POD Farm 1.01 – Model Gallery

One of the interesting things about the Bassman® is just how interactive the Middle and Treble controls are. The Middle control isn’t a bandpass, as in most tone control setups. Instead, it’s almost like a second treble control. The two are additive, so if you’re running your Middle knob higher than halfway up with this model, you’ll find that the Treble control might give you more bright than you really want. On the other hand, when you turn the Middle knob down, you’ll probably want to boost the Treble.

The Bassman®, like many of the amps modeled for POD Farm, didn’t have a master volume. So to get the kind of tone that the Bassman® can deliver at higher gain settings, you had to crank it up loud enough to do some serious damage to anyone who might be standing close by. Now you can get that kind of tone at a bedroom or studio level — or even through your headphones! Try

a Drive setting of about 4 or 5 — it’s guaranteed to dredge up the best R & B licks you know.

*FENDER® and BASSMAN® are registered trademarks of Fender Musical Instruments Corporation and are in no way associated or affiliated with Line 6. These product names, descriptions and images are provided for the sole purpose of identifying the specific products that were studied during Line 6’s sound model development.

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Guitar Cab Models

While we’re not going to bore you with complete descriptions of each cabinet that’s modeled in POD Farm (“...and with the change from 12 ply Finnish Spruce to 13 ply Baltic Birch in October of 1973, the resonant frequency of this cabinet dropped to 113.7Hz”), here’s a list of all the speaker cabinets that were modeled for POD Farm:

1 x 6

1960

Super O (based on Supro S6616)

1 x 8

1960

Tiny Tweed (based on Fender® Tweed Champ®)

1x10

1959

Gibtone (based on Gibson® combo)

1x10

1960

G-Brand (based on Gretsch® 6156)

1x12

1953

Small Tweed (based on Fender® Tweed Wide Panel Deluxe

 

Reverb®)

1x12

1964

Blackface ‘Lux (based on Fender® Deluxe Reverb®)

1x12

1960

Class A-15 (based on Vox® AC-15)

2 x 2

2001

Mini T (based on Fender® Mini Twin)

2x12

2001

Line 6

2x12

1965

Blackface (based on Fender® Blackface Twin Reverb®)

2x12

1996

Match Chief (based on Matchless Chieftain)

2x12

1987

Jazz Clean (based on Roland® Jazz Chorus 120)

2x12

1967

Class A-30 (based on Vox® AC-30 Top Boost)

4x10

2001

Line 6

4x10

1959

Tweed B-Man (based on Fender® Bassman® cab)

6•10

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Line 6 UX1, TonePort UX8, TonePort DI, GX, TonePort KB37, UX2 manual Guitar Cab Models, 610