Example 2)

The “MIDI Channel” (3.1–1a) of timbres 1, 2, 3, 4, and 5 are set respectively to Gch, Gch, 02, Gch, and 03. Their “Status” (3.1–1a) is set respectively to INT, Off, INT, Off, and INT. Assign arpeggiator A to timbres 2 and 3, assign arpeggiator B to timbres 4 and 5, and check “Arpeggiator Run A, B” (1.1–4a/5a, 6.1–1a).

When the front panel [ARP ON/OFF] key is off, playing the keyboard will sound only timbre 1. (Timbres 2 and 4 are receiving the Gch, but they will not sound since their “Status” is Off.)

When you turn on the front panel [ARP ON/OFF] key, arpeggiator A will operate for timbres 2 and 3, and arpeggiator B will operate independently for timbres 4 and 5. (Arpeggiators A and B are triggered by receiving note data on any MIDI channel of an assigned timbre, but in this example they are being triggered from the Gch.)

When you play the keyboard, arpeggiator A will operate for timbres 2 and 3, but only timbre 3 whose “Status” is INT will sound. Similarly, arpeggiator B will operate for timbres 4 and 5, but only timbre 5 whose “Status” is INT will sound.

In this way, you can make settings so that a timbre does not sound when the arpeggiator is off, but sounds only when the arpeggiator is on.

Arpeggiator

Assign

 

 

 

 

 

 

 

 

 

 

Off

Timbre 1

MIDI Ch=Gch

Status=INT

 

 

Sounded by normal

 

 

 

 

 

 

Pattern - A

 

 

 

 

 

 

 

 

keyboard playing

Trigger

 

 

 

Arpeggiator

 

 

A

Timbre 2

MIDI Ch=Gch

Status=Off

 

 

Does not sound

 

 

A

 

 

 

 

 

= Gch, Ch2

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

A

Timbre 3

MIDI Ch=2ch

Status=INT

 

 

Pattern - A

 

 

 

 

 

 

Pattern - B

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Trigger

 

 

 

 

Arpeggiator

 

B

Timbre 4

MIDI Ch=Gch

Status=Off

 

 

Does not sound

 

 

B

 

 

 

 

 

 

= Gch, Ch3

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

B

Timbre 5

MIDI Ch=3ch

Status=INT

 

 

Pattern - B

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

6.1–1c: UTILITY

“Write Combination,” “Solo Selected Timbre” (1.1–1c)

For details on how to select the desired utility function, refer to “PROG 1.1–1c: UTILITY.”

Copy Arpeggiator

This command copies arpeggiator settings.

1Select “Copy Arpeggiator” to access the dialog box.

2In “From” select the copy source (mode, bank, number) arpeggiator.

If you are copying from Combination, or Song, select either A or B to if you wish to copy settings from only one arpeggiator, or select A&B if you wish to copy the settings of both arpeggiators.

3If you are copying from a Program, or are copying either A or B from Combination, or Song, select either A or B as the “To” copy destination.

4To execute the Copy Arpeggiator command, press the [F8] (“OK”) key. To cancel without executing, press the

[F7] (“Cancel”) key.

6.1–2: Arp. A (Arpeggiator A)

6.1–3: Arp. B (Arpeggiator B)

The Arp. A pages you make settings for arpeggiator A. The Arp. B pages you make settings for arpeggiator B.

You can also use Utility “Copy Arpeggiator” (6.1–1c) to copy settings from another mode such as Program mode.

6.1–2b

6.1–2a

 

 

 

 

6.1–2c

 

 

 

6.1–2(3)a: Arpeggiator-A(B) Setup

 

Pattern*

[P000...P004, U000(INT)...U215(User)]

Octave*

 

 

[1, 2, 3, 4]

Reso (Resolution)*

[ , ,

, , , ]

Gate

 

[000...100%, Step]

Velocity

 

[001...127, Key, Step]

Swing

 

 

[–100...+100%]

Sort*

 

 

[Off, On]

Latch*

 

 

[Off, On]

Key Sync.*

 

 

[Off, On]

Keyboard*

 

 

[Off, On]

These parameters are the arpeggiator A settings for the com- bination.

(p.24 PROG 6.1: Ed–Arp.)

*These parameters can also be set in “1.1–4: Arp. A, 1.1–5: Arp. B”

6.1–2(3)b: (Tempo)

(Tempo)

[040...240, EXT]

1.1–1a

6.1–2(3)c: UTILITY

“Write Combination,” “Solo Selected Timbre” (1.1–1c),“Copy Arpeggiator” (6.1–1c)

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Korg Electric Keyboard 2 Arp. a Arpeggiator a 3 Arp. B Arpeggiator B, 23a Arpeggiator-AB Setup, 23b Tempo, 23c Utility