SEQ TO COMPOSER COPY
Data from the SEQUENCER can be copi ed to a
COMPOSER memory. For example, you can use
a rhythm pattern on a song disk as the automat ic
accompaniment for your own performance.
1.Play back the song you wish to copy from
SEQUENCER to confirm the tracks, the meas-
ures and the time signature you wish to copy.
2.Follow the procedure in “Prepare to record” to
prepare the COMPOSER memory you will be
copying to. (Refer to page 110.)
•Be sure that time signature set ting in the
SEQUENCER data you are copying from and
the time signature in the COMPOSER memory
you are copying to are the same, or the d ata
will not be copied successfully.
3.On the COMPOSER MENU display, select
SEQ TO COMPOSER COPY.
•The display looks similar to the foll owing.
4.Use the F IRST MEASURE ∧ and ∨ buttons
to specify the number of the first measure to
copy.
5.Use the LAST MEASURE ∧ and ∨ buttons to
specify the number of the last measure to
copy.
6.Use the TRANSPOSE ∧ and ∨ button s to
change the key of the copied m easures (–24
to +24).
•Units are in semitones.
7.Use the MEMORY ∧ and ∨ buttons to specify
the COMPOSER memory to co py to.
8.Use the PATTERN ∧ and ∨ buttons to specify
the pattern to copy to.
9.For each COMPOSER part, spec ify the
SEQUENCER track from whi ch to copy data.
•Use the PART ▲ and ▼ buttons to specify the
part name, and the TRACK ∧ and ∨ buttons
to specify the track number.
•Parts which are set to OFF are blank.
10.Press the OK button.
•“COMPLETED!” is shown on the display.
•If you wish to use the COMPOSER function
to edit the copied data, press the EDIT butt on,
and follow the procedure to record a pattern.
•In the case of INTRO or ENDING, if a measure
contains a Maj or Min command, it is re pro-
duced in the other pattern as well.
•If a sound using the ACCOMP DSP was
copied, the nuance of the sound may be
changed.
Composer
Part V Composer
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