7
Signal (PART) Flow.................................................................................................................... 117
Parameters....................................................................................................................................117
Digital Connections Using R-BUS........................................................................................................119
Settings for the Digital Interface ([SYSTEM/UTILITY] - [F2 (Output)])............................ 119
Eight-Channel R-BUS Digital Connection...............................................................................120
Converting to the Various Digital Formats........................................................................................ 121
Digital Output to an ADAT....................................................................................................... 121
Digital Output to a TASCAM DA Series................................................................................. 122
Digital Output to an AES/EBU Device....................................................................................123
Synchronizing the XV-5080 to the Word Clock arriving at WORD CLOCK IN........................... 124
Chapter 4 Creating Patches...............................................................125
Types of Patches and Their Composition........................................................................................... 125
Four-Tone Patch.......................................................................................................................... 125
How a Tone Is Organized.......................................................................................................... 125
Multi-partial Patch...................................................................................................................... 126
How a Partial Is Organized....................................................................................................... 126
Selecting the Tones That Will Sound (Tone On/Off)........................................................................126
Settings Common to the Entire Patch..................................................................................................127
Common (Patch Common)........................................................................................................ 127
Control (Patch Control).............................................................................................................. 129
Structure (Patch Structure)........................................................................................................ 131
K. Range (Patch Key Range)...................................................................................................... 132
V. Range (Patch Velocity Range).............................................................................................. 133
Creating Four-Tone Patches..................................................................................................................134
Tips for Creating a Patch............................................................................................................134
More Advanced Editing of Tones.............................................................................................134
Tips for Selecting a Waveform.................................................................................................. 135
Modifying the Waveform and Pitch ([F2] (WG))................................................................... 136
Using the Filter to Modify the Brightness ([F3 (TVF)])..........................................................140
Changing the Volume and Stereo Location ([F4 (TVA)])......................................................143
Applying Vibrato or Tremolo ([F5 (LFO&CTL)])...................................................................145
Creating Multi-Partial Patches............................................................................................................. 148
Assigning Partials....................................................................................................................... 148
Editing Partials............................................................................................................................ 149
Editing Samples...........................................................................................................................150
Using the Filter to Modify the Brightness ([F3 (TVF)])..........................................................152
Making the Volume Change ([F4 (TVA)])............................................................................... 155
Applying Vibrato or Tremolo ([F5 (LFO&CTL)])...................................................................156
Making Effect Settings........................................................................................................................... 158
Saving Patches You Create....................................................................................................................158
Copying the Settings of Another Patch (Patch Tone Copy)............................................................. 158
Chapter 5 Creating a Performance....................................................159
How a Performance Is Organized........................................................................................................159
Basic Ways to Use Performances......................................................................................................... 159
Choosing the Parts to Play.................................................................................................................... 159
Establishing Settings for an Entire Performance (COMMON)........................................................160
Settings for Each Part............................................................................................................................. 160
Comparing the Settings of Each Part as You Make Settings.................................................161
Setting the Keyboard Range...................................................................................................... 161
Selecting the Patch, and Setting the Volume, Pan, Pitch, and Polyphony..........................162
Editing the Attack and Release of the Sound and Changing the Way the Sound is Played..
163
Establishing a Part’s MIDI Settings.......................................................................................... 164
Confirming MIDI Information for Each MIDI Channel........................................................ 166
Making Effect Settings........................................................................................................................... 166
Saving Performances You Create.........................................................................................................166
Copying the Settings of Another Part (Performance Part Copy).................................................... 166