Line 6 GearBox 3.7 – Model Gallery

products that were studied during Line 6’s sound model development.

Brite Room

Here’s the sound of a live, bright room to add life to any track.

Medium Hall

A medium sized hall with heavy reflections - this one is meant to be heard.

Cavernous

Now that’s big! Fire this verb up and get set for a long night of dandelion dreams...

Slap Plate

This reverb dishes up the vibe of early rock and roll recordings, like Sam Phillips’ great work at Sun Studios. Thank you very much.

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Wah

The GearBox Wah effects simulate classic wah pedals, and can be used to provide a “parked wah” sound, or can be controlled via MIDI for wah pedal effects.

Vetta Wah

This is the original PODxt/Vetta Wah Model, which is a bit of a play on an old classic. We’ve made it a nice balanced wah, designed to sound great in most any style of playing.

Weeper

Modeled after* an Arbiter® Cry Baby, this is yet another variation on the original Vox® wah design. The biggest variation between many of these wah pedals is the inductor and the tolerances of the capacitors and resistors that make up the filter circuit. Just like vintage guitar amps, two of them made on the same day, by the same person, from the same parts bin might sound totally different. As always, we went for the best examples we could find.

All product names are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These product names, descriptions and images are provided for the sole purpose of identifying the specific products that were studied during Line 6’s sound model development. VOX® is a registered trademark of Korg Europe Limited. ARBITER® is a registered trademark of Arbiter Group PLC.

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Bass Effects

Bass Overdrive

This model was inspired by our look at the Tech 21 Bass Sans Amp, plus a few extra liberties taken by the Line 6 sound design team. The Sans Amp is famous for delivering a very quiet and crisp signal under all circumstances, while also serving up a very distinct distortion. Is pleasingly metallic quality makes it a favorite with the Post-Metal crowd and Industrial bands, and producers in all genres of music have come to favor the Bass Sans Amp for crunching up loops. The Bass Overdrive covers the

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Line 6 3.7 manual Wah, Bass Effects