Korg Electric Keyboard manual 218

In Program mode and Sampling mode (if the EXB- SMPL option is installed), dynamic modulation of the insert effect and master effects is controlled on the glo- bal MIDI channel. (In Sampling mode, only the insert effect can be used.)

In Combination mode and Sequencer mode, dynamic modulation of the insert effect and master effects are controlled on the MIDI channel that has been specified as the “Control Channel” for IFX, MFX1, and MFX2 respectively.

Gate1, G1+Dmp (Gate1+Damper)

The effect is at maximum during note-on, and will stop when all keys are released. With G1+Dmp, the effect will remain at maximum even after the keys are released, as long as the damper (sustain) pedal is pressed.

					Gate1, G1+Dmp
1	2	1	3	2	Dmpr
					3
Note
Damper Pedal

	On
Gate1	Off

G1+Dmp

Time

Gate2, G2+Dmp (Gate2+Damper)

This is essentially the same as for Gate 1 or G1+Dmp. How- ever when Gate 2 or G2+Dmp are used as a dynamic modu- lation source for the EG of 22: St.Env.Flanger etc. or the AUTOFADE of 27: St.Vibrato, a trigger will occur at each note-on. (In the case of Gate 1 and G1+Dmp, the trigger occurs only for the first note-on.)

					Gate2, G2+Dmp
1	2	1	3	2	Dmpr
					3
Note
Damper Pedal
					On
Gate2					Off
G2+Dmp
					Time

Pdl#4 (Foot Pedal: CC#04)

If you wish to use the assignable foot pedal as a dynamic modulation source, set “Foot Pedal Assign” (GLOBAL 1.1– 3a) to Foot Pedal (CC#04). (☞ p.223 “Foot Pedal Assign”)

A foot controller etc. connected to the ASSIGNABLE PEDAL jack can be used to control an effect.

Kb1#17 (Knob Mod1: CC#17)

Kb2#19 (Knob Mod2: CC#19)

Kb3#20 (Knob Mod3: CC#20)

Kb4#21 (Knob Mod4: CC#21)

If you want to use the REALTIME CONTROLS [1]–[4] knobs as dynamic modulation sources in Pattern, Combination, Song, or Sampling modes (when the EXB-SMPL option is installed), access the 2.2: Ed-Ctrl/Control page (or the 5.2: Controller/Controls page for Sampling mode), and in “Knob B Assign,” set “Knob1-B” to Knob Mod.1 (CC#17), “Knob2-B Assign” to Knob Mod.2 (CC#19), “Knob3-B Assign” to Knob Mod.3 (CC#20), and “Knob4-B Assign” to Knob Mod.4 (CC#21). (☞ p.221 “Knob 1...4 B Assign”) When you set REALTIME CONTROLS to B-mode and oper- ate knobs [1]–[4], the effect will be controlled.

Moving the knob to the 12 o’clock position will produce a effect of 0 as the dynamic modulation source. If “(Amount)” is a positive (+) value, rotating the knob toward the right will produce a positive change in the effect, and rotating it toward the left will produce a negative change. (With nega- tive (–)values, the opposite effect will result.)

Kb1[+] (Knob Mod1: CC#17 [+] )

Kb2[+] (Knob Mod2: CC#19 [+] )

Kb3[+] (Knob Mod3: CC#20 [+] )

Kb4[+] (Knob Mod4: CC#21 [+] )

These differ from Kb1#17 (Knob Mod1: CC#17)–Kb4#21

(Knob Mod4: CC#21) in the knob position and direction of the effect. If “(Amount)” is set to a positive (+) value, rotat- ing the knob to the far right will produce an effect of 0 as the dynamic modulation source. Rotating the knob toward the right will apply an effect only in the positive direction. (With negative (–)settings, the opposite effect will result.)

SW1#80 (SW1 Mod.: CC#80)

SW2#81 (SW2 Mod.: CC#81)

If you want to use the [SW1] and [SW2] keys as dynamic modulation sources in Program, Combination, Song, or Sampling (when the EXB-SMPL option is installed) modes, access the 2.2: Ed-Ctrl/Controller page (or the 5.2: Control- ler/Controls page for Sampling mode), and in “SW1/2 Assign,” set “SW1” to SW1 Mod. (CC#80) and “SW2” to SW2 Mod. (CC#81). (☞ p.220 “SW1/2 Assign”)

The effect will be controlled when you operate the [SW1] or [SW2] key.

FSW#82 (Foot Switch: CC#82)

If you wish to use an assignable foot switch as a dynamic modulation source, set “Foot SW Assign” (GLOBAL 6.1–1a) to Foot SW (CC#82) (☞ p.222 “Foot Switch Assign”).

The effect will be controlled when you operate a foot switch etc. connected to the ASSIGNABLE SWITCH jack.

Tempo

Modulation sources other than Tempo are internally pro- cessed as a value of 0–127 (–128 – +127). In contrast, Tempo uses the tempo data (BPM value) of the internal clock or the external MIDI clock. This means that when “ ” is 127 (BPM), it will have the same result as the maximum value (+127) of other modulation sources.

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