Line 6 GearBox 3.7 – Model Gallery
Adventurous recordists will find that it can even be used to add some tube warmth or distorted grind to just about anything — warming up keyboards, crunching up drums, and fuzzing up vocals the way producers and engineers often do in the studio with vintage tube gear. When you do this stuff, you want to use the Drive control like a mix knob on a reverb to control how much processing you want to hear.
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Guitar Cab Models
While we’re not going to bore you with complete descriptions of each cabinet that’s modeled in GearBox (“...and with the change from 12 ply Finnish Spruce to 13 ply Baltic Birch in October of 1973, the resonant frequency of this cabinet dropped to 113.7Hz”), here’s a list of all the speaker cabinets that were modeled for GearBox:
1 x 6 | 1960 | Super O (based on Supro S6616) |
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1 x 8 | 1960 Tiny Tweed (based on Fender® Tweed Champ®) | |
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1x10 | 1959 | Gibtone (based on Gibson® combo) |
1x10 | 1960 | |
1x12 | 1953 | Small Tweed (based on Fender® Tweed Wide Panel Deluxe |
| Reverb®) | |
1x12 | 1964 | Blackface ‘Lux (based on Fender® Deluxe Reverb®) |
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1x12 | 1960 | Class |
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2 x 2 | 2001 | Mini T (based on Fender® Mini Twin) |
2x12 | 2001 | Line 6 |
2x12 | 1965 | Blackface (based on Fender® Blackface Twin Reverb®) |
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2x12 | 1996 | Match Chief (based on Matchless Chieftain) |
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2x12 | 1987 | Jazz Clean (based on Roland® Jazz Chorus 120) |
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2x12 | 1967 | Class |
4x10 | 2001 | Line 6 |
4x10 | 1959 Tweed | |
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4x12 | 2001 | Line 6 |
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4x12 | 1967 Green 20s (based on Marshall® “Basket Weave” cab with Celestion® | |
| Greenbacks) | |
4x12 | 1968 | Green 25s (based on Marshall® cab with Celestion® Greenbacks) |
4x12 | 1978 | Brit Celest |
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4x12 | 1996 Brit Celest | |
| 30’s) |
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4x12 | 2001 | Treadplate (based on Mesa/Boogie® Dual Rectifier® cab) |
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1x15 | 1962 | Thunder (based on Supro® ‘62 Thunderbolt) |
2x12 | 1967 | Wishbook (based on Silvertone ‘67 Twin Twelve) |
*All product names used in this document are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These product names, descriptions and images are used solely to identify the specific products whose tones and sounds were studied during Line 6’s sound model development.
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