Korg Electric Keyboard manuals
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Korg Electric Keyboard Manual
269 pages 10.37 Mb
iii Conventions in this manual(example)Abbreviations for the manuals BG, PG, VNL How to read the Parameter Guide 2 About this manualPROG 5.3: EdLFOs5.31: OS1LFO1 (OSC1 LFO1) 5.31a: OSC1 LFO1 5.31d: UTILITY iv 3 Table of Contents1. Program mode................................. 1 2. Combination mode..........................31 4 v3. Sequencer mode .............................49 5 vi4. Sampling mode.............................. 87 5. Global mode.................................121 6. Media mode .................................139 6 vii7. Effect Guide.................................. 155 7 viii8. Appendices.................................. 211 8 1. Program mode1.11: Program1.11a:Bank, Program Select, Categor y, Cat. Hold, 10s Hold, (Tempo)Bank [Bank A...D, G, g(d)] PROG PAGE MENU PROG 1.1: Play[(AD)0127: name, (G, g(d))1128: name] 9 YCategory [00...15: Name] Cat. HOLD (Category Hold) 10s HOLD 1.11b: Program Information 10 1.12: P.Edit 1.12a: Bank, Program Select, (Tempo) 1.12b: Performance EditorOctave [03...+00...+03] Stretch (Pitch Stretch) [12...+00...+12] OSC Bal (OSC Balance) [10+00+10] Level (Amp Level) [10+00+10] Attack (Attack Time) [10+00+10] Decay (Decay Time) [10+00+10] IFX Bal (IFX Balance) [10+00+10] MFX Bal (MFX Balance) [10+00+10] 11 1.13: Arp 1.13a: Arpeggiator 1.1 2.12.23.14.14.25.15.25.36.17.17.2 5 2.11: Basic 2.11a: OscillatorMode (Oscillator Mode) [Single, Double, Drums] 2.11b: Voice AssignMode (Voice Assign Mode) [Poly, Mono] Hold [Off, On] Single Trigger [Off, On] Legato [Off, On] Priority [Low, High, Last] 2.11c: ScaleType (Scale Type) [Equal TemperamentUser Octave 15] 12 PROG 2.1: EdBasicCopy Oscillator Swap Oscillator 13 2.12: OSC12.12a: OSC1 MultisampleVelocity SW LH [001...127] 2.12b: High, LowHigh: High MS Bank [ROM, RAM] High Multisample [000...424, 000...999] 14 1.1 2.12.23.14.14.25.15.25.36.17.17.27S.Ofs (High Start Offset) [Off, On] Rev (High Reverse) [Off, On] Level (High Level) [000...127] Low: 2.12c: Octave, Transpose, Tune, DelayOctave [2[32], 1[16], +0[8], +1[4]] Transpose [12+12] Tune [1200+1200] Delay [0ms5000ms, KeyOff] 2.12d: OSC1 Drum KitDrum Kit [00(INT)...15(INT), 16(User)...23(User), 24(GM)...32(GM)] Octave [2[32], 1[16], +0[8], +1[4]] Transpose [12+12] Tune [1200+1200] Delay [0ms5000ms, KeyOff] Sample Parameters 15 2.13: OSC22.14: V.Zone 2.14a: OSC 1/2 Velocity ZoneOSC1 Bottom [001...127] OSC1 Top [001...127] OSC2 Bottom [001...127] OSC2 Top [001...127] 2.15: Audit. 2.15a: Audition Riff, TransposeAudition Riff [000: Off...383: Name] Transpose [24...+24] 2.21a: Knob B AssignSW1 Assign [Off...AfterT Lock] SW2 Assign [Off...AfterT Lock] 16 PROG 2.2: EdCtrl3.11: OSC13.11a: PitchPitch Slope [1.0+2.0] Ribbon (#16) [12+12] JS (+X) [60+12] JS (X) [60+12] AMS (Pitch AMS) [Off, (FEG, AEG, EXT)] 3.11b: Pitch EGIntensity [12.00+12.00] AMS (Pitch EG AMS) [Off, (KT, EXT)] 17 PROG 3.1: EdPitch3.11c: PortamentoEnable (Porta. Enable) [Off, On] Fingered (Porta. Fingered) [Off, On] Time (Porta. Time) [000...127] 18 3.12: OS1lfo 3.12a: Pitch LFO1/2 ModulationLFO1: Intensity (LFO1 Intensity) [12.00+12.00] JS+Y Int. (LFO1 JS+Y Int.) [12.00+12.00] AMS (LFO1 AMS) [Off, (PEG, FEG, AEG, KT, EXT)] 3.13: OSC2 19 3.14: OS2lfo 3.15: EG 3.15a: Pitch EGL (Level): S (Start Level) [99+99] A (Attack Level) [99+99] R (Release Level) [99+99] T (Time): A (Attack Time) [099] D (Decay Time) [099] R (Release Time) [099] 3.15b: Level Mod. (Level Modulation)AMS1 (Level Mod. AMS1) [Off, (KT, EXT)] S (AMS1 SW Start) [, 0, +] AMS2 (Level Mod. AMS2) [Off, (KT, EXT)] S (AMS2 SW Start) [, 0, +] 3.15c: Time Mod. (Time Modulation)AMS (Time Mod. AMS) [Off, (KT, EXT)] D (AMS SW Decay) [, 0, +] 4.11: Basic4.11a: Filter1Type (Filter1 Type) [Low Pass Resonance, Low Pass & High Pass] Trim [0099] 4.11b: A (Filter A)Frequency (A Frequency) [0099] Resonance (A Resonance) [0099] 20 PROG 4.1: EdFilter1Reso.AMS (Resonance AMS) [Off, (PEG, FEG, AEG, LFO, KT, EXT)] Intensity (AMS Intensity) [99+99] 4.11c: B (Filter B)Frequency (B Frequency) [0099] 21 4.12: Mod.1 4.12a: Keyboard Track Key: Low (KBDTrk Key Low) [C1G9] High (KBDTrk Key High) [C1G9] Ramp (Ramp Setting): Low (KBDTrk Ramp Low) [99+99] High (KBDTrk Ramp High) [99+99] Int. to A (KBDTrk Int. to A) [99...+99] Int. to B (KBDTrk Int. to B) [99...+99] 4.12b: Filter EGInt. to A (Intensity to A) [99+99] Int. to B (Intensity to B) [99+99] Vel to A (Velocity to A) [99+99] Vel to B (Velocity to B) [99+99] AMS (Filter EG AMS) [Off, (EXT)] Int. to A (AMS Int. to A) [99+99] Int. to B (AMS Int. to B) [99+99] 22 4.13: Mod.2 4.13a: Filter-A ModulationAMS1 (Filter A AMS1) [Off, (PEG, AEG, EXT)] Intensity (A AMS1 Intensity) [99+99] AMS2 (Filter A AMS2) [Off, (PEG, AEG, EXT)] Intensity (A AMS2 Intensity) [99+99] 23 4.14: lfoMod 4.14a: Filter LFO1 ModulationIntensity to A (LFO1 Int. to A) [99+99] Intensity to B (LFO1 Int. to B) [99+99] JSY Int. to A (LFO1 JSY Int. to A) [99+99] JSY Int. to B (LFO1 JSY Int. to B) [99+99] AMS (LFO1 AMS) [Off, (PEG, FEG, AEG, KT, EXT)] Int. to A (LFO1 AMS Int. to A) [99+99] Int. to B (LFO1 AMS Int. to B) [99+99] 4.14b: Filter LFO2 Modulation 4.15: EG 4.15a: Filter1 EGL (Level): S (Start Level) [99+99] A (Attack Level) [99+99] B (Break Point Level) [99+99] S (Sustain Level) [99+99] R (Release Level) [99+99] T (Time): A (Attack Time) [0099] D (Decay Time) [0099] S (Slope Time) [0099] R (Release Time) [0099] 24 4.15b: Level Mod. (Level Modulation)AMS (Level Mod. AMS) [Off, (KT, EXT)] S (AMS SW Start) [, 0, +] B (AMS SW Break) [, 0, +] 4.15c: Time Mod. (Time Modulation)AMS1 (Time Mod. AMS1) [Off, (KT, EXT)] D (AMS1 SW Decay) [, 0, +] S (AMS1 SW Slope) [, 0, +] R (AMS1 SW Release) [, 0, +] AMS2 (Time Mod. AMS2) [Off, (KT, EXT)] D (AMS2 SW Decay) [, 0, +] S (AMS2 SW Slope) [, 0, +] R (AMS2 SW Release) [, 0, +] Sync Both EGs 4.21: Basic 4.22: Mod.1 4.23: Mod.2 4.24: lfoMod 4.25: EG 5.11: Lvl/Pan 5.11a: Amp1 LevelLevel (Amp1 Level) [0127] 5.11b: PanPan (Amp1 Pan) [Random, L001C064R127] 25 PROG 4.2: EdFilter2PROG 5.1: EdAmp1Use DKit Setting [Off, On] 5.11c: AMS, IntensityAMS (Pan AMS) [Off, (PEG, FEG, AEG, LFO, KT, EXT)] Intensity [99+99] 26 5.12: Mod. 5.12a: Keyboard TrackKey (Keyboard Track Key): Low (KBDTrk Key Low) [C1G9] High (KBDTrk Key High) [C1G9] Ramp (Ramp Setting): Low (KBDTrk Ramp Low) [99+99] High (KBDTrk Ramp High) [99+99] 5.12b: Amp Mod., LFO1 Mod., LFO2 Mod. 5.12c: AMS, Int. 27 5.13: EG 5.13a: Amp1 EG 28 5.13b: Level Mod. (Level Modulation)AMS (Level Mod. AMS) [Off, (KT, EXT)] S (AMS SW Start) [, 0, +] B (AMS SW Break) [, 0, +] 5.13c: Time Mod. (Time Modulation)AMS1 (Time Mod. AMS1) [Off, (EXT, KT)] D (AMS1 SW Decay) [, 0, +] S (AMS1 SW Slope) [, 0, +] R (AMS1 SW Release) [, 0, +] AMS2 (Time Mod. AMS2) [Off, (EXT, KT)] 29 PROG 5.2: EdAmp2D (AMS2 SW Decay) [, 0, +] S (AMS2 SW Slope) [, 0, +] R (AMS2 SW Release) [, 0, +] Sync Both EGs 5.21: Lvl/Pan 5.22: Mod. 5.23: EG 5.31: OS1LFO1 5.31a: OSC1 LFO1Waveform [Triangle 0Random6 (Vect.)] Frequency [0099] Ofs (Offset) [99+99] PROG 5.3: EdLFOsFade [0099] Dly (Delay) [0099] 5.31b:Freq.Mod (Frequency Modulation)AMS1 (Freq. AMS1) [Off, (PEG, FEG, AEG, LFO2, KT, EXT)] Int (AMS1 Intensity) [99+99] AMS2 (Freq. AMS2) [Off, (PEG, FEG, AEG, LFO2, KT, EXT)] Int (AMS2 Intensity) [99+99] 5.31c: MIDI/Tempo Sync. (Frequency MIDI/Tempo Sync.)Sync. (MIDI/Tempo Sync.) [Off, On] Swap LFO 1&2 30 5.32: 1LFO2 5.33: 2LFO1 5.34: 2LFO2 6.11: Setup 6.11a: Arpeggiator SetupPattern* [P000...P004, U000(INT)...U215(User)] Octave* [1, 2, 3, 4] Reso (Resolution)* [ , , , , , ] Gate [000...100(%), Step] Velocity [001...127, Key, Step] Swing [100...+100(%)] Sort* [Off, On] 31 PROG 6.1: EdArp. Latch* [Off, On] Key Sync.* [Off, On] Keyboard* [Off, On] 6.11b: Arpeggiator Tempo 32 6.12: Zone 6.12a: Scan ZoneZone Map Key: Btm (Bottom Key) [C1...G9] Top (Top Key) [C1...G9] Vel: Btm (Bottom Velocity) [001...127] Top (Top Velocity) [001...127] 7.11: BUS7.11a: BUSBUS Select: BUS Select (All OSCs) [L/R, IFX, 1, 2, 1/2, Off] MFX Send: OSC1 Send1 [000...127] OSC1 Send2 [000...127] OSC2 Send1 [000...127] OSC2 Send2 [000...127] 7.11b: Use DKit SettingUse DKit Setting [Off, On] 33 PROG 7.1: EdInserFX34 7.12: Setup7.12a: InsertFX SetupPan(CC#8) (Post IFX Pan CC#8) [L000...C064...R127] 7.12b: Routing 7.13: IFX7.21a: Master Effect Setup 7.21b: ChainSignal (Chain Signal) [L/R Mix, L Only, R Only] 7.21c: Master EQ Gain [dB] 35 PROG 7.2: EdMasterFX38 2. Combination mode1.11: Combi 1.11a:Bank, Combi Select, Categor y, Cat.Hold, 10s Hold, (Tempo)Bank (Bank Select) [Bank AC] Combi Select (Combination Select) [0...127: name] COMBI PAGE MENU COMBI 1.1: Play Category [00...15: name] Cat.HOLD 10s HOLD 39 1.11b: Combination InformationWrite Combination Solo Selected Timbre 40 1.12: Prog 1.12a:Bank, Combi Select, Cat.Hold, 10s Hold, (Tempo) 1.12b: Timbre Number & CategoryTimbre Number & Category 1...8 1.12c: Program Select, Program NameProgram Select [A000...g128] Program Name 1.12d: Selected Timbre InformationTimbre No.: Bank No., Prog No.: and name Status (INT, Off, EXT, EX2) Ch (01...16, Gch) (Category/Combi, Category/Prog T1...T8) 41 1.13: Mix 1.13a: Pan, VolumePan [RND, L001...C064...R127] Volume [000...127] Hold Balance 1.14: Arp. A 1.15: Arp. B 1.14(5)a: Arpeggiator Run, Timbre assignArpeggiator Run A, B (Run A, B) [Off, On] Timbre assign 1.14(5)b: Arpeggiator A(B) 2.11: Prog 2.11a: Program Select, Program Name 2.12: Mix 42 COMBI 2.1: EdProg/Mixer2.21a: Knob B AssignSW1 (SW1 Assign) [Off...AfterT Lock] SW2 (SW2 Assign) [Off...AfterT Lock] 3.11: MIDI3.11a: Status, MIDI Channel, Bank(EX2) MSB/LSBStatus [INT, Off, EXT, EX2] MIDI Channel [01...16, Gch] Bank(EX2) MSB [000:000...127:127] Bank(EX2) LSB [000:000...127:127] 43 COMBI 2.2: EdCtrlCOMBI 3.1: EdParam12.12.23.13.23.33.44.14.24.34.46.17.17.2 37 44 3.12: OSC3.12a: Force OSC Mode, OSC Select, PortamentoForce OSC Mode [PRG, Poly, Mono, LGT] OSC Select [Both, OSC1, OSC2] Portamento [PRG, Off, 001...127] 3.13: Pitch3.13a: Transpose, Detune, Bend RangeTranspose [24+24] Detune (BPM Adj.) [1200...+1200] Bend Range [PRG, 24...+24] Detune BPM Adjust 3.21: Other3.21a: Delay [ms], Use Progs ScaleDelay [ms] [00005000, KeyOff] Use Progs Scale [Off, On] 3.21b: Combis Scale, Key, RandomType (Combis Scale) [Equal Temperament...User Octave15] 45 COMBI 3.2: EdParam22.12.23.13.23.33.44.14.24.34.46.17.17.2 39 3.31: Key 3.31a: Key Zone Map (1) 3.31b: Top Key, Bottom KeyTop Key [C1...G9] Bottom Key [C1...G9] 3.32: Slope 3.32a: Top Slope, Bottom SlopeTop Slope [00...72] Bottom Slope [00...72] 3.33: Review3.33a: Key Zone Map (All) 46 COMBI 3.3: EdKey Zone3.41: Vel 3.41a: Velocity Zone Map (1) 3.41b: Top Velocity, Bottom VelocityTop Velocity [1127] Bottom Velocity [1127] 3.42: Slope 3.42a: Top Slope, Bottom SlopeTop Slope [0120] Bottom Slope [0120] 3.43: Review3.43a: Velocity Zone Map (All) 47 COMBI 3.4: EdVel Zone4.11: MIDI 11 4.11a: Program Change, After TouchProgram Change [Off, On] After Touch [Off, On] 4.12: MIDI 12 4.12a: Damper CC#64, Portamento SW CC#65Damper CC#64 [Off, On] Portamento SW CC#65 [Off, On] 4.21: MIDI 21 4.21a: JS+Y CC#01, JSY CC#02JS+Y CC#01 [Off, On] JSY CC#02 [Off, On] 48 COMBI 4.1: EdMIDI Filter1COMBI 4.2: EdMIDI Filter2 49 COMBI 4.3: EdMIDI Filter34.22a: JS X/Bend as AMS, Ribbon CC#16JS X/Bend as AMS [Off, On] Ribbon CC#16 [Off, On] 4.31: MIDI 31 4.32: MIDI 32 4.31a: Real-time Control Knob 1, 2Knob1 [Off, On] Knob2 [Off, On] 4.32a: Real-time Control Knob 3, 4Knob3 [Off, On] Knob4 [Off, On] 4.41: MIDI 41 COMBI 4.4: EdMIDI Filter4 50 COMBI 6.1: EdArp. 4.42a: Foot Pedal/Switch, Other Control ChangeFootPedal/Switch [Off, On] Other Ctrl Change [Off, On] 6.11: Setup6.11a: Arpeggiator Run, (Tempo)Arpeggiator Run A, B (Run A, B) 6.11b: AssignAssign [Off, A, B] Copy Arpeggiator 51 6.12: Arp. A 6.13: Arp. B 6.12(3)a: Arpeggiator-A(B) Setup 6.12(3)b: (Tempo) 6.14: Zone 6.14a: Scan Zone A/BZone Map A: Key Btm (A-Bottom Key) [C1...G9] Top (A-Top Key) [C1...G9] A: Vel (Velocity) Btm (A-Bottom Velocity) [001...127] Top (A-Top Velocity) [001...127] 7.11: BUS7.11a: BUS Select, Send1(MFX1), Send2(MFX2)BUS Select [DKit, L/R, IFX, 1, 2, 1/2, Off] 52 COMBI 7.1: EdInsertFXDKit IFX Patch (DrumKit IFX Patch) 53 7.12: Setup7.12a: Ed-InsertFX SetupPan(CC#8) [L000...C064...R127] 7.12b: Control ChannelControl Channel [Ch01...16, G ch, All Rt.] 7.12c: Routing Map, BUS SelectRouting Map T01...8: BUS Sel [DKit, L/R, IFX, 1, 2, 1/2, Off] 7.13: IFX 7.21a: MasterFX SetupMFX 1, 2 Control Ch [Ch01...16, G ch] 7.21b: MasterFX ChainSignal (Chain Signal) [LR Mix, L Only, R Only] 7.21c: MEQ CtrlMEQ Ctrl (MEQ Control Ch) [Ch01...16, G ch] 54 COMBI 7.2: EdMasterFX56 3. Sequencer modeSEQ PAGE MENU1.11: Play.REC1.11a:Location, Meter, Reso (Resolution), (Tempo), Tempo ModeLocation [001:01.000...999:16.191] Meter [*/*, 1/4...16/16] Reso (Real-time Quantize Resolution) [Hi, 3...] (Tempo) [040240, EXT] 57 SEQ 1.1: Play/REC Tempo Mode [Auto, Manu, REC] 58 1.11b: Song SelectSong Select [000...199: name] 1.11c: RPPR (Real-time Pattern Play/Rec), Track Select, Selected Track InformationRPPR [Off, On] Track Select [T01...T16: name, Master Track] Selected Track Information Memory Status Solo Selected Track 59 Rename SongDelete Song Copy From Song Copy From Combi (Copy From Combination) Load Template Song 60 Save Template Song (Save as User Template Song)FF/REW Speed Set Location (Set Location for Locate Key) GM Initialize 61 1.12: Prog...8 1.13: Prog...161.12(3)a: Program[A...D/000...127, G001...128, g001...g128:d] 1.12(3)b: PLAY/MUTE/REC, SOLO On/OffPLAY/MUTE/REC [PLAY, MUTE, REC] SOLO On/Off [SOLO On, SOLO Off] 62 1.14: Mix..8 1.15: Mix..16 1.14(5)a: Pan, VolumePan (Panpot) [RND, L001...C064...R127] Volume [000...127] 63 1.16: Pref. 1.16a: Rec Setup, MetronomeREC Setup: Recording Mode [Over Write...Loop All Tracks] Over Write Over Dub Manual Punch In Auto Punch In Auto P Start MeasAuto P End Meas [M001...M999M001...M999] Loop All Tracks Loop Start MeasLoop End Meas [M001...M999M001...M999] Remove Data [Off, On] Multi REC [Off, On] Metronome: Metronome Sound [REC Only, REC/Play, Off] Precount [02] Level [000127] BUS (BUS Select) [L/R, L, R, 1, 2, 1/2] 1.21: Loop...8 1.22: Loop...161.21(2)a: Track Play LoopLoop On [Off, On] Loop Start Meas (Loop Start Measure) [001...999] Loop End Meas (Loop End Measure) [001...999] Play Intro [Off, On] 64 SEQ 1.2: Loop2.11: Cue ListLocation [0001:01.0009999:16.191] Meter (Time Signature) [1/4...16/16] Cue List Select [C00...C19: name] Track Select [T01...T16: name] Selected Track Information (Tempo) [040...240, EXT] Tempo Mode [Auto, Manu] 2.11b:Step, Cue Edit-Song, Rep (Cue Edit-Repeat), FX (Cue Edit-Load FX)Step [Measure] [01...100 (M0001...M9999)] 65 SEQ 2.1: Cue ListCue Edit-Song [S000...S199: name, End, Continue to Step01] Rep (Cue Edit-Repeat) [01...64, FS] FX (Cue Edit-Load FX) [Off, On] 66 2.11c: Step (Current Step)Step (Current Step) [01...100] Last Step [Last: 001...100] 2.11d: EDIT/DONE, INSERT, CUT, COPYEDIT/DONE ([F7]) INSERT ([F4]) CUT ([F5]) COPY ([F6]) Rename Cue List Delete Cue List 67 Copy Cue ListConvert to Song (Convert Cue List to Song) Copy Song 2.21b: Knob B AssignSW1 (SW1 Assign) [Off, ..., AfterT Lock] SW2 (SW2 Assign) [Off, ..., AfterT Lock] 68 SEQ 2.2: Controller3.11: MIDI..8 3.12: MIDI..163.11(2)a: Status, MIDI Channel, Bank(EX2) MSB/ LSBStatus [INT, Off, BTH, EXT, EX2] MIDI Channel [0116] Bank(EX2) MSB [000...127] Bank(EX2) LSB [000...127] 3.11(2)b: UTILITY 3.13: OSC..8 3.14: OSC..16 3.13(4)a: Force OSC Mode, OSC Select, Porta- mentoForce OSC Mode [PRG, Poly, Mono, LGT] OSC Select [Both, OSC1, OSC2] 69 SEQ 3.1: Param1Portamento [PRG, Off, 001...127] 3.13(4)b: UTILITY 70 3.15: Ptch..8 3.16: Ptch..16 3.15(6)a: Transpose, Detune, Bend RangeTranspose [24...+24] Detune (BPM Adj.) [1200... +1200] Bend Range [PRG, 24...+24] 3.15(6)b: UTILITY 3.21: Othr..8 3.22: Othr..16 3.21(2)a: Delay [ms], Use Progs ScaleDelay [ms] (Delay Time) [0000...5000, KeyOff] Use Progs Scale (Use Programs Scale) [On, Off] 3.21(2)b: ScaleType (Songs Scale) [Equal Temperament...User Octave 15] 3.31: Key..8 3.32: Key..16 3.31(2)a: Key Zone Map 3.31(2)b: Top Key, Bottom KeyTop Key [C1...G9] Bottom Key [C1...G9] 71 SEQ 3.2: Param2SEQ 3.3: Key Zone3.33: Slp..8 3.34: Slp..16 3.33(4)a: Top Slope, Bottom SlopeTop Slope [00...72] Bottom Slope [00...72] 3.35: Review3.35a: Key Zone Map (All) 3.41: Vel..8 3.42: Vel..16 3.41(2)a: Velocity Zone Map (1) 3.41(2)b: Top Velocity, Bottom VelocityTop Velocity [1127] Bottom Velocity [1127] 72 SEQ 3.4: Vel Zone3.43: Slp..8 3.44: Slp..16 3.43(4)a: Top Slope, Bottom SlopeTop Slope [0120] Bottom Slope [0120] 3.45: Review3.45a: Velocity Zone Map (All) 4.11: M11..8 4.12: 11..16 4.11(2)a: Program Change, After TouchProgram Change [Off, On] After Touch [Off, On] 73 SEQ 4.1: MIDI Filter174 SEQ 4.2: MIDI Filter24.13(4)a: Damper, Portamento SWDamper CC#64 [Off, On] Portamento SW CC#65 [Off, On] 4.13(4)b: UTILITY 4.21: M21..8 4.22: 21..16 4.21(2)a: JS+Y, JS-YJS+Y CC#01 [Off, On] JS-Y CC#02 [Of f, On] 4.23: 22..8 4.24: 22..16 4.23(4)a: JSX/Bend as AMS, RibbonJSX/Bend as AMS [Off, On] Ribbon CC#16 [Off, On] 4.31: M31..8 4.32: 31..16 4.33: 32..8 4.34: 32..16 4.31(2)a: Real-time Control Knob 1, 2Knob1 [Off, On] Knob2 [Off, On] 4.33(4)a: Real-time Control Knob 3, 4Knob3 [Off, On] Knob4 [Off, On] 4.41: M41..8 4.42: 42..16 4.43: 42..8 4.44: 42..16 4.43(4)a: Foot Pedal/Switch, Other Control ChangeFoot Pedal/Switch [Off, On] Other Control Change [Off, On] 75 SEQ 4.3: MIDI Filter3SEQ 4.4: MIDI Filter45.11: Pattern5.11a: Location, Song Select, Track SelectLocation Song Select [000199: name] Track Select [T01T16: name] 511b: Pattern, Metro. (Metronome)Pattern: Pattern (Pattern Bank) [Preset, User] Pattern Select [P00...149, U00..U99] Resolution [Hi, 3 ] Remove Data [Off, On] Metro. (Metronome): Metronome Sound [REC Only, REC/Play, Off] Precount [0...2] Level [000...127] BUS (BUS Select) [L/R, L, R, 1, 2, 1/2] 76 SEQ 5.1: RPPR77 Rename PatternStep Rec (Loop) Event Edit Pattern Param. (Pattern Parameter) Erase Pattern Copy Pattern Bounce Pattern 78 Get From TrackPut To Track Copy To Track Rename Track 79 5.12: RPPR Setup5.12a: Track Select, (Tempo)Track Select [T01T16: name] 5.12b: RPPR SetupKeyboard & Assigned drawing KEY (Key Select) [C#2...C8] Assign [Off, On] Pattern (Pattern Bank) [Pre, User] Pattern Select [P000...149, U00...99] Track [T01...T16: name] M (Mode) [Once, Manual, Endless] Shift [12...+12] Sync [Off, Beat, Measure, SEQ] 5.21: Track Edit 80 SEQ 5.2: Track Edit81 745.21a:Track Select, Measure (From)/Meas. (To End of) 333333Track Select [T01...T16, Master Trk] Measure (From) [001...999] Meas. (To End of) [001...999] Step Recording Event Editholding down the [ENTER] key and playing a note on the keyboard. 82 6.11: Set..8 6.12: Set..16 6.11(2)a: Arpeggiator Run, (Tempo)Arpeggiator Run A, B (Run A, B) (Tempo) [040...240, (EXT)] 88 SEQ 6.1: Arp. 89 6.11(2)b: Assign90 6.13: Arp. A 6.14: Arp. B 6.13(4)a: ArpeggiatorA(B) Setup 6.13(4)b: (Tempo) 6.15: Zone 7.11: BUS..8 7.12: BUS..16 7.11(2)a: BUS Select, Send1(MFX1), Send2(MFX2)BUS Select [DKit, L/R, IFX, 1, 2, 1/2, Off] 7.13: Setup7.13a: Insert FX SetupPan(CC#8) [L000...C064...R127] 91 SEQ 7.1: Insert FX92 SEQ 7.2: Master FXControl Channel [Ch01...16, All Rt.] 7.13c: Routing Map, BUS SelectT01...16: BUS Sel [DKit, L/R, IFX, 1, 2, 1/2, Off] 7.14: IFX 7.21a: Master FX SetupMFX1, 2 Control Ch [Ch01...16, G ch] 7.21b: Master FX ChainSignal (Chain Signal) [LR Mix, L Only, R Only] 7.21c: MEQ CtrlMEQ Ctrl (MEQ Control Ch) [Ch01...16, G ch] 7.21d: Master EQ Gain [dB] 93 7.22: MFX1 7.23: MFX2 94 4. Sampling modeHow the [AUDITION] key and [START/STOP] key will function in Sampling mode 1.11: Sample1.11a:MS (Multisample Select ), Index, Keyboard & Index 95 SMPL PAGE MENUSMPL 1.1: RecordingStereo 96 1.11b: SMPL, Orig.K, TopKOrig.K (Original Key) [C1...G9] TopK (Top Key) [C1...G9] 97 1.12: Rec. 1.12a: Sample SetupTime (Sample Time) Bank (RAM Bank) [1...4] Mode (Sample Mode) [L-Mono, R-Mono, Stereo] 98 1.12b: REC SetupMode (REC Mode) [Manual, Auto] Threshold [63dB...0dB] Count Down (Count Down REC) [Off, 4, 8, 3, 6] (Tempo) [040...240] Pre Trigger (Pre Trigger REC) [000...500ms] 99 1.12c: Recording LevelRecording Level [inf, 72.0... 0.0...+18.0dB] 100 1.13: In/Pref 1.13a: Input1, Input2Lvl (Level) [000...127] Pan [L000...C064...R127] BUS (BUS(IFX) Select) [L/R, IFX, Off] 1.13b: Create (Create Zone Preference)Pstn (Position) [R, L] Range (Zone Range) [001...127] Orig.K (Original Key Position) [Btm, Cntr, Top] 1.13c: Auto LoopAuto Loop (Auto Loop On) [Off, On] 1.13d: Metro (Count Down REC Metronome)BUS (Metronome BUS) [L/R, 1, 2] Lvl (Metronome Level) [000...127] 1.13e: Recording Level [inf, 72.0... 0.0...+18.0] 2.11: Edit12.11a: MS, Index, Keyboard & Index, SMPL 2.12: Edit22.12a: Sample waveform display 2.12b: Edit (Audition Plays), Zero, (Grid Tempo)S (Edit Range Start) [0000000...] E (Edit Range End) [0000000...] Zero (Use Zero) [Off, On] (Grid Tempo) [040...480(BPM)] 105 SMPL 2.1: Sample Edit113 SMPL 3.1: Loop Edit114 3.12: Edit23.12a: Sample waveform display 3.12b: Sample Address, Zero, LpL, (Grid Tempo) 4.11: Edit14.11a: MS, Index, Keyboard & Index 4.11b: SMPL, Orig.K, TopKOrig.K (Original Key) [C1...G9] TopK (Top Key) [C1...G9] INSERT CUT COPY CREATE 4.12: Edit24.12a: Level, Pitch, Constant Pitch 123 SMPL 4.1: MultisamplePitch [64.00...+63.00] Constant Pitch [Off, On] Pitch BPM Adj. (Pitch BPM Adjust) 124 4.13: Pref. 4.13a: Create Zone Preference 5.11: Memory 5.12: No. 5.21: Ctrls 5.21a: Knob B Assign 5.21b: SW1/2 AssignSW1 (SW1 Assign) [Off...AfterT Lock :N/A] SW2 (SW2 Assign) [Off...AfterT Lock :N/A] 125 SMPL 5.1: MemorySMPL 5.2: Controller 126 SMPL 7.1: Insert Effect128 5. Global mode1.11: Basic1.11a: BasicMaster Tune (Master Tune [Cent]) [50cent (427.47Hz)+50cent (452.89Hz)] Key Transpose [12+12] GLOBAL PAGE MENU GLOBAL 1.1: SystemVelocity Curve [18] AfterT Curve (AfterTouch Curve) 129 1.11b: FX SWIFX Off [Off, On] MFX1 Off [Off, On] MFX2 Off [Off, On] 130 1.11c: Auto Arp. (Auto Arpeggiator)Program (Auto Arp. Program) [Off, On] Combi (Auto Arp. Combi) [Off, On] Write Global Setting Load Preload/Demo Data Change all bank references Half Damper Calibration After Touch Calibration 131 1.12: Pref. 1.12a: System PreferenceBank Map [KORG, GM] Power On Mode [Reset, Memorize] LCD Contrast [062] 1.12b: Memory Protect Program [Off, On] Combi (Combination) [Off, On] Song [Off, On] Drum Kit [Off, On] Arp. UsrPat (Arp. User Pattern) [Off, On] 132 1.13: Foot1.13a: Damper/Assignable Foot Switch, PedalFoot SW Assign [Off...Cue Repeat Control] Foot Pedal Assign [Off...MFX Send 2(CC#91)] Damper Polarity [() KORG Standard, (+)] Foot Switch Polarity [() KORG Standard, (+)] 133 1.14: AudioIn 1.14a: Input1 1.14b: Input2Level (Input Level) [0...127] Pan (Input Pan) [L000...C064...R127] BUS(IFX/Indiv.) Select (Input BUS Select) [L/R, IFX, 1, 2, 1/2, Off] Send1(Input Send1), Send2(Input Send2) [000...127] 2.11: MIDI2.11a: MIDI Setup MIDI Channel [116] Note Receive [All, Even, Odd] MIDI Clock [Internal, External] Convert Position [PreMIDI, PostMIDI] 134 GLOBAL 2.1: MIDI Local Control On [Off, On] 135 2.11b: MIDI Filter Enable Program Change [Off, On] Bank (Bank Change) [Off, On] Combi (Combi Change) [Off, On] 136 AfterT (After Touch) [Off, On]Ctrl Change (Control Change) [Off, On] Exclusive [Off, On] Transmission Reception 3.11: Octave3.11a: User Octave ScaleUser Octave [00...15] Tune [99+99] 137 GLOBAL 3.1: User Scale 138 GLOBAL 4.1: Category Name3.12: All Notes3.12a: User All Notes ScaleTune [99+99] Key Select [C1...G9] 4.11: P.0..7 4.12: P.8..15 4.13: C.0..7 4.14: C.8..15 5.11: High 5.11a:Dr um Kit, Key, Assign, Level H, Level L, Vel. SW LHDrum Kit [00(INT)...23(User)] Key [C1...G9] Assign [Off, On] Level H (Level High) [99...+99] Level L (Level Low) [99...+99] Vel. SW LH (Velocity SW LoHi) [001...127] 139 GLOBAL 5.1: DKit140 5.11b: High (High Sample)Drumsample Bank [ROM, RAM] Drumsample [0000: name...] S.Ofs (Start Offset) [Off, On] Trans (Transpose) [64...+63] Tune [99...+99] Fc (Cutoff) [64...+63] Reso (Resonance) [64...+63] At (Attack) [64...+63] Dc (Decay) [64...+63] Write Drum Kits Rename Drum Kit Copy Drum Kit Copy Key Setup 141 5.12: Low 5.12a: Low (Low Sample)Drumsample Bank [ROM, RAM] Drumsample [0000...: name] S.Ofs (Start Offset) [Off, On] 5.13: Voice 5.13a: Voice Assign Mode/MixerVoice Assign Mode: Single Trig (Single Trigger) [Off, On] Excl Group (Exclusive Group) [Off, 001...127] Enable Note On (Note On Receive) Enable Note Off (Note Off Receive) Mixer: Pan [Rndm, L001...C064...R127] BUS (Bus Select) [L/R, IFX, 1, 2, 1/2, Off] S1 (Send1 (to MFX1)) [000...127] S2 (Send2 (to MFX2)) [000...127] 6.11: Setup6.11a: Arp, pat (Pattern), (Tempo)Arp (Arpeggio Select) [A, B] Pat (Pattern) [P000...P004, U000(INT)...U215(User)] 142 GLOBAL 6.1: Arp.Pattern143 6.11b: Lgth, Reso, Oct, Sort, Latch, K.Sync, KbdLgth (Length) [01...48] Reso (Resolution) [ , , , , , ] Oct (Octave) [1, 2, 3, 4] K.Sync (Key Sync.) [Off, On] Kbd (Keyboard) [Off, On] 6.11c: Arpeggio Pattern SetupType (Arpeggio Type) [As Played...Up&Down] Octave Motion [Up, Down, Both, Parallel] 6.11d: Fixed Note, Mode, Tone No., Fixed Note No.Fixed Note [Off, On] Mode (Fixed Note Mode) [Trigger As Played, Trigger All Tones] Tone No. [00...11] Fixed Note No. [C1...G9] Write Arpeggio Patterns Rename Arpeggio Pattern Copy Arpeggio Pattern 144 6.12: Edit62a: Step, Ptch, Gt, Vel, FlamStep (Step No.) [01...48] Ptch (Pitch Offset) [48...+48] Gt (Gate) [Off, 001...100%, LGT] Vel (Velocity) [001...127, Key] 145 Flam [99...+99]Initialize Steps Copy Step Delete Step Insert Step Rotate Step 146 6. Media modeFiles, directories, and icons1.11a: Current directory 1.11b: Directory window 1.11c: Media select 1.11d: File select 147 MEDIA PAGE MENU1.11: Load 155 1.12: Save158 1.13: Utility159 DeleteCreate Directory Set Date/Time Format 1.14a: Media (Media select)Vol. Label (Volume Label): SCSI ID: Dev. Type (Device Type): Product ID: Format (Format Type): Total Size: Free Size: Write Protect: Removable (Supports Removable): Scan SCSI device 160 1.14: Media Information162 7. Effect Guide1. Effects in each mode 2. Dynamic modulation (p.164). function (p.168). 3. Effect I/O OverviewProgram mode Combination mode Sequencer mode modes other than Sampling mode. 1. In/Out 2. Routing 163 Insert Effect 164 22. Combination, Sequencer mode23. Sampling mode (if the separately sold EXB- SMPL option is installed) 24. Audio Input (if the separately sold EXB-SMPL option is installed) 165 3. Mixer31. Pan (CC#8) 32. BUS Select 33. Send level 4. Controlling the Insert Effects via MIDI41. Program mode and Sampling mode (if the sep- arately sold EXB-SMPL option is installed) 42. Combination mode 43. Sequencer mode 1. In/Out 166 Master Effects 167 2. Routing21. Program mode 22. Combination, Sequencer mode 23. Sampling Mode (if the separately sold EXB- SMPL option is installed) 24. Audio Input (if the separately sold EXB-SMPL option is installed) 168 3. Mixer31. Rtn (Return1, Return2) 32. MFX Chain 33. Chain Direction 34. Chain Signal 35. Chain Level 36. Master EQ Gain[dB] 4. Controlling the Master Effects via MIDI 169 Master EQ Individual Outputs170 Combination, Sequencer modeSampling mode (if the EXB-SMPL option is installed)MFX1 Master EQ Effect / Mixer Block Diagram in Combination / Sequencer Mode Effect / Mixer Block Diagram in Sampling Mode (If the EXB-SMPL option is installed) Filter and dynamics control effects 171 00: No Effect 03: St.Limiter 02: St.Compressor 01: St.Amp Sim Filter/Dynamic a: Envelope d: Attack, e: Release b: Ratio, c: Threshold, i: G.Adj g: Trigger Monitor . Off On Setting this parameter f: Side PEQ Insert, h: EQ, h: Q, h: G When L/R individually R Only (or L Only , the left and right channels control the Lim- iter individually. 172 04: Mltband Limit (Multiband Limiter) e: Low Offset, f: Mid Offset, g: High Offset 173 05: St.Gate (Stereo Gate)a: Envelope, b: Env. Dmod Src f: Polarity c: Threshold, d: Attack, e: Release g: Delay 06: OD/HiGain Wah (Overdrive/Hi.Gain Wah)a: Wah The Wah parameter switches the wah effect on/off. Selects a lter type for Band 1 and 4. b: SweepRng, b: Src d: Drive, e: Level d: Pre Low-cut g: Q, h: Q 174 07: St.Para.4EQ (Stereo Parametric 4-Band EQ)b: B1 Type, c: B4 Type d: B2 Dyn.G Src, d: (Amount), f: G You can control the gain of Band 2 using the modulation source. 175 08: St.Graphic7EQ (Stereo Graphic 7-Band EQ) 09: St.Wah/AutoW(Stereo Wah/Auto Wah)a: FreqBottm, a: FreqTop b: Swp Mode d: Envelope Sens e: Envelope Shape This parameter determines the sweep curve for auto-wah.f: lfoF, g: BPM/MIDI Sync g: BPM, g: Base, g: Times 176 10: St.Rndm Filter(Stereo Random Filter)a: LFO Wave, c: Freq, d: Step Fx:09, When LFO Wave is set to Random, the Step parameter uses a random LFO cycle. + f: BPM, g: StepBase, g: Times j: W/D 177 11: St.Exct/Enhcr(Stereo Exciter/Enhancer)D a: Blend b: Point c: Enh Dly L, d: Enh Dly R 12: St.Sub OSC(Stereo Sub Oscillator)a: OSC Mode, b: Note Interval, c: Fine e: Envelope Pre LPF 178 13: Talking Mod(Talking Modulator)d: Top, d: Center, d: Bottom e: Formant Shift h: Resonance 179 14: St.Decimator(Stereo Decimator)a: Pre LPF d: Resolution, e: Output Level 15: St.AnalogRecd(Stereo Analog Record)b: Flutter This parameter enables you to set the depth of the modulation caused by a warped turntable. Pitch/phase modulation effects 16: St.Chorus(Stereo Chorus)e: L Dly, e: R Dly Setting the left and right delay time individually allows you to control the stereo image. 17: St.HarmnicCho 180 Pitch/Phase Mod.181 18: MltTap ChoDly 19: Ensemble 182 20: St.Flanger(Stereo Flanger)a: Shape Changing the LFO waveform shape controls the peak sweep of anging effects. both Feedback and W/D, and if you set a negative value for both Feedback and W/D. 21: St.Rndm Flang 183 22: St.Env.Flanger(Stereo Envelope Flanger)e: Swp Mode, e: Src f: EG Attack, g: EG Decay Attack and Decay speed are the only adjustable parameters on this EG. 23: St.Phaser(Stereo Phaser)g: Resonance, i: W/D h: High Damp 184 24: St.Rndm Phasr 25: St.Env.Phaser 185 26: St.BiphaseMod(Stereo Biphase Modulation) 27: St.Vibrato(Stereo Vibrato)b: LFO Freq Mod, f: AUTOFADE Src, g: Fade Rate, g: Dly 186 28: St.AutoFd Mod(Stereo Auto Fade Modulation) 29: 2Voice Reso 187 30: Doppler188 31: ScratchOther modulation and pitch shift effects 32: St.Tremolo 33: St.Env.Tremlo(Stereo Envelope Tremolo)e: Freq, e: (Envelope Amount), f: Depth, f: (Envelope Amount) 189 Mod./P.Shift190 34: St.Auto Pan(Stereo Auto Pan)a: Shape You can change the panning curve by modifying the LFO wave- form. 35: St.Phasr+Trml(Stereo Phaser + Tremolo)a: Type, b: LFO Phase f: P W/D, i: W/D 191 36: St.Ring Mod(Stereo Ring Modulator)a: Pre LPF b: OSC Mode This parameter determines whether or not the oscillator fre- quency follows the note number. This parameter sets the oscillator frequency when OSC Mode is set to Fixed. 192 37: Detunee: InLvl Mod, e: Src This parameter sets the dynamic modulation of the input level. 38: Pitch Shiftera: Mode b: Shift, b: (Source), b: (Amount), c: Fine, c: (Amount) e: Feedback Position, f: Feedback 193 39: PitchShft Mod (Pitch Shift Modulation)a: Pitch Shift [cent], e: Depth These parameters set the amount of pitch shift and amount of modulation by means of the LFO. 40: Rotary SP(Rotary Speaker)a: (Sw) Early reection and delay effects 41: Early Reect 194 ER/Delay195 42: Auto Reversea: Rec Mode, b: Reverse Time c: Envelope, c: Src, d: Threshold 43: LCR Delay(L/C/R Delay)e: HiDamp, e: LoDamp g: Spread 196 44: St/Cross Dly45: St.MltTap Dly 197 46: St.Mod. Delay (Stereo Modulation Delay)b: Dmod e: LFO Sync, e: Src, f: L Phase, f: R Phase 47: St.DynamicDly (Stereo Dynamic Delay)a: Ctrl Target a: Pol, b: Threshold, b: Offset, c: Attack, d: Release 198 48: St.AutoPanDly(Stereo Auto Panning Delay)This stereo delay effect pans the delay sound left and right using the LFO. 49: LCR BPM Delay(L/C/R BPM Delay)a: BPM, b: L Bs, b: Times, c: C Bs, c: Times, d: R Bs, d: Times f: Time Over? > 199 50: St.BPM Delay(Stereo BPM Delay)This stereo delay enables you to set the delay time to match the song tempo.f: Time Over? L >, f: R > 51: Sequence Dly(Sequence Delay)This four-tap delay enables you to select a tempo and rhythm pattern to set up each tap. Reverb effectsThese effects simulate the ambience of reverberation in con- cert halls. 52: Rev Hall(Reverb Hall)This hall-type reverb simulates the reverberation of mid-size concert halls or ensemble halls. 53: Rev Smth. Hall 54: Rev Wet Plate(Reverb Wet Plate)This plate reverb simulates warm (dense) reverberation. 55: Rev Dry Plate(Reverb Dry Plate)This plate reverb simulates dry (light) reverberation.c: Pre Delay, d: Pre Delay Thru The Pre Delay sets the delay time to the reverb input, allowing you to control spaciousness. 200 Reverb201 56: Rev Room57: Rev Brt. Room(Reverb Bright Room)g: ER Level, h: Reverb Level Effects that combine two mono effects connected in series 58: P4EQExciter(Parametric 4-Band EQ Exciter)This effect combines a mono-type four-band parametric equalizer and an exciter. 59: P4EQWah(Parametric 4-Band EQ Wah/Auto Wah) 202 Mono Mono Chain203 60: P4EQCho/Fl(Parametric 4-Band EQ Chorus/Flanger)This effect combines a mono-type four-band parametric equalizer and a chorus/anger. 61: P4EQPhaser (Parametric 4-Band EQ Phaser)This effect combines a mono-type four-band parametric equalizer and a phaser. 204 62: P4EQM.Dly (Parametric 4-Band EQ Multitap Delay)This effect combines a mono-type four-band parametric equalizer and a multitap delay. 63: CompWah(Compressor Wah/Auto Wah)This effect combines a mono-type compressor and a wah. You can change the order of the connection. 205 64: CompAmpSim(Compressor Amp Simulation) 65: CompOD/HG(Compressor Overdrive/Hi.Gain) 66: CompP4EQ(Compressor Parametric 4-Band EQ) 206 67: CompCho/Fl(Compressor Chorus/Flanger) 68: CompPhaser 207 69: CompM.Dly(Compressor Multitap Delay) 70: LimitP4EQ(Limiter Parametric 4-Band EQ) 208 71: LimitCho/Fl72: LimitPhaser 209 73: LimitM.Dly 74: ExctComp 75: ExctLimiter 210 76: ExctCho/Fl(Exciter Chorus/Flanger)This effect combines a mono-type limiter and a phaser. This effect combines a mono-type limiter and a chorus/ anger. 77: ExctPhaser 78: ExctM.Dly(Exciter Multitap Delay)This effect combines a mono-type exciter and a multitap delay. 211 79: OD/HGAmpSim(Overdrive/Hi.Gain Amp Simulation)tortion and an amp simulation. You can change the order of the effect connection. 80: OD/HGCho/Fl(Overdrive/Hi.Gain Chorus/Flanger)tortion and a chorus/anger. You can change the order of the effect connection. 212 81: OD/HGPhaser(Overdrive/Hi.Gain Phaser)tortion and a phaser. You can change the order of the effect connection. 82: OD/HGM.Dly (Overdrive/Hi.Gain Multitap Delay)tortion and a multitap delay. 213 83: WahAmpSim(Wah/Auto Wah Amp Simulation) 84: DeciAmpSim(Decimator Amp Simulation) 85: DeciComp 214 86: AmpSimTrml(Amp Simulation Tremolo)This effect combines a mono-type amp simulation and a trem- olo. 87: Cho/FlM.Dly(Chorus/Flanger Multitap Delay)This effect combines a mono-type chorus/anger and a mult- itap delay. 215 88: PhasrCho/Fl(Phaser Chorus/Flanger)This effect combines a mono-type phaser and a chorus/ anger. 89: ReverbGateThis effect combines a mono-type reverb and a gate.g: Envelope, g:Src, f: In Rev Mix, h: Threshold Master EQ 216 Master EQ218 8. AppendicesAbout Alternate Modulation About Alternate Modulation Sources Alternate Modulation Source (AMS) 224 Dynamic Modulation Source 227 SW1/2 AssignRealtime Control Knobs B Assign List 228 Knob 1...4 B Assign229 Foot Switch Assign230 Foot Pedal Assign231 MIDI transmission when the TRITON Les controllers are operated235 TRITON Le operations when control changes are transmitted/received About MIDI Connecting MIDI devices/computers (MIDI connectors) Controlling an external MIDI tone generator from this instrument Controlling this instruments tone generator from an external MIDI device Controlling two or more external MIDI tone generators from this instrumentThe Convert Position setting Connecting an external MIDI sequencer or computer etc.Local Control On settings 238 MIDI applications249 Various messages250 FFile already exists Medium changed Front sample data used in rear sampleCant overwrite File contains unsupported data File is read-only protected File unavailable File/path not found IIllegal le description Illegal SMF data Illegal SMF division Illegal SMF format MMaster Track cant be recorded alone Measure size over limit Measure number over limit Media not formatted Medium write protected Memory full Memory overow Memory protected Multisample L and R are identical 251 NNo data Not enough memory to load Not enough memory to open pattern Not enough multisample memory Not enough relative parameter memory Sample used in other multisample(s) Continue ? Not enough sample memory Not enough sample/multisample locations available Not enough song memory 252 OOscillator Mode conicts (check PROG P2.1) PPattern conicts with events Pattern exists across destination to-end-of-measure or source from-measure Pattern exists in destination or source track Open pattern ? Pattern used in song Continue ? RRear sample is empty Root directory is full SSample data used in other sample(s) Continue ? Sample L and R are identical Sample length is shorter than minimum Selected le/path is not correct Slice point over limit Cant divide Source is empty Source sample is empty 253 TThere is no readable data UUnable to create directory Unable to save le YYou cant undo this operation Are you sure ? You cant undo last operation Are you sure ? 254 Data compatibility256 Media mode information260 Safety precautions WarningsCautionsMemory that can be used with the option board EXB-SMPL sampling upgrade Memory that can be used Option EXB-SMPL 265 Index
Also you can find more Korg manuals or manuals for other Musical Instruments & Equipment.