193 | Roland XV-5080 specs

Automatically Creating Multi- Partial Patches (Create Patch)

This creates Partials from samples loaded to the SIMM, assigns the samples to the original key, and automatically creates a Multi-Partial Patch.

*If any of the loaded samples have the same original key, the sample assigned latest is given priority (assignments are made in order of file name).

*Patches are created in the Temporary Area. If any Patch is being edited, save it before continuing.

1.Press [SYSTEM/UTILITY], getting its indicator to start blinking.

*If the indicator is steadily lit, you are in SYSTEM mode. Press [SYSTEM/UTILITY] once again, so the indicator is blinking.

2.Press [F6 (Menu)] to select Menu 2.

3.Press [F5 (Create)].

The Create Patch page appears in the display.

4.Turn the VALUE dial or press [ ] or [ ] to select the samples composing the Patch, then press [F5 (Mark)].

Press [F4 (Mk All) if you want to set markers in all samples. Press this once more to remove all markers.

5.Press [F6 (Create)]. The message “Creates a Patch in Temporary area. Sure?” appears.

6.Press [F6 (OK)] to proceed; the Patch is created.

7.After creating this, edit the Split settings as needed.

Free Area

SIMM

This displays the amount of free space in the SIMM.

Marked

The number and size of marked files to be processed are displayed.

Chapter 7 Loading a Variety of Data

Chap.7

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Roland XV-5080 owner manual Automatically Creating Multi- Partial Patches Create Patch, 193

Contents

Thank you, and congratulations on your choice of the Roland Important Safety Instructions Page Page Placement Power SupplyMaintenance Memory Backup Contents Creating Patches Creating Rhythm Sets 168 Error Messages Waveform List Voice Polyphony and 32- Part Multitimbrality Powerful Internal Effects, Including Cosm EffectsCreate Amazingly Expressive Tones Sample Playback Function Lets You Add Waves SYSTEM/UTILITY Front PanelExit Patch Finder Tone Switch PresetPatch User Rear Panel Scsi Connector Panel Descriptions DIF OUT Connector Preview Mode Setting the Way In Which Sounds Are PreviewedAuditioning Sounds on the XV-5080 Phrase Preview Preview 1-4 Note Number Playing a Patch on Setting the XV-5080’s Midi Reception Channels EXP Expansion Selecting Sound Libraries Selecting a Patch Basic Procedure for Selecting aPatch Selecting Patches by Category Patch Finder Following categories can be selected Category Internal organization Sets from an External Midi Selecting Patches and RhythmDevice Patch or Rhythm Set modes Rhythm Sets Performance modePerformances Selecting How a Patch Will Play Polyphonic Monophonic Setting a Patch’s Pitch Octave Steps Octave Shift Turning Effects On/Off Patch Mode Settings Split Key Edit Mode Using the XV-5080 EffectsRouting Tones to Effects Output Assign Making Chorus Settings Making Multi-Effects Settings For Type 1 Chorus For Type 2 Delay For Type 1 Reverb Making Reverb SettingsFor Type 2 SRV ROOM/3 SRV HALL/4 SRV Plate HF Damp Freq LF Damp Frequency *3 LF Damp Gain -36-0 dBHF Damp Gain -36-0 dB Performance Performance Mode Settings Routing Part Outputs MFXA-C Control Destination MFXA-C Control 1-4 SourceMFXA-C Control 1-4 Sens -63- +63 Chorus Source PRF/P1-32 Using the XV-5080 Effects For Type 2 Delay Reverb Source For Type 2 SRV ROOM/3 SRV HALL/4 SRV Plate Rhythm Set Mode Settings Rhythm Tone Dry Send Level Rhythm Tone Output AssignRhythm Tone Chorus Send Level Rhythm Tone Reverb Send Level Making Chorus Settings Making Reverb Settings Using the XV-5080 Effects For Type 1 Reverb Please refer to Making Effects Settings F5 Effects p Settings in General Midi ModeParameters for Each Multi- Effects Modulation Effects that modulate the sound Delay Effects that delay the soundKeyboard Effects useful for the keyboard LoFi Effects that intentionally degrades the sound quality Dimension Effects that control the location SoundGuitar and Bass Effects useful for the Guitar and Bass Chorus Effects that broaden the sound Overdrive Using the XV-5080 Effects Stereo EQ Stereo Equalizer Phaser PhaserDistortion Distortion Gain SpectrumEnhancer Enhancer Rotary Auto WAH Compressor CompressorLimiter Limiter Tremolo Chorus HEXA-CHORUS SPACE-D PhaseStereo Chorus Filter Flanger Stereo Flanger Delay Stereo DelayStep Flanger Step Rate Modulation Delay Phase Delay Level Triple TAP DelayModulation Center Center Level Left Left Level Right Right Level Level Quadruple TAP Delay 22 2VOICE Pitch Shifter Time Control DelayPitch a Pitch shift Level Balance Pitch BFBK Pitch Shifter Pitch Reverb ReverbGated Reverb OVERDRIVE→ Chorus OVERDRIVE→ Flanger DISTORTION→ Delay OVERDRIVE→ DelayDISTORTION→ Chorus DISTORTION→ Flanger ENHANCER→ Flanger ENHANCER→ Chorus CHORUS→ Delay ENHANCER→ Delay CHORUS→ Flanger FLANGER→ DelayBalance # FLANGER/DELAY CHORUS/DELAYCHORUS/FLANGER 42KEYSYNC Flanger 41STEREO Phaser 43FORMANT Filter Keysync Ring Modulator 44RING Modulator Delay Time 45MULTI TAP DelayLevel Pan Feedback 46REVERSE DelayHF Damp Threshold 483D Delay 47SHUFFLE Delay Pch Coarse 493VOICE Pitch ShifterPch Fine Lo-Fi 50LOFI CompressPre Filter Post Filter Disc Noise Radio Noise52SPEAKER Simulator Speaker 54DISTORTION 53OVERDRIVETone 56STEREO Limiter 55STEREO Compressor 58SLICER 57GATE 603D Chorus 59ISOLATOR 613D Flanger 63AUTO PAN 62TREMOLOAuto Pan Switch Step Switch Stereo PhaserMix Level Mix Level ST Formant Filter Stereo Formant Filter Stereo Auto WAH Delay Level Multi TAP DelayThres Shuffle Delay Reverse DelayFeedback 1, 4 # HF Damp 1 Center Delay Level Center 70 3D DelayLeft Delay Level Left Right Delay Level Right Spread Rotary Mid Rotary MultiSequence Overdrive/Distortion Keyboard Multi Pitch Shifter Chorus/Flanger Rhodes Multi JD Multi Tremolo/PanSpectrum Stereo Lofi Compress Hum Stereo LO-FI NoiseNoise Amp Level Guitar AMP SimulatorAmp Tone Stereo Overdrive Switch Amp Simulator SwitchStereo Distortion Guitar Multi a OD/Dist OD/Dist Switch Pre Delay Chorus/Flanger Pre Delay TimeGuitar Multi B Amp Type Amp Simulator Type Feedback Wah Wah Switch Wah Sw Wah SwitchGuitar Multi C Wah Clean Guitar Multi a Pre Dly Chorus/Flanger Pre Delay Time HF Dump Delay HF Damp100 EQ M Gain EQ Mid Gain Seqeuence Clean Guitar Multi B101 Bass Multi OD/Dist Overdrive or Distortion Switch102 Amp Sim Amp Simulator 103 Band EQLevel Overdrive/Distortion Level # Boost/Cut IsolatorStereo Spectrum Band Gain Auto Spin 89 3D Auto Spin90 3D Manual 105 When Using 3D Effects Copying Effect Settings106 Copy Type 107 Signal Tone Flow Selecting Output Jacks ParametersPatch Effects General page Patch F6 Effects F1 General 108 System Output page System F2 OutP&EQ Digital Interface Patch Common General #1 page Patch F1 Common F1 GeneralOutput Mix/Parallel System General #1 page System F1 General Master 110 Example of Settings Available Settings A-C Signal Part Flow111 Part Output MFX Select 112 System Output page System F2 OutP&EQ Output Mix/Parallel MFX-A 113 Rhythm Effects General page Rhythm F6 Effects F1 General Signal Rhythm Tone Flow114 115 Rhythm Common page Rhythm F1 CommonOutput Assign Rhythm Set Output Assign 116 117 GM Effects General page GM F6 Effects F1 General 118 DIF Control Digital Connections Using ROutput Gain 119 When Making the XV-5080 the Word Clock Slave When Making the XV-5080 the Word Clock MasterEight-Channel R-BUS Digital Connection 120 Settings When Making the XV-5080 the Word Clock Slave SettingsConverting to the Various Digital Formats Digital Output to an Adat 122 Digital Output to a Tascam DA Series 123 Digital Output to an AES/EBU Device 124 Synchronizing the XV-5080 to the Word Clock arriving at Four-Tone Patch Types of Patches and Their CompositionHow a Tone Is Organized 125 Multi-partial Patch Selecting the Tones That Will Sound Tone On/OffHow a Partial Is Organized Creating Patches Common Patch Common Settings Common to the Entire PatchPatch Common General #1 page Patch F1 General 127 128 Octave&Tune Patch Octave & Tune Control Patch Control One Shot ModeTempo Patch Tempo Voice Priority Portament Patch Portamento Bender130 131 Structure Patch StructureType Structure Type TMT Keyboard Range Lower Range Patch Key RangeTMT Keyboard Range Upper 132 Range Patch Velocity Range Tips for Creating a Patch Creating Four-Tone PatchesMore Advanced Editing of Tones Creating Patches TMT Velocity Fade Width Upper Palette Function Tips for Selecting a Waveform135 Patch WG Parameter page Patch F2 WG F1 WG Prm Modifying the Waveform and Pitch F2 WGWave 136 FXM Frequency Cross Modulation Tone Delay137 Random Pitch Tone Random Pitch Patch WG Pitch page Patch F2 WG F2 PitchPitch Keyfollow Wave Pitch Patch WG Pitch Envelope page Patch F2 WG F3 Pch Env Patch WG Sample page Patch Velocity Sens Pitch Envelope Velocity SensitivityF2 WG F4 Sample Sample TVF Using the Filter to Modify the Brightness F3 TVF Cutoff Keyfollow TVF Cutoff Resonance Velo TVF Resonance VelocityCutoff Velo TVF Cutoff Velocity 141 Velo Curve TVF Envelope Velocity Curve Velo Sens TVF Envelope Velocity Sensitivity142 TVA Changing the Volume and Stereo Location F4 TVA Velocity Sens TVA Envelope Velocity Sensitivity Patch TVA Envelope page Patch F4 TVA F2 TVA Env144 Applying Vibrato or Tremolo F5 LFO&CTL Delay LFO DelayRate LFO Rate 145 Key Sync LFO Key Sync Creating Patches Fade LFO FadeDepth LFO Depth 146 147 Assigning Partials Creating Multi-Partial Patches Editing Partials Midi Midi SwitchAssign Assign Type Patch WG Parameter page Patch F2 WG F1 WG Prm Partial Editing Samples SMT Velocity Range Lower SMT Velocity Fade Width LowerSMT Velocity Range Upper SMT Velocity Fade Width Upper REV ONE Reverse One-shot 152 TVF Velo TVF Velocity Cutoff153 Velo Sens TVF EnvelopePitch Depth Envelope Pitch Depth 154 Patch TVA Parameter page Patch F4 TVA F1 TVF Prm Making the Volume Change F4 TVALevel Creating Patches TVA Velo TVA Velocity 156 157 Key SyncLFO2 *1 Copying the Settings Another Patch Patch Tone Making Effect SettingsSaving Patches You Create 158 Basic Ways to Use Performances How a Performance Is OrganizedChoosing the Parts to Play Settings for Each Part Establishing Settings for an Entire Performance CommonCreating a Performance Solo Part Select Setting the Keyboard Range Comparing the Settings of Each Part as You Make Settings161 Part Keyboard Range Upper Creating a Performance Part Keyboard Range LowerPart Keyboard Fade Width Upper Performance 1 page Perform F3 Part Patch Part Patch Voice Reserve Part Voice Reserve Bend Range Part Pitch Bend RangePerformance 2 page Perform F3 Part Modify Part Modify 163 Establishing a Part’s Midi Settings 165 Part Mute Saving Performances You Create Copying the Settings Another Part Performance Part CopyConfirming Midi Information for Each Midi Channel Performance Part Information page Perform F6 Info Palette Function Editing a Patch or Rhythm Set in the Performance Mode167 Performance Name Copy 168 How Percussion Instruments Are OrganizedWG Wave Generator Creating Rhythm Sets Settings Common to an Entire Rhythm SetTempo 169 170 Setting up Individual Rhythm Tones Rhythm WG Parameter page Rhythm F2 WG F1 WG Prm Rhythm Tone Modifying the Waveform, Pan and Pitch F2 Key WG171 Name Tone Name Gain & Level Tune172 Rhythm WG Pitch Envelope page Rhythm F2 WG F3 Pch Env Random Pitch Rhythm Tone Random Pitch173 WMT Velocity Range Lower WMT Velocity Fade Width LowerWMT Velocity Range Upper WMT Velocity Fade Width Upper Rhythm TVF Parameter Using the Filter to Modify Brightness F3 Key TVFRhythm F3 Key TVF F1 TVF Prm 175 Range -63 176 Rhythm TVF Envelope page Rhythm F3 Key TVF F2 TVF Env Making the Volume Change F4 Key TVAAmount V-Crv TVF Envelope Velocity Curve Rhythm TVA Parameter page Rhythm F4 Key TVA F1 TVA Prm Rhythm TVA Envelope page Rhythm F4 Key TVA F2 TVA Env PanVelocity Sens 178 Saving the Rhythm Set You Create Other Settings F5 Key CtlRhythm Key Control page Rhythm F5 Key Ctl 179 180 Copying Settings from Some Other Rhythm Tone Loading Sampler Libraries CD-ROM Installing the Simm Memory Module181 Simm Slot Installation Order Confirming That the Simm Is Properly InstalledRemoving SIMMs Loading a Variety of Data 183 Installation de la carte dextension Wave 184 Enlever une carte mémoire Wave With Sampler Libraries Connecting a CD-ROM Drive185 F5 Refresh Marked Free Area186 Disk When Loading AIFF/WAV Libraries When Loading Libraries for the Akai S1000/3000About Each Sampler Library Folder Type Display Case of the S-700 series Sample Load About the Display of Folder Categories in Sampler LibrariesTotal 188 189 Auto LoadTarget Loading Data Saved on a Zip Disk Playing Back Loaded Sampler LibrariesIndividually Loading Patches, Performances, or Rhythm Sets 190 Sample-Related Utilities Loading Data Stored on Memory CardsSending and Receiving Samples Sample Dump Transmitting Samples Processing Receiving Samples192 193 Automatically Creating Multi- Partial Patches Create Patch Saving Tones and Other Data You’ve Created Saving Edits to the XV- 5080’s Internal Memory Write194 Saving All Data to Memory Card Disk F2 Save Before Using a Memory CardSaving Tones and Other Data You’ve Created 195 Saving Data Formatting a Memory Card196 Organizing the Contents of Memory Cards 198 Copying/Moving Files Cp/Move 199 Copying Files on One Memory Card to Another Card CardCpy Formatting a Zip Disk/Hard Disk Format Saving All Data to Zip Disk Disk F2 Save200 If the hard disk has not been partitioned Renaming a File/Folder Rename Organizing a Zip DiskDeleting a File/Folder Delete Copying/Moving a File/Folder Cp/ Move For Patches or Performances Initializing a SoundFor Rhythm Sets 202 Transmitting to an External Midi Device Transmitting Data to an External Midi Device Data TransferMidi 203 Transmitting to User Memory Destination204 Source 205 Protecting the Internal Memory ProtectInternal Write Protect Exclusive Protect 206 Resetting All Settings to Default Factory Settings Factory Selecting Patches from Registering Favorite Patches in the Favorite List207 Directly registering to the list on the PATCH/RHYTHM Play Setup Making Overall Settings208 Setting the Tuning and Volume Settings Making Scale Tune Settings SYSTEM/UTILITY F1 GeneralSetting the System Tempo 210 Setting In Performance/GM mode Key Scale Low Gain Output-A 1/2-D 7/8 Low FrequencyHigh Frequency High Gain Settings Setting the Midi ChannelSetting the Midi Transmit Receive Switch Patch/Rhythm Set Mode Midi in connectorsWhen GM on or GS Reset is received at Midi 213 Mode Stack Mode Connecting Two or More XV- 5080s to Increase PolyphonyStack 214 Selecting Common Controllers System Utility F4 Control Battery CheckConfirming the Current Status SYSTEM/UTILITY F6 Info Simm 216 Scsi IDXV-5080 Self 217 Examples of Applications UsingMFX Control Source MFX Control Sens -63- +63 Examples of Applications Using Modifying Tone Settings218 Syncing the LFO Cycle to System Applications for PatchesTempo Modifying Multi-Effects to Match the System’s Tempo Playing Phrase Loops at a System’s Tempo Making a Tone’s Delay Time Match the System Tempo220 221 Changing the Part Settings from an External Midi Device 222 What is RPN? 223 Applications for Matrix Control Entering GM Mode Using the XV-5080 as a General Midi Sound ModulePlaying Back a GM Score Muting a Specific Part Settings for Playing Sounds F2 Modifying GM Mode SettingsTurning Effects On/Off Control Modify Part Modify Portament Portamento Examples of Applications Using Key ModeLevel&Pan Tune Part Midi Making Effects Settings F5 Effects227 Checking Midi Information for Each Part F6 Info Utility Functions in GM Mode228 Initializing the GM Sound Generator Used in GM Mode F1 GM Transmitting GM Mode Settings Xfer229 230 231 Appendices No sound Can’t select the Part for which to make settingsCan’t select Performances Pitch is wrong Midi messages are not received correctly Effects do not applyMemory Card cannot be used Song data does not playback correctly Commercial sampler data for other devices cannot be loaded Is any Scsi ID being used for more than one device?There is no sound from the digital out, or there is noise 234 DISK, Read Error Battery LowDISK, Write Error File Format Error File Read Error Error Messages File Name Folder, VolumeFormat ErrorFile Write Error Memory Card I/O Error Midi Communication Error Memory ErrorReceive Data Error Memory Card Write Protected Unknown Disk Error Error Messages Source Disk IncorrectThis Will Clear the Files/Folders.Are You Sure? Too Many Files What you need to know before making connections Connecting a Scsi device Making Connections About Scsi ID NumbersAbout Scsi Connection Examples Patch Parameters Patch WG Pitch PATCH-F2WG-F2Pitchp Patch WG Parameter PATCH-F2WG-F1WG PrmpPatch WG Pitch Envelope PATCH-F2WG-F3Pch Envp Patch WG Sample PATCH-F2WG-F4Samplep Patch TVF Envelope PATCH-F3TVF-F2TVF Envp Parameter List Patch TVF Parameter PATCH-F3TVF-F1TVF PrmpPatch TVA Parameter PATCH-F4TVA-F1TVA Prmp Patch TVA Envelope PATCH-F4TVA-F2TVA Envp Patch LFO&Ctrl #2 PATCH-F5LFO&CTL-F3Controlp Patch LFO&Ctrl #1 PATCH-F5LFO&CTL-F3ControlpPatch LFO&Ctrl Control Sw PATCH-F5LFO&CTL-F4Ctrl Swp 244 Patch Effects MFX Control PATCH-F6Effects-F3MFX Ctlp Patch Effects MFX Control PATCH-F6Effects-F2MFX PrmpPatch Effects Chorus PATCH-F6Effects-F4Chorusp Patch Effects Reverb PATCH-F6Effects-F2Reverbp Multi Partial Patch Parameters Patch LFO&Ctrl LFO PATCH-F5LFO&Ctl-F1LFO1p Parameter List Patch TVF Envelope PATCH-F3TVF-F2TVF EnvpPatch LFO&Ctrl Control #1 PATCH-F5LFO&Ctl-F2Controlp 247 248 Performance Parameters 250 Performance Midi #3 Midi Filter PERFORMANCE-F4MIDIp Performance Effects Reverb PERFORMANCE-F5Effect-F5Reverbp Performance Effects Chorus PERFORMANCE-F5Effect-F4ChoruspPerformance Part Information PERFORMANCE-F6 InfoP 251 Rhythm Set Parameters Rhythm TVF Parameter RHYTHM-F3Key TVF-F1TVF Prmp Rhythm WG Sample RHYTHM-F2Key WG-F5SamplepRhythm TVF Envelope RHYTHM-F3Key TVF-F2TVF Envp Rhythm TVA Parameter RHYTHM-F4Key TVA-F1TVA Prmp Rhythm Effects General RHYTHM-F6Effects-F1Generalp Parameter List Rhythm Key Control RHYTHM-F5Key CtlpRhythm Effects MFX RHYTHM-F6Effects-F2MFX Prmp Rhythm Effects MFX Control RHYTHM-F6Effects-F3MFX Ctlp GM Mode Parameters 256 Parameter List GM Effects General GM-F6Infop MFX Prameters 1STEREO EQp Parameter List 4PHASERp2OVERDRIVEp 3DISTORTIONp 9COMPRESSORp Parameter List 8ROTARYp10LIMITERp 11HEXA-CHORUSp 18MODULATION DELAYp 17STEREO DELAYp19TRIPLE TAP DELAYp 15STEREO FLANGERp 21TIME Control DELAYp Parameter List 20QUADRUPLE TAP DELAYp222VOICE Pitch SHIFTERp 23FBK Pitch SHIFTERp 27OVERDRIVE→ 26OVERDRIVE→28OVERDRIVE→ 33ENHANSER→ 36FLANGER→ DELAYp Parameter List 35CHORUS→ DELAYp38CHORUS/DELAYp 39FLANGER/DELAYp 46REVERSE DELAYp 45MULTI TAP DELAYp43FORMANT FILTERp 44RING MODULATORp 483D DELAYp Parameter List 47SHUFFLE DELAYp493VOICE Pitch SHIFTERp 50LOFI COMPRESSp 52SPEAKER SIMULATORp 51LOFI NOISEpParameter List 53OVERDRIVE 2p 54DISTORTION 2p 58SLICERp Parameter List 57GATEp59ISOLATORp 603D CHORUSp 67MULTI TAP DELAYp 64STEREO Phaser 2p62TREMOLOp 63AUTO PANp 69SHUFFLE Delay 2p Parameter List 68REVERSE Delay 2p703D Delay 2p 71ROTARY 2p Parameter List 73KEYBOARD MULTIp 72ROTARY MULTIp269 75JD MULTIp Parameter List 74RHODES MULTIp76STEREO Lofi COMPRESSp 270 78GUITAR AMP SIMULATORp 77STEREO Lofi NOISEp79STEREO OVERDRIVEp 80STEREO DISTORTIONp 82GUITAR Multi Bp Parameter List 81GUITAR Multi Ap272 83GUITAR Multi Cp Parameter List 84CLEAN Guitar Multi Ap273 86BASS MULTIp Parameter List 85CLEAN Guitar Multi Bp87ISOLATOR 2p 274 893D Auto SPINp 88STEREO SPECTRUMp903D MANUALp 275 System Parameters 277 Waveform List 278 Waveform ListPWM MMM VOX 279 280 REV 909 Nzhh 281 Polyphonic Key Pressure 282Control Change 283 Midi Implementation 284 285 Global Parameter Control 286 Sample Dump Standard 287 Data Transmission 288 Universal Non-realtime System Exclusive Message 289 290 Parameter address map Performance 291 Performance Common MFX 292 Performance Common Chorus 293 Lower 294 TVA-ATK TVA-DCY, TVA-REL TMT FXM, MFX1 MFX2, MFX3, MFX4 295 Patch Common Reverb 296 127, MUSICAL-NOTES 297 Rhythm Common MFX 298 Rhythm Common Reverb 299 300 GS Model ID 42H Part Parameter 301 Decimal and Hexadecimal table 302Examples of actual Midi messages Example of an Exclusive message and calculating a checksum 303 304 Scale Tune Feature address 40 1xAscii code table RPN LSB, MSB Nrpn LSB, MSB 306 307 Index 308 309 Africa Information Avis 02019812 ’02-6-F2-61K