3.4–3: Slp..8 (Slope T01...08)

3.4–4: Slp..16 (Slope T09...16)

3.4–3a

1.1–1c

3.4–3b

3.4–3(4)a: Top Slope, Bottom Slope

Top Slope

[0…120]

Specifies the range of values over which the volume will be adjusted from the top velocity until the original volume is reached.

Bottom Slope

[0…120]

Specifies the range of values over which the volume will be adjusted from the bottom velocity until the original volume is reached.

3.4–3(4)b: UTILITY

“Memory Status,” “Solo Selected Track,” “Rename Song,” “Delete Song,” “Copy From Song,” “Copy From Combi,” “Load Template Song,” “Save Template Song,” “FF/REW Speed,” “Set Location” (1.1–1d)

3.4–5: Review

3.4–5a

3.4–5b

3.4–5a: Velocity Zone Map (All)

T1...16

This shows the range of velocity that will be sounded by tracks 1–16. The note range that will be sounded is shown as a line, and the slope portion is grayed.

SEQ 4.1: MIDI Filter1

Here you can select whether or not to apply filtering to the MIDI data received by tracks 1–16. For example even if two tracks are receiving the same MIDI channels, one can be made to respond to damper pedal activity while the other does not.

These MIDI filter settings have no effect on the MIDI messages that have already been recorded.

These MIDI filter settings do not affect the transmission of MIDI messages that have already been recorded. These settings affect the MIDI messages that are trans- mitted when you adjust program, pan, volume, porta- mento and send 1/2 parameters of a track whose “Status” (3.1–1(2)a) is set to BTH, EXT, or EX2.

On (checked): Reception of MIDI data is enabled.

Tracks whose “Status” (3.1–1(2)a) is INT or BTH will receive MIDI messages whose channel matches and whose types are checked. The types of effect that are checked will be applied to the program of each track when this instrument’s control- lers are operated or when MIDI data is received. (The effect dynamic modulation function is not affected by these set- tings.) Settings that regulate MIDI transmission/reception of this instrument itself are made in “MIDI Filter” (GLOBAL 2.1–1b).

If the user-assignable controllers that can be filtered in the MIDI Filter 3 and MIDI Filter 4 pages are set to MIDI control changes, filtering will be performed for these control changes. In this case, any control change filtering that is being performed in the MIDI Filter 1 and MIDI Filter 2 pages will be given priority. Furthermore, if the same con- trol change is assigned to multiple controllers for which there are filter settings in the MIDI Filter 3 and 4 pages, checking any one of these will enable that control change.

Off (unchecked): Reception of MIDI data is disabled.

4.1–1:M1–1..8(MIDI Filter1–1 T01...08)

4.1–2:1–1..16(MIDI Filter1–1 T09...16)

4.1–1a

1.1–1c

4.1–1b

3.4–5b: UTILITY

4.1–1(2)a: Program Change, After Touch

 

“Memory Status,” “Solo Selected Track,” “Rename Song,”

Program Change

[Off, On]

“Delete Song,” “Copy From Song,” “Copy From Combi,”

Specifies whether or not MIDI program change messages

“Load Template Song,” “Save Template Song,” “FF/REW

will be received.

 

Speed,” “Set Location” (1.1–1d)

 

After Touch

[Off, On]

 

Specifies whether or not MIDI after touch messages will be received.

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Korg Electric Keyboard manual SEQ 4.1 Midi Filter1, 5a Velocity Zone Map All