter

Threshold (Threshold Level)

Adjust the volume at which compression will begin.

Ratio (Compression Ratio)

Adjust the compression ratio.

Release (Release Time)

Adjust the time from when the volume falls below the Threshold Level until compression is no longer applied.

Post Gain

Adjust the output gain.

EQ Gain

Low (Low Gain)

Adjust the low frequency gain.

High (High Gain)

Adjust the high frequency gain.

Output

Level (Output Level) #

Adjust the output level.

Chap.2

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Roland XV-5080 owner manual 55STEREO Compressor, 56STEREO Limiter

Contents

Thank you, and congratulations on your choice of the Roland Important Safety Instructions Page Page Memory Backup Power SupplyPlacement Maintenance Contents Creating Patches Creating Rhythm Sets 168 Error Messages Waveform List Sample Playback Function Lets You Add Waves Powerful Internal Effects, Including Cosm EffectsVoice Polyphony and 32- Part Multitimbrality Create Amazingly Expressive Tones Patch Finder Front PanelSYSTEM/UTILITY Exit User PresetTone Switch Patch Rear Panel Scsi Connector Panel Descriptions DIF OUT Connector Preview 1-4 Note Number Setting the Way In Which Sounds Are PreviewedPreview Mode Auditioning Sounds on the XV-5080 Phrase Preview Playing a Patch on Setting the XV-5080’s Midi Reception Channels EXP Expansion Selecting Sound Libraries Selecting Patches by Category Patch Finder Basic Procedure for Selecting aSelecting a Patch Patch Following categories can be selected Category Internal organization Patch or Rhythm Set modes Selecting Patches and RhythmSets from an External Midi Device Performance mode Rhythm SetsPerformances Selecting How a Patch Will Play Polyphonic Monophonic Setting a Patch’s Pitch Octave Steps Octave Shift Turning Effects On/Off Patch Mode Settings Output Assign Using the XV-5080 EffectsSplit Key Edit Mode Routing Tones to Effects Making Chorus Settings Making Multi-Effects Settings For Type 1 Chorus For Type 2 Delay Making Reverb Settings For Type 1 ReverbFor Type 2 SRV ROOM/3 SRV HALL/4 SRV Plate LF Damp Gain -36-0 dB HF Damp Freq LF Damp Frequency *3HF Damp Gain -36-0 dB Performance Performance Mode Settings Routing Part Outputs Chorus Source PRF/P1-32 MFXA-C Control 1-4 SourceMFXA-C Control Destination MFXA-C Control 1-4 Sens -63- +63 Using the XV-5080 Effects For Type 2 Delay Reverb Source For Type 2 SRV ROOM/3 SRV HALL/4 SRV Plate Rhythm Set Mode Settings Rhythm Tone Reverb Send Level Rhythm Tone Output AssignRhythm Tone Dry Send Level Rhythm Tone Chorus Send Level Making Chorus Settings Making Reverb Settings Using the XV-5080 Effects For Type 1 Reverb Settings in General Midi Mode Please refer to Making Effects Settings F5 Effects pParameters for Each Multi- Effects Delay Effects that delay the sound Modulation Effects that modulate the soundKeyboard Effects useful for the keyboard Chorus Effects that broaden the sound Dimension Effects that control the location SoundLoFi Effects that intentionally degrades the sound quality Guitar and Bass Effects useful for the Guitar and Bass Overdrive Using the XV-5080 Effects Stereo EQ Stereo Equalizer Distortion PhaserPhaser Distortion Enhancer SpectrumGain Enhancer Rotary Auto WAH Limiter CompressorCompressor Limiter Tremolo Chorus HEXA-CHORUS Filter PhaseSPACE-D Stereo Chorus Flanger Stereo Flanger Step Rate Stereo DelayDelay Step Flanger Modulation Delay Phase Center Center Level Left Left Level Right Right Level Triple TAP DelayDelay Level Modulation Level Quadruple TAP Delay Pitch shift Time Control Delay22 2VOICE Pitch Shifter Pitch a Pitch Pitch BLevel Balance FBK Pitch Shifter Reverb ReverbGated Reverb OVERDRIVE→ Chorus OVERDRIVE→ Flanger DISTORTION→ Flanger OVERDRIVE→ DelayDISTORTION→ Delay DISTORTION→ Chorus ENHANCER→ Flanger ENHANCER→ Chorus CHORUS→ Delay ENHANCER→ Delay FLANGER→ Delay CHORUS→ FlangerBalance # CHORUS/DELAY FLANGER/DELAYCHORUS/FLANGER 42KEYSYNC Flanger 41STEREO Phaser 43FORMANT Filter Keysync Ring Modulator 44RING Modulator Pan 45MULTI TAP DelayDelay Time Level Threshold 46REVERSE DelayFeedback HF Damp 483D Delay 47SHUFFLE Delay 493VOICE Pitch Shifter Pch CoarsePch Fine Post Filter 50LOFI CompressLo-Fi Pre Filter Speaker Radio NoiseDisc Noise 52SPEAKER Simulator 53OVERDRIVE 54DISTORTIONTone 56STEREO Limiter 55STEREO Compressor 58SLICER 57GATE 603D Chorus 59ISOLATOR 613D Flanger 62TREMOLO 63AUTO PANAuto Pan Stereo Phaser Switch Step SwitchMix Level Mix Level ST Formant Filter Stereo Formant Filter Stereo Auto WAH Multi TAP Delay Delay LevelThres HF Damp 1 Reverse DelayShuffle Delay Feedback 1, 4 # Right Delay Level Right 70 3D DelayCenter Delay Level Center Left Delay Level Left Spread Rotary Overdrive/Distortion Rotary MultiMid Sequence Keyboard Multi Pitch Shifter Chorus/Flanger Rhodes Multi Tremolo/Pan JD MultiSpectrum Stereo Lofi Compress Stereo LO-FI Noise HumNoise Guitar AMP Simulator Amp LevelAmp Tone Switch Amp Simulator Switch Stereo OverdriveStereo Distortion Guitar Multi a Amp Type Amp Simulator Type Pre Delay Chorus/Flanger Pre Delay TimeOD/Dist OD/Dist Switch Guitar Multi B Feedback Wah Wah Sw Wah SwitchWah Wah Switch Guitar Multi C Clean Guitar Multi a EQ M Gain EQ Mid Gain HF Dump Delay HF DampPre Dly Chorus/Flanger Pre Delay Time 100 Clean Guitar Multi B Seqeuence101 Amp Sim Amp Simulator OD/Dist Overdrive or Distortion SwitchBass Multi 102 Band EQ 103Level Overdrive/Distortion Level # Band Gain IsolatorBoost/Cut Stereo Spectrum 105 89 3D Auto SpinAuto Spin 90 3D Manual Copy Type Copying Effect SettingsWhen Using 3D Effects 106 107 Signal Tone Flow 108 ParametersSelecting Output Jacks Patch Effects General page Patch F6 Effects F1 General System General #1 page System F1 General Master Patch Common General #1 page Patch F1 Common F1 GeneralSystem Output page System F2 OutP&EQ Digital Interface Output Mix/Parallel 110 Example of Settings Part Output MFX Select Signal Part FlowAvailable Settings A-C 111 112 System Output page System F2 OutP&EQ Output Mix/Parallel MFX-A 113 Signal Rhythm Tone Flow Rhythm Effects General page Rhythm F6 Effects F1 General114 Rhythm Common page Rhythm F1 Common 115Output Assign Rhythm Set Output Assign 116 117 GM Effects General page GM F6 Effects F1 General 118 119 Digital Connections Using RDIF Control Output Gain 120 When Making the XV-5080 the Word Clock MasterWhen Making the XV-5080 the Word Clock Slave Eight-Channel R-BUS Digital Connection Digital Output to an Adat When Making the XV-5080 the Word Clock Slave SettingsSettings Converting to the Various Digital Formats 122 Digital Output to a Tascam DA Series 123 Digital Output to an AES/EBU Device 124 Synchronizing the XV-5080 to the Word Clock arriving at 125 Types of Patches and Their CompositionFour-Tone Patch How a Tone Is Organized Creating Patches Selecting the Tones That Will Sound Tone On/OffMulti-partial Patch How a Partial Is Organized 127 Settings Common to the Entire PatchCommon Patch Common Patch Common General #1 page Patch F1 General 128 Octave&Tune Patch Octave & Tune Voice Priority One Shot ModeControl Patch Control Tempo Patch Tempo Bender Portament Patch Portamento130 Structure Patch Structure 131Type Structure Type 132 Range Patch Key RangeTMT Keyboard Range Lower TMT Keyboard Range Upper Range Patch Velocity Range Creating Patches TMT Velocity Fade Width Upper Creating Four-Tone PatchesTips for Creating a Patch More Advanced Editing of Tones Tips for Selecting a Waveform Palette Function135 136 Modifying the Waveform and Pitch F2 WGPatch WG Parameter page Patch F2 WG F1 WG Prm Wave Tone Delay FXM Frequency Cross Modulation137 Patch WG Pitch Envelope page Patch F2 WG F3 Pch Env Patch WG Pitch page Patch F2 WG F2 PitchRandom Pitch Tone Random Pitch Pitch Keyfollow Wave Pitch Sample Velocity Sens Pitch Envelope Velocity SensitivityPatch WG Sample page Patch F2 WG F4 Sample TVF Using the Filter to Modify the Brightness F3 TVF 141 Resonance Velo TVF Resonance VelocityCutoff Keyfollow TVF Cutoff Cutoff Velo TVF Cutoff Velocity Velo Sens TVF Envelope Velocity Sensitivity Velo Curve TVF Envelope Velocity Curve142 TVA Changing the Volume and Stereo Location F4 TVA Patch TVA Envelope page Patch F4 TVA F2 TVA Env Velocity Sens TVA Envelope Velocity Sensitivity144 145 Delay LFO DelayApplying Vibrato or Tremolo F5 LFO&CTL Rate LFO Rate 146 Creating Patches Fade LFO FadeKey Sync LFO Key Sync Depth LFO Depth 147 Assigning Partials Creating Multi-Partial Patches Patch WG Parameter page Patch F2 WG F1 WG Prm Partial Midi Midi SwitchEditing Partials Assign Assign Type Editing Samples SMT Velocity Fade Width Upper SMT Velocity Fade Width LowerSMT Velocity Range Lower SMT Velocity Range Upper REV ONE Reverse One-shot 152 Cutoff TVF Velo TVF Velocity153 154 TVF EnvelopeVelo Sens Pitch Depth Envelope Pitch Depth Creating Patches TVA Velo TVA Velocity Making the Volume Change F4 TVAPatch TVA Parameter page Patch F4 TVA F1 TVF Prm Level 156 Key Sync 157LFO2 *1 158 Making Effect SettingsCopying the Settings Another Patch Patch Tone Saving Patches You Create How a Performance Is Organized Basic Ways to Use PerformancesChoosing the Parts to Play Solo Part Select Establishing Settings for an Entire Performance CommonSettings for Each Part Creating a Performance Comparing the Settings of Each Part as You Make Settings Setting the Keyboard Range161 Performance 1 page Perform F3 Part Patch Part Patch Creating a Performance Part Keyboard Range LowerPart Keyboard Range Upper Part Keyboard Fade Width Upper 163 Bend Range Part Pitch Bend RangeVoice Reserve Part Voice Reserve Performance 2 page Perform F3 Part Modify Part Modify Establishing a Part’s Midi Settings 165 Part Mute Performance Part Information page Perform F6 Info Copying the Settings Another Part Performance Part CopySaving Performances You Create Confirming Midi Information for Each Midi Channel Performance Name Copy Editing a Patch or Rhythm Set in the Performance ModePalette Function 167 How Percussion Instruments Are Organized 168WG Wave Generator 169 Settings Common to an Entire Rhythm SetCreating Rhythm Sets Tempo 170 Setting up Individual Rhythm Tones Name Tone Name Modifying the Waveform, Pan and Pitch F2 Key WGRhythm WG Parameter page Rhythm F2 WG F1 WG Prm Rhythm Tone 171 Tune Gain & Level172 Random Pitch Rhythm Tone Random Pitch Rhythm WG Pitch Envelope page Rhythm F2 WG F3 Pch Env173 WMT Velocity Fade Width Upper WMT Velocity Fade Width LowerWMT Velocity Range Lower WMT Velocity Range Upper 175 Using the Filter to Modify Brightness F3 Key TVFRhythm TVF Parameter Rhythm F3 Key TVF F1 TVF Prm Range -63 176 Rhythm TVA Parameter page Rhythm F4 Key TVA F1 TVA Prm Making the Volume Change F4 Key TVARhythm TVF Envelope page Rhythm F3 Key TVF F2 TVF Env Amount V-Crv TVF Envelope Velocity Curve 178 PanRhythm TVA Envelope page Rhythm F4 Key TVA F2 TVA Env Velocity Sens 179 Other Settings F5 Key CtlSaving the Rhythm Set You Create Rhythm Key Control page Rhythm F5 Key Ctl 180 Copying Settings from Some Other Rhythm Tone Installing the Simm Memory Module Loading Sampler Libraries CD-ROM181 Loading a Variety of Data Confirming That the Simm Is Properly InstalledSimm Slot Installation Order Removing SIMMs 183 Installation de la carte dextension Wave 184 Enlever une carte mémoire Wave F5 Refresh Connecting a CD-ROM DriveWith Sampler Libraries 185 Disk Free AreaMarked 186 Case of the S-700 series When Loading Libraries for the Akai S1000/3000When Loading AIFF/WAV Libraries About Each Sampler Library Folder Type Display 188 About the Display of Folder Categories in Sampler LibrariesSample Load Total Auto Load 189Target 190 Playing Back Loaded Sampler LibrariesLoading Data Saved on a Zip Disk Individually Loading Patches, Performances, or Rhythm Sets Transmitting Samples Loading Data Stored on Memory CardsSample-Related Utilities Sending and Receiving Samples Sample Dump Receiving Samples Processing192 193 Automatically Creating Multi- Partial Patches Create Patch Saving Edits to the XV- 5080’s Internal Memory Write Saving Tones and Other Data You’ve Created194 195 Before Using a Memory CardSaving All Data to Memory Card Disk F2 Save Saving Tones and Other Data You’ve Created Formatting a Memory Card Saving Data196 Organizing the Contents of Memory Cards 198 Copying/Moving Files Cp/Move 199 Copying Files on One Memory Card to Another Card CardCpy If the hard disk has not been partitioned Saving All Data to Zip Disk Disk F2 SaveFormatting a Zip Disk/Hard Disk Format 200 Copying/Moving a File/Folder Cp/ Move Organizing a Zip DiskRenaming a File/Folder Rename Deleting a File/Folder Delete 202 Initializing a SoundFor Patches or Performances For Rhythm Sets 203 Transmitting Data to an External Midi Device Data TransferTransmitting to an External Midi Device Midi Source DestinationTransmitting to User Memory 204 Exclusive Protect Protecting the Internal Memory Protect205 Internal Write Protect 206 Resetting All Settings to Default Factory Settings Factory Directly registering to the list on the PATCH/RHYTHM Play Registering Favorite Patches in the Favorite ListSelecting Patches from 207 Making Overall Settings Setup208 Making Scale Tune Settings SYSTEM/UTILITY F1 General Setting the Tuning and Volume SettingsSetting the System Tempo 210 Setting In Performance/GM mode Key Scale High Gain Output-A 1/2-D 7/8 Low FrequencyLow Gain High Frequency Receive Switch Setting the Midi ChannelSettings Setting the Midi Transmit 213 Midi in connectorsPatch/Rhythm Set Mode When GM on or GS Reset is received at Midi 214 Connecting Two or More XV- 5080s to Increase PolyphonyMode Stack Mode Stack Simm Battery CheckSelecting Common Controllers System Utility F4 Control Confirming the Current Status SYSTEM/UTILITY F6 Info Scsi ID 216XV-5080 Self MFX Control Sens -63- +63 Examples of Applications Using217 MFX Control Source Modifying Tone Settings Examples of Applications Using218 Modifying Multi-Effects to Match the System’s Tempo Applications for PatchesSyncing the LFO Cycle to System Tempo Making a Tone’s Delay Time Match the System Tempo Playing Phrase Loops at a System’s Tempo220 221 Changing the Part Settings from an External Midi Device 222 What is RPN? 223 Applications for Matrix Control Muting a Specific Part Using the XV-5080 as a General Midi Sound ModuleEntering GM Mode Playing Back a GM Score Control Modify Part Modify Modifying GM Mode SettingsSettings for Playing Sounds F2 Turning Effects On/Off Tune Examples of Applications Using Key ModePortament Portamento Level&Pan Making Effects Settings F5 Effects Part Midi227 Utility Functions in GM Mode Checking Midi Information for Each Part F6 Info228 Transmitting GM Mode Settings Xfer Initializing the GM Sound Generator Used in GM Mode F1 GM229 230 231 Appendices Pitch is wrong Can’t select the Part for which to make settingsNo sound Can’t select Performances Song data does not playback correctly Effects do not applyMidi messages are not received correctly Memory Card cannot be used 234 Is any Scsi ID being used for more than one device?Commercial sampler data for other devices cannot be loaded There is no sound from the digital out, or there is noise File Format Error Battery LowDISK, Read Error DISK, Write Error Memory Card I/O Error Error Messages File Name Folder, VolumeFormat ErrorFile Read Error File Write Error Memory Card Write Protected Memory ErrorMidi Communication Error Receive Data Error Too Many Files Error Messages Source Disk IncorrectUnknown Disk Error This Will Clear the Files/Folders.Are You Sure? What you need to know before making connections Connecting a Scsi device Connection Examples About Scsi ID NumbersMaking Connections About Scsi Patch Parameters Patch WG Sample PATCH-F2WG-F4Samplep Patch WG Parameter PATCH-F2WG-F1WG PrmpPatch WG Pitch PATCH-F2WG-F2Pitchp Patch WG Pitch Envelope PATCH-F2WG-F3Pch Envp Patch TVA Envelope PATCH-F4TVA-F2TVA Envp Parameter List Patch TVF Parameter PATCH-F3TVF-F1TVF PrmpPatch TVF Envelope PATCH-F3TVF-F2TVF Envp Patch TVA Parameter PATCH-F4TVA-F1TVA Prmp 244 Patch LFO&Ctrl #1 PATCH-F5LFO&CTL-F3ControlpPatch LFO&Ctrl #2 PATCH-F5LFO&CTL-F3Controlp Patch LFO&Ctrl Control Sw PATCH-F5LFO&CTL-F4Ctrl Swp Patch Effects Reverb PATCH-F6Effects-F2Reverbp Patch Effects MFX Control PATCH-F6Effects-F2MFX PrmpPatch Effects MFX Control PATCH-F6Effects-F3MFX Ctlp Patch Effects Chorus PATCH-F6Effects-F4Chorusp Multi Partial Patch Parameters 247 Parameter List Patch TVF Envelope PATCH-F3TVF-F2TVF EnvpPatch LFO&Ctrl LFO PATCH-F5LFO&Ctl-F1LFO1p Patch LFO&Ctrl Control #1 PATCH-F5LFO&Ctl-F2Controlp 248 Performance Parameters 250 Performance Midi #3 Midi Filter PERFORMANCE-F4MIDIp 251 Performance Effects Chorus PERFORMANCE-F5Effect-F4ChoruspPerformance Effects Reverb PERFORMANCE-F5Effect-F5Reverbp Performance Part Information PERFORMANCE-F6 InfoP Rhythm Set Parameters Rhythm TVA Parameter RHYTHM-F4Key TVA-F1TVA Prmp Rhythm WG Sample RHYTHM-F2Key WG-F5SamplepRhythm TVF Parameter RHYTHM-F3Key TVF-F1TVF Prmp Rhythm TVF Envelope RHYTHM-F3Key TVF-F2TVF Envp Rhythm Effects MFX Control RHYTHM-F6Effects-F3MFX Ctlp Parameter List Rhythm Key Control RHYTHM-F5Key CtlpRhythm Effects General RHYTHM-F6Effects-F1Generalp Rhythm Effects MFX RHYTHM-F6Effects-F2MFX Prmp GM Mode Parameters 256 Parameter List GM Effects General GM-F6Infop 3DISTORTIONp Parameter List 4PHASERpMFX Prameters 1STEREO EQp 2OVERDRIVEp 11HEXA-CHORUSp Parameter List 8ROTARYp9COMPRESSORp 10LIMITERp 15STEREO FLANGERp 17STEREO DELAYp18MODULATION DELAYp 19TRIPLE TAP DELAYp 23FBK Pitch SHIFTERp Parameter List 20QUADRUPLE TAP DELAYp21TIME Control DELAYp 222VOICE Pitch SHIFTERp 33ENHANSER→ 26OVERDRIVE→27OVERDRIVE→ 28OVERDRIVE→ 39FLANGER/DELAYp Parameter List 35CHORUS→ DELAYp36FLANGER→ DELAYp 38CHORUS/DELAYp 44RING MODULATORp 45MULTI TAP DELAYp46REVERSE DELAYp 43FORMANT FILTERp 50LOFI COMPRESSp Parameter List 47SHUFFLE DELAYp483D DELAYp 493VOICE Pitch SHIFTERp 54DISTORTION 2p 51LOFI NOISEp52SPEAKER SIMULATORp Parameter List 53OVERDRIVE 2p 603D CHORUSp Parameter List 57GATEp58SLICERp 59ISOLATORp 63AUTO PANp 64STEREO Phaser 2p67MULTI TAP DELAYp 62TREMOLOp 71ROTARY 2p Parameter List 68REVERSE Delay 2p69SHUFFLE Delay 2p 703D Delay 2p 72ROTARY MULTIp Parameter List 73KEYBOARD MULTIp269 270 Parameter List 74RHODES MULTIp75JD MULTIp 76STEREO Lofi COMPRESSp 80STEREO DISTORTIONp 77STEREO Lofi NOISEp78GUITAR AMP SIMULATORp 79STEREO OVERDRIVEp Parameter List 81GUITAR Multi Ap 82GUITAR Multi Bp272 Parameter List 84CLEAN Guitar Multi Ap 83GUITAR Multi Cp273 274 Parameter List 85CLEAN Guitar Multi Bp86BASS MULTIp 87ISOLATOR 2p 275 88STEREO SPECTRUMp893D Auto SPINp 903D MANUALp System Parameters 277 Waveform List Waveform List 278PWM MMM VOX 279 280 REV 909 Nzhh 281 282 Polyphonic Key PressureControl Change 283 Midi Implementation 284 285 Global Parameter Control 286 Sample Dump Standard 287 Data Transmission 288 Universal Non-realtime System Exclusive Message 289 290 Parameter address map Performance 291 Performance Common MFX 292 Performance Common Chorus 293 Lower 294 TVA-ATK TVA-DCY, TVA-REL TMT FXM, MFX1 MFX2, MFX3, MFX4 295 Patch Common Reverb 296 127, MUSICAL-NOTES 297 Rhythm Common MFX 298 Rhythm Common Reverb 299 300 GS Model ID 42H Part Parameter 301 302 Decimal and Hexadecimal tableExamples of actual Midi messages Example of an Exclusive message and calculating a checksum 303 Scale Tune Feature address 40 1x 304Ascii code table RPN LSB, MSB Nrpn LSB, MSB 306 307 Index 308 309 Africa Information Avis 02019812 ’02-6-F2-61K