292, Performance Common MFX | Roland XV-5080 specification

MIDI Implementation

—————————————+———————————+————————————————————————————————————————————————————

	00 10	0aaa aaaa Voice Reserve 1			(0	- 64)
				0	- 63,	FULL
	00 11	0aaa aaaa Voice Reserve 2			(0	- 64)
				0	- 63,	FULL
	00 12	0aaa aaaa Voice Reserve 3			(0	- 64)
				0	- 63,	FULL
	00 13	0aaa aaaa Voice Reserve 4			(0	- 64)
				0	- 63,	FULL
	00 14	0aaa aaaa Voice Reserve 5			(0	- 64)
				0	- 63,	FULL
	00 15	0aaa aaaa Voice Reserve 6			(0	- 64)
				0	- 63,	FULL
	00 16	0aaa aaaa Voice Reserve 7			(0	- 64)
				0	- 63,	FULL
	00 17	0aaa aaaa Voice Reserve 8			(0	- 64)
				0	- 63,	FULL
	00 18	0aaa aaaa Voice Reserve 9			(0	- 64)
				0	- 63,	FULL
	00 19	0aaa aaaa Voice Reserve 10			(0	- 64)
				0	- 63,	FULL
	00 1A	0aaa aaaa Voice Reserve 11			(0	- 64)
				0	- 63,	FULL
	00 1B	0aaa aaaa Voice Reserve 12			(0	- 64)
				0	- 63,	FULL
	00 1C	0aaa aaaa Voice Reserve 13			(0	- 64)
				0	- 63,	FULL
	00 1D	0aaa aaaa Voice Reserve 14			(0	- 64)
				0	- 63,	FULL
	00 1E	0aaa aaaa Voice Reserve 15			(0	- 64)
				0	- 63,	FULL
	00 1F	0aaa aaaa Voice Reserve 16			(0	- 64)
				0	- 63,	FULL
	00 20	0aaa aaaa Voice Reserve 17			(0	- 64)
				0	- 63,	FULL
	00 21	0aaa aaaa Voice Reserve 18			(0	- 64)
				0	- 63,	FULL
	00 22	0aaa aaaa Voice Reserve 19			(0	- 64)
				0	- 63,	FULL
	00 23	0aaa aaaa Voice Reserve 20			(0	- 64)
				0	- 63,	FULL
	00 24	0aaa aaaa Voice Reserve 21			(0	- 64)
				0	- 63,	FULL
	00 25	0aaa aaaa Voice Reserve 22			(0	- 64)
				0	- 63,	FULL
	00 26	0aaa aaaa Voice Reserve 23			(0	- 64)
				0	- 63,	FULL
	00 27	0aaa aaaa Voice Reserve 24			(0	- 64)
				0	- 63,	FULL
	00 28	0aaa aaaa Voice Reserve 25			(0	- 64)
				0	- 63,	FULL
	00 29	0aaa aaaa Voice Reserve 26			(0	- 64)
				0	- 63,	FULL
	00 2A	0aaa aaaa Voice Reserve 27			(0	- 64)
				0	- 63,	FULL
	00 2B	0aaa aaaa Voice Reserve 28			(0	- 64)
				0	- 63,	FULL
	00 2C	0aaa aaaa Voice Reserve 29			(0	- 64)
				0	- 63,	FULL
	00 2D	0aaa aaaa Voice Reserve 30			(0	- 64)
				0	- 63,	FULL
	00 2E	0aaa aaaa Voice Reserve 31			(0	- 64)
				0	- 63,	FULL
	00 2F	0aaa aaaa Voice Reserve 32			(0	- 64)
				0	- 63,	FULL

—————————————+———————————+————————————————————————————————————————————————————

	00 30	00aa aaaa MFX1 Source		(0 -	32)
				PERFORM, 1 -	32
	00 31	00aa aaaa MFX2 Source		(0 -	32)
				PERFORM, 1 -	32
	00 32	00aa aaaa MFX3 Source		(0 -	32)
				PERFORM, 1 -	32
	00 33	00aa aaaa Chorus Source		(0 -	32)
				PERFORM, 1 -	32
	00 34	00aa aaaa Reverb Source		(0 -	32)
				PERFORM, 1 -	32

—————————————+————————————————————————————————————————————————————————————————

00 00 00 35 Total Size +——————————————————————————————————————————————————————————————————————————————+

*1-2-2 Performance Common MFX

+——————————————————————————————————————————————————————————————————————————————+

	Offset
	Address		Description

—————————————+————————————————————————————————————————————————————————————————

	00 00	0aaa aaaa		MFX	Type	(0 - 127)
	00 01	0aaa aaaa		MFX	Dry Send Level	(0 - 127)
	00 02	0aaa aaaa		MFX	Chorus Send Level	(0 - 127)
	00 03	0aaa aaaa		MFX	Reverb Send Level	(0 - 127)
	00 04	0000 00aa MFX Output Assign				(0 - 3)
						A, B, C, D

—————————————+———————————+————————————————————————————————————————————————————

	00 05	0aaa aaaa MFX Control 1 Source		(0 -	101)
				OFF, CC01 - CC31, CC33 - CC95,
				BEND, AFT, SYS1 - SYS4
	00 06	0aaa aaaa MFX Control 1 Sens		(1 -	127)
				-63 -	+63
	00 07	0aaa aaaa MFX Control 2 Source		(0 -	101)
				OFF, CC01 - CC31, CC33 - CC95,
				BEND, AFT, SYS1 - SYS4
	00 08	0aaa aaaa MFX Control 2 Sens		(1 -	127)
				-63 -	+63
	00 09	0aaa aaaa MFX Control 3 Source		(0 -	101)
				OFF, CC01 - CC31, CC33 - CC95,
				BEND, AFT, SYS1 - SYS4
	00 0A	0aaa aaaa MFX Control 3 Sens		(1 -	127)
				-63 -	+63
	00 0B	0aaa aaaa MFX Control 4 Source		(0 -	101)
				OFF, CC01 - CC31, CC33 - CC95,
				BEND, AFT, SYS1 - SYS4
	00 0C	0aaa aaaa MFX Control 4 Sens		(1 -	127)
				-63 -	+63

—————————————+———————————+————————————————————————————————————————————————————

	00 0D	000a aaaa MFX Control Assign 1		(0 - 16)
				OFF, 1 - 16
	00 0E	000a aaaa MFX Control Assign 2		(0 - 16)
				OFF, 1 - 16
	00 0F	000a aaaa MFX Control Assign 3		(0 - 16)
				OFF, 1 - 16
	00 10	000a aaaa MFX Control Assign 4		(0 - 16)
				OFF, 1 - 16
#	00 11	0000 aaaa
		0000 bbbb
		0000 cccc
		0000 dddd MFX Parameter 1		(12768 - 52768)
				-20000 - +20000
#	00 15	0000 aaaa
		0000 bbbb
		0000 cccc
		0000 dddd MFX Parameter 2		(12768 - 52768)
				-20000 - +20000
#	00 19	0000 aaaa
		0000 bbbb
		0000 cccc
		0000 dddd MFX Parameter 3		(12768 - 52768)
				-20000 - +20000
#	00 1D	0000 aaaa
		0000 bbbb

		0000	cccc
		0000	dddd MFX Parameter 4	(12768	- 52768)
				-20000 - +20000
#	00 21	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd MFX Parameter 5	(12768	- 52768)
				-20000 - +20000
#	00 25	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd MFX Parameter 6	(12768	- 52768)
				-20000 - +20000
#	00 29	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd MFX Parameter 7	(12768	- 52768)
				-20000 - +20000
#	00 2D	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd MFX Parameter 8	(12768	- 52768)
				-20000 - +20000
#	00 31	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd MFX Parameter 9	(12768	- 52768)
				-20000 - +20000
#	00 35	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd MFX Parameter 10	(12768	- 52768)
				-20000 - +20000
#	00 39	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd MFX Parameter 11	(12768	- 52768)
				-20000 - +20000
#	00 3D	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd MFX Parameter 12	(12768	- 52768)
				-20000 - +20000
#	00 41	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd MFX Parameter 13	(12768	- 52768)
				-20000 - +20000
#	00 45	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd MFX Parameter 14	(12768	- 52768)
				-20000 - +20000
#	00 49	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd MFX Parameter 15	(12768	- 52768)
				-20000 - +20000
#	00 4D	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd MFX Parameter 16	(12768	- 52768)
				-20000 - +20000
#	00 51	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd MFX Parameter 17	(12768	- 52768)
				-20000 - +20000
#	00 55	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd MFX Parameter 18	(12768	- 52768)
				-20000 - +20000
#	00 59	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd MFX Parameter 19	(12768	- 52768)
				-20000 - +20000
#	00 5D	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd MFX Parameter 20	(12768	- 52768)
				-20000 - +20000
#	00 61	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd MFX Parameter 21	(12768	- 52768)
				-20000 - +20000
#	00 65	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd MFX Parameter 22	(12768	- 52768)
				-20000 - +20000
#	00 69	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd MFX Parameter 23	(12768	- 52768)
				-20000 - +20000
#	00 6D	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd MFX Parameter 24	(12768	- 52768)
				-20000 - +20000
#	00 71	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd MFX Parameter 25	(12768	- 52768)
				-20000 - +20000
#	00 75	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd MFX Parameter 26	(12768	- 52768)
				-20000 - +20000
#	00 79	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd MFX Parameter 27	(12768	- 52768)
				-20000 - +20000
#	00 7D	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd MFX Parameter 28	(12768	- 52768)
				-20000 - +20000
#	01 01	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd MFX Parameter 29	(12768	- 52768)
				-20000 - +20000
#	01 05	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd MFX Parameter 30	(12768	- 52768)
				-20000 - +20000
#	01 09	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd MFX Parameter 31	(12768	- 52768)
				-20000 - +20000

292

Image 292

Roland XV-5080 owner manual 292, Performance Common MFX

Contents

Thank you, and congratulations on your choice of the Roland Important Safety Instructions Page Page Power Supply PlacementMaintenance Memory Backup Contents Creating Patches Creating Rhythm Sets 168 Error Messages Waveform List Powerful Internal Effects, Including Cosm Effects Voice Polyphony and 32- Part MultitimbralityCreate Amazingly Expressive Tones Sample Playback Function Lets You Add Waves Front Panel SYSTEM/UTILITYExit Patch Finder Preset Tone SwitchPatch User Rear Panel Panel Descriptions DIF OUT Connector Scsi Connector Setting the Way In Which Sounds Are Previewed Preview ModeAuditioning Sounds on the XV-5080 Phrase Preview Preview 1-4 Note Number Setting the XV-5080’s Midi Reception Channels Playing a Patch on Selecting Sound Libraries EXP Expansion Basic Procedure for Selecting a Selecting a PatchPatch Selecting Patches by Category Patch Finder Internal organization Following categories can be selected Category Selecting Patches and Rhythm Sets from an External MidiDevice Patch or Rhythm Set modes Rhythm Sets Performance modePerformances Setting a Patch’s Pitch Octave Steps Octave Shift Selecting How a Patch Will Play Polyphonic Monophonic Patch Mode Settings Turning Effects On/Off Using the XV-5080 Effects Split Key Edit ModeRouting Tones to Effects Output Assign Making Multi-Effects Settings Making Chorus Settings For Type 2 Delay For Type 1 Chorus For Type 1 Reverb Making Reverb SettingsFor Type 2 SRV ROOM/3 SRV HALL/4 SRV Plate HF Damp Freq LF Damp Frequency *3 LF Damp Gain -36-0 dBHF Damp Gain -36-0 dB Performance Mode Settings Performance Routing Part Outputs MFXA-C Control 1-4 Source MFXA-C Control DestinationMFXA-C Control 1-4 Sens -63- +63 Chorus Source PRF/P1-32 Using the XV-5080 Effects For Type 2 Delay Reverb Source For Type 2 SRV ROOM/3 SRV HALL/4 SRV Plate Rhythm Set Mode Settings Rhythm Tone Output Assign Rhythm Tone Dry Send LevelRhythm Tone Chorus Send Level Rhythm Tone Reverb Send Level Making Chorus Settings Making Reverb Settings Using the XV-5080 Effects For Type 1 Reverb Please refer to Making Effects Settings F5 Effects p Settings in General Midi ModeParameters for Each Multi- Effects Modulation Effects that modulate the sound Delay Effects that delay the soundKeyboard Effects useful for the keyboard Dimension Effects that control the location Sound LoFi Effects that intentionally degrades the sound qualityGuitar and Bass Effects useful for the Guitar and Bass Chorus Effects that broaden the sound Using the XV-5080 Effects Stereo EQ Stereo Equalizer Overdrive Phaser PhaserDistortion Distortion Spectrum GainEnhancer Enhancer Auto WAH Rotary Compressor CompressorLimiter Limiter HEXA-CHORUS Tremolo Chorus Phase SPACE-DStereo Chorus Filter Stereo Flanger Flanger Stereo Delay DelayStep Flanger Step Rate Phase Modulation Delay Triple TAP Delay Delay LevelModulation Center Center Level Left Left Level Right Right Level Quadruple TAP Delay Level Time Control Delay 22 2VOICE Pitch ShifterPitch a Pitch shift Pitch B Level BalanceFBK Pitch Shifter Pitch Reverb ReverbGated Reverb OVERDRIVE→ Flanger OVERDRIVE→ Chorus OVERDRIVE→ Delay DISTORTION→ DelayDISTORTION→ Chorus DISTORTION→ Flanger ENHANCER→ Chorus ENHANCER→ Flanger ENHANCER→ Delay CHORUS→ Delay CHORUS→ Flanger FLANGER→ DelayBalance # FLANGER/DELAY CHORUS/DELAYCHORUS/FLANGER 41STEREO Phaser 42KEYSYNC Flanger Keysync 43FORMANT Filter 44RING Modulator Ring Modulator 45MULTI TAP Delay Delay TimeLevel Pan 46REVERSE Delay FeedbackHF Damp Threshold 47SHUFFLE Delay 483D Delay Pch Coarse 493VOICE Pitch ShifterPch Fine 50LOFI Compress Lo-FiPre Filter Post Filter Radio Noise Disc Noise52SPEAKER Simulator Speaker 54DISTORTION 53OVERDRIVETone 55STEREO Compressor 56STEREO Limiter 57GATE 58SLICER 59ISOLATOR 603D Chorus 613D Flanger 63AUTO PAN 62TREMOLOAuto Pan Switch Step Switch Stereo PhaserMix Level Mix Level Stereo Auto WAH ST Formant Filter Stereo Formant Filter Delay Level Multi TAP DelayThres Reverse Delay Shuffle DelayFeedback 1, 4 # HF Damp 1 70 3D Delay Center Delay Level CenterLeft Delay Level Left Right Delay Level Right Rotary Spread Rotary Multi MidSequence Overdrive/Distortion Keyboard Multi Pitch Shifter Rhodes Multi Chorus/Flanger JD Multi Tremolo/PanSpectrum Stereo Lofi Compress Hum Stereo LO-FI NoiseNoise Amp Level Guitar AMP SimulatorAmp Tone Stereo Overdrive Switch Amp Simulator SwitchStereo Distortion Guitar Multi a Pre Delay Chorus/Flanger Pre Delay Time OD/Dist OD/Dist SwitchGuitar Multi B Amp Type Amp Simulator Type Feedback Wah Sw Wah Switch Wah Wah SwitchGuitar Multi C Wah Clean Guitar Multi a HF Dump Delay HF Damp Pre Dly Chorus/Flanger Pre Delay Time100 EQ M Gain EQ Mid Gain Seqeuence Clean Guitar Multi B101 OD/Dist Overdrive or Distortion Switch Bass Multi102 Amp Sim Amp Simulator 103 Band EQLevel Overdrive/Distortion Level # Isolator Boost/CutStereo Spectrum Band Gain 89 3D Auto Spin Auto Spin90 3D Manual 105 Copying Effect Settings When Using 3D Effects106 Copy Type Signal Tone Flow 107 Parameters Selecting Output JacksPatch Effects General page Patch F6 Effects F1 General 108 Patch Common General #1 page Patch F1 Common F1 General System Output page System F2 OutP&EQ Digital InterfaceOutput Mix/Parallel System General #1 page System F1 General Master Example of Settings 110 Signal Part Flow Available Settings A-C111 Part Output MFX Select System Output page System F2 OutP&EQ Output Mix/Parallel 112 113 MFX-A Rhythm Effects General page Rhythm F6 Effects F1 General Signal Rhythm Tone Flow114 115 Rhythm Common page Rhythm F1 CommonOutput Assign Rhythm Set Output Assign 116 GM Effects General page GM F6 Effects F1 General 117 118 Digital Connections Using R DIF ControlOutput Gain 119 When Making the XV-5080 the Word Clock Master When Making the XV-5080 the Word Clock SlaveEight-Channel R-BUS Digital Connection 120 When Making the XV-5080 the Word Clock Slave Settings SettingsConverting to the Various Digital Formats Digital Output to an Adat Digital Output to a Tascam DA Series 122 Digital Output to an AES/EBU Device 123 Synchronizing the XV-5080 to the Word Clock arriving at 124 Types of Patches and Their Composition Four-Tone PatchHow a Tone Is Organized 125 Selecting the Tones That Will Sound Tone On/Off Multi-partial PatchHow a Partial Is Organized Creating Patches Settings Common to the Entire Patch Common Patch CommonPatch Common General #1 page Patch F1 General 127 Octave&Tune Patch Octave & Tune 128 One Shot Mode Control Patch ControlTempo Patch Tempo Voice Priority Portament Patch Portamento Bender130 131 Structure Patch StructureType Structure Type Range Patch Key Range TMT Keyboard Range LowerTMT Keyboard Range Upper 132 Range Patch Velocity Range Creating Four-Tone Patches Tips for Creating a PatchMore Advanced Editing of Tones Creating Patches TMT Velocity Fade Width Upper Palette Function Tips for Selecting a Waveform135 Modifying the Waveform and Pitch F2 WG Patch WG Parameter page Patch F2 WG F1 WG PrmWave 136 FXM Frequency Cross Modulation Tone Delay137 Patch WG Pitch page Patch F2 WG F2 Pitch Random Pitch Tone Random PitchPitch Keyfollow Wave Pitch Patch WG Pitch Envelope page Patch F2 WG F3 Pch Env Velocity Sens Pitch Envelope Velocity Sensitivity Patch WG Sample page PatchF2 WG F4 Sample Sample Using the Filter to Modify the Brightness F3 TVF TVF Resonance Velo TVF Resonance Velocity Cutoff Keyfollow TVF CutoffCutoff Velo TVF Cutoff Velocity 141 Velo Curve TVF Envelope Velocity Curve Velo Sens TVF Envelope Velocity Sensitivity142 Changing the Volume and Stereo Location F4 TVA TVA Velocity Sens TVA Envelope Velocity Sensitivity Patch TVA Envelope page Patch F4 TVA F2 TVA Env144 Delay LFO Delay Applying Vibrato or Tremolo F5 LFO&CTLRate LFO Rate 145 Creating Patches Fade LFO Fade Key Sync LFO Key SyncDepth LFO Depth 146 147 Creating Multi-Partial Patches Assigning Partials Midi Midi Switch Editing PartialsAssign Assign Type Patch WG Parameter page Patch F2 WG F1 WG Prm Partial Editing Samples SMT Velocity Fade Width Lower SMT Velocity Range LowerSMT Velocity Range Upper SMT Velocity Fade Width Upper 152 REV ONE Reverse One-shot TVF Velo TVF Velocity Cutoff153 TVF Envelope Velo SensPitch Depth Envelope Pitch Depth 154 Making the Volume Change F4 TVA Patch TVA Parameter page Patch F4 TVA F1 TVF PrmLevel Creating Patches TVA Velo TVA Velocity 156 157 Key SyncLFO2 *1 Making Effect Settings Copying the Settings Another Patch Patch ToneSaving Patches You Create 158 Basic Ways to Use Performances How a Performance Is OrganizedChoosing the Parts to Play Establishing Settings for an Entire Performance Common Settings for Each PartCreating a Performance Solo Part Select Setting the Keyboard Range Comparing the Settings of Each Part as You Make Settings161 Creating a Performance Part Keyboard Range Lower Part Keyboard Range UpperPart Keyboard Fade Width Upper Performance 1 page Perform F3 Part Patch Part Patch Bend Range Part Pitch Bend Range Voice Reserve Part Voice ReservePerformance 2 page Perform F3 Part Modify Part Modify 163 Establishing a Part’s Midi Settings Part Mute 165 Copying the Settings Another Part Performance Part Copy Saving Performances You CreateConfirming Midi Information for Each Midi Channel Performance Part Information page Perform F6 Info Editing a Patch or Rhythm Set in the Performance Mode Palette Function167 Performance Name Copy 168 How Percussion Instruments Are OrganizedWG Wave Generator Settings Common to an Entire Rhythm Set Creating Rhythm SetsTempo 169 Setting up Individual Rhythm Tones 170 Modifying the Waveform, Pan and Pitch F2 Key WG Rhythm WG Parameter page Rhythm F2 WG F1 WG Prm Rhythm Tone171 Name Tone Name Gain & Level Tune172 Rhythm WG Pitch Envelope page Rhythm F2 WG F3 Pch Env Random Pitch Rhythm Tone Random Pitch173 WMT Velocity Fade Width Lower WMT Velocity Range LowerWMT Velocity Range Upper WMT Velocity Fade Width Upper Using the Filter to Modify Brightness F3 Key TVF Rhythm TVF ParameterRhythm F3 Key TVF F1 TVF Prm 175 176 Range -63 Making the Volume Change F4 Key TVA Rhythm TVF Envelope page Rhythm F3 Key TVF F2 TVF EnvAmount V-Crv TVF Envelope Velocity Curve Rhythm TVA Parameter page Rhythm F4 Key TVA F1 TVA Prm Pan Rhythm TVA Envelope page Rhythm F4 Key TVA F2 TVA EnvVelocity Sens 178 Other Settings F5 Key Ctl Saving the Rhythm Set You CreateRhythm Key Control page Rhythm F5 Key Ctl 179 Copying Settings from Some Other Rhythm Tone 180 Loading Sampler Libraries CD-ROM Installing the Simm Memory Module181 Confirming That the Simm Is Properly Installed Simm Slot Installation OrderRemoving SIMMs Loading a Variety of Data Installation de la carte dextension Wave 183 Enlever une carte mémoire Wave 184 Connecting a CD-ROM Drive With Sampler Libraries185 F5 Refresh Free Area Marked186 Disk When Loading Libraries for the Akai S1000/3000 When Loading AIFF/WAV LibrariesAbout Each Sampler Library Folder Type Display Case of the S-700 series About the Display of Folder Categories in Sampler Libraries Sample LoadTotal 188 189 Auto LoadTarget Playing Back Loaded Sampler Libraries Loading Data Saved on a Zip DiskIndividually Loading Patches, Performances, or Rhythm Sets 190 Loading Data Stored on Memory Cards Sample-Related UtilitiesSending and Receiving Samples Sample Dump Transmitting Samples Processing Receiving Samples192 Automatically Creating Multi- Partial Patches Create Patch 193 Saving Tones and Other Data You’ve Created Saving Edits to the XV- 5080’s Internal Memory Write194 Before Using a Memory Card Saving All Data to Memory Card Disk F2 SaveSaving Tones and Other Data You’ve Created 195 Saving Data Formatting a Memory Card196 Organizing the Contents of Memory Cards Copying/Moving Files Cp/Move 198 Copying Files on One Memory Card to Another Card CardCpy 199 Saving All Data to Zip Disk Disk F2 Save Formatting a Zip Disk/Hard Disk Format200 If the hard disk has not been partitioned Organizing a Zip Disk Renaming a File/Folder RenameDeleting a File/Folder Delete Copying/Moving a File/Folder Cp/ Move Initializing a Sound For Patches or PerformancesFor Rhythm Sets 202 Transmitting Data to an External Midi Device Data Transfer Transmitting to an External Midi DeviceMidi 203 Destination Transmitting to User Memory204 Source Protecting the Internal Memory Protect 205Internal Write Protect Exclusive Protect Resetting All Settings to Default Factory Settings Factory 206 Registering Favorite Patches in the Favorite List Selecting Patches from207 Directly registering to the list on the PATCH/RHYTHM Play Setup Making Overall Settings208 Setting the Tuning and Volume Settings Making Scale Tune Settings SYSTEM/UTILITY F1 GeneralSetting the System Tempo Setting In Performance/GM mode Key Scale 210 Output-A 1/2-D 7/8 Low Frequency Low GainHigh Frequency High Gain Setting the Midi Channel SettingsSetting the Midi Transmit Receive Switch Midi in connectors Patch/Rhythm Set ModeWhen GM on or GS Reset is received at Midi 213 Connecting Two or More XV- 5080s to Increase Polyphony Mode Stack ModeStack 214 Battery Check Selecting Common Controllers System Utility F4 ControlConfirming the Current Status SYSTEM/UTILITY F6 Info Simm 216 Scsi IDXV-5080 Self Examples of Applications Using 217MFX Control Source MFX Control Sens -63- +63 Examples of Applications Using Modifying Tone Settings218 Applications for Patches Syncing the LFO Cycle to SystemTempo Modifying Multi-Effects to Match the System’s Tempo Playing Phrase Loops at a System’s Tempo Making a Tone’s Delay Time Match the System Tempo220 Changing the Part Settings from an External Midi Device 221 What is RPN? 222 Applications for Matrix Control 223 Using the XV-5080 as a General Midi Sound Module Entering GM ModePlaying Back a GM Score Muting a Specific Part Modifying GM Mode Settings Settings for Playing Sounds F2Turning Effects On/Off Control Modify Part Modify Examples of Applications Using Key Mode Portament PortamentoLevel&Pan Tune Part Midi Making Effects Settings F5 Effects227 Checking Midi Information for Each Part F6 Info Utility Functions in GM Mode228 Initializing the GM Sound Generator Used in GM Mode F1 GM Transmitting GM Mode Settings Xfer229 230 Appendices 231 Can’t select the Part for which to make settings No soundCan’t select Performances Pitch is wrong Effects do not apply Midi messages are not received correctlyMemory Card cannot be used Song data does not playback correctly Is any Scsi ID being used for more than one device? Commercial sampler data for other devices cannot be loadedThere is no sound from the digital out, or there is noise 234 Battery Low DISK, Read ErrorDISK, Write Error File Format Error Error Messages File Name Folder, VolumeFormat Error File Read ErrorFile Write Error Memory Card I/O Error Memory Error Midi Communication ErrorReceive Data Error Memory Card Write Protected Error Messages Source Disk Incorrect Unknown Disk ErrorThis Will Clear the Files/Folders.Are You Sure? Too Many Files Connecting a Scsi device What you need to know before making connections About Scsi ID Numbers Making ConnectionsAbout Scsi Connection Examples Patch Parameters Patch WG Parameter PATCH-F2WG-F1WG Prmp Patch WG Pitch PATCH-F2WG-F2PitchpPatch WG Pitch Envelope PATCH-F2WG-F3Pch Envp Patch WG Sample PATCH-F2WG-F4Samplep Parameter List Patch TVF Parameter PATCH-F3TVF-F1TVF Prmp Patch TVF Envelope PATCH-F3TVF-F2TVF EnvpPatch TVA Parameter PATCH-F4TVA-F1TVA Prmp Patch TVA Envelope PATCH-F4TVA-F2TVA Envp Patch LFO&Ctrl #1 PATCH-F5LFO&CTL-F3Controlp Patch LFO&Ctrl #2 PATCH-F5LFO&CTL-F3ControlpPatch LFO&Ctrl Control Sw PATCH-F5LFO&CTL-F4Ctrl Swp 244 Patch Effects MFX Control PATCH-F6Effects-F2MFX Prmp Patch Effects MFX Control PATCH-F6Effects-F3MFX CtlpPatch Effects Chorus PATCH-F6Effects-F4Chorusp Patch Effects Reverb PATCH-F6Effects-F2Reverbp Multi Partial Patch Parameters Parameter List Patch TVF Envelope PATCH-F3TVF-F2TVF Envp Patch LFO&Ctrl LFO PATCH-F5LFO&Ctl-F1LFO1pPatch LFO&Ctrl Control #1 PATCH-F5LFO&Ctl-F2Controlp 247 248 Performance Parameters Performance Midi #3 Midi Filter PERFORMANCE-F4MIDIp 250 Performance Effects Chorus PERFORMANCE-F5Effect-F4Chorusp Performance Effects Reverb PERFORMANCE-F5Effect-F5ReverbpPerformance Part Information PERFORMANCE-F6 InfoP 251 Rhythm Set Parameters Rhythm WG Sample RHYTHM-F2Key WG-F5Samplep Rhythm TVF Parameter RHYTHM-F3Key TVF-F1TVF PrmpRhythm TVF Envelope RHYTHM-F3Key TVF-F2TVF Envp Rhythm TVA Parameter RHYTHM-F4Key TVA-F1TVA Prmp Parameter List Rhythm Key Control RHYTHM-F5Key Ctlp Rhythm Effects General RHYTHM-F6Effects-F1GeneralpRhythm Effects MFX RHYTHM-F6Effects-F2MFX Prmp Rhythm Effects MFX Control RHYTHM-F6Effects-F3MFX Ctlp GM Mode Parameters Parameter List GM Effects General GM-F6Infop 256 Parameter List 4PHASERp MFX Prameters 1STEREO EQp2OVERDRIVEp 3DISTORTIONp Parameter List 8ROTARYp 9COMPRESSORp10LIMITERp 11HEXA-CHORUSp 17STEREO DELAYp 18MODULATION DELAYp19TRIPLE TAP DELAYp 15STEREO FLANGERp Parameter List 20QUADRUPLE TAP DELAYp 21TIME Control DELAYp222VOICE Pitch SHIFTERp 23FBK Pitch SHIFTERp 26OVERDRIVE→ 27OVERDRIVE→28OVERDRIVE→ 33ENHANSER→ Parameter List 35CHORUS→ DELAYp 36FLANGER→ DELAYp38CHORUS/DELAYp 39FLANGER/DELAYp 45MULTI TAP DELAYp 46REVERSE DELAYp43FORMANT FILTERp 44RING MODULATORp Parameter List 47SHUFFLE DELAYp 483D DELAYp493VOICE Pitch SHIFTERp 50LOFI COMPRESSp 51LOFI NOISEp 52SPEAKER SIMULATORpParameter List 53OVERDRIVE 2p 54DISTORTION 2p Parameter List 57GATEp 58SLICERp59ISOLATORp 603D CHORUSp 64STEREO Phaser 2p 67MULTI TAP DELAYp62TREMOLOp 63AUTO PANp Parameter List 68REVERSE Delay 2p 69SHUFFLE Delay 2p703D Delay 2p 71ROTARY 2p Parameter List 73KEYBOARD MULTIp 72ROTARY MULTIp269 Parameter List 74RHODES MULTIp 75JD MULTIp76STEREO Lofi COMPRESSp 270 77STEREO Lofi NOISEp 78GUITAR AMP SIMULATORp79STEREO OVERDRIVEp 80STEREO DISTORTIONp 82GUITAR Multi Bp Parameter List 81GUITAR Multi Ap272 83GUITAR Multi Cp Parameter List 84CLEAN Guitar Multi Ap273 Parameter List 85CLEAN Guitar Multi Bp 86BASS MULTIp87ISOLATOR 2p 274 88STEREO SPECTRUMp 893D Auto SPINp903D MANUALp 275 System Parameters Waveform List 277 278 Waveform ListPWM 279 MMM VOX 280 281 REV 909 Nzhh Polyphonic Key Pressure 282Control Change Midi Implementation 283 284 285 286 Global Parameter Control 287 Sample Dump Standard 288 Data Transmission 289 Universal Non-realtime System Exclusive Message Parameter address map 290 291 Performance 292 Performance Common MFX 293 Performance Common Chorus 294 Lower 295 TVA-ATK TVA-DCY, TVA-REL TMT FXM, MFX1 MFX2, MFX3, MFX4 296 Patch Common Reverb 297 127, MUSICAL-NOTES 298 Rhythm Common MFX 299 Rhythm Common Reverb GS Model ID 42H 300 301 Part Parameter Decimal and Hexadecimal table 302Examples of actual Midi messages 303 Example of an Exclusive message and calculating a checksum 304 Scale Tune Feature address 40 1xAscii code table Nrpn LSB, MSB RPN LSB, MSB 306 Index 307 308 309 Information Africa Avis 02019812 ’02-6-F2-61K