Korg Electric Keyboard manual 235, Effect control, Using various controllers for control

beginning of the measure in Sequencer mode, Post Insert Effect Panpot message will be transmitted by each track whose “Status” is BTH, EXT, or EX2 (☞ p.84).

Effect control

Effect control 1 (CC#12) [Bn, 0C, vv]

Effect control 2 (CC#13) [Bn, 0D, vv]

When the above CC# is assigned to the ASSIGNABLE PEDAL or as the B-mode function of a REALTIME CON- TROLS knob [1]–[4], operating that controller will transmit Effect Control 1/2 messages, and the specified dynamic modulation will be controlled. When this message is received, the result will be the same as when the controller is operated.

Although various types of control change can be selected as dynamic modulation sources, Effect Control 1 (CC#12) and 2 (CC#13) are dedicated for dynamic modulation.

Effect 1 depth (Send 2) (CC#91) [Bn, 5B, vv]

Effect 3 depth (Send 1) (CC#93) [Bn, 5D, vv]

When the above CC# is assigned to the ASSIGNABLE PEDAL or as the B-mode function of a REALTIME CON- TROL knob [1]–[4], operating that controller will transmit Effect 1 Depth (Send 2) or Effect 3 Depth (Send 1) messages, and the send level 1 or 2 to the master effects MFX1 or MFX2 will be controlled respectively. When this message is received, the result will be the same as when the controller is operated.

On the corresponding MIDI channels, this will simulta- neously control the timbre/track setting as well as the set- ting following the insertion effect.

•In Combination and Sequencer, the actual send level of the timbre/track is determined by summing this value with the send 1/2 settings for each oscillator (PROG 7.1– 1a). (☞ p.26 “OSC Send 1/2,” ☞ p.46, p.84 “S1 (Send1(MFX1)),” “S2 (Send2(MFX2))”)

•When you adjust “S1 (Send1(MFX1))” or “S2 (Send2(MFX2))” (SEQ 7.1–1(2)a) in Sequencer mode, or when you re-select a song or return to the beginning of the measure in Sequencer mode, Send 1/2 will be transmitted by each track whose “Status” is BTH, EXT, or EX2. (☞ p.84).

Effect 2 depth (IFX on/off) (CC#92) [Bn, 5C, vv] Effect 4 depth (MFX1 on/off) (CC#94) [Bn, 5E, vv] Effect 5 depth (MFX2 on/off) (CC#95) [Bn, 5F, vv]

Separately from the effect on/off settings in each mode, “FX SW” (GLOBAL 1.1–1b) allows you to turn off insert effect IFX and master effects MFX1 and MFX2. If you check “IFX Off,” “MFX1 Off” or “MFX2 Off,” the corresponding mes- sage will be transmitted with vv=0 [00]. If you uncheck these settings, the corresponding message will be transmit- ted with vv=127 [7F]. If you check these settings, the corre- sponding effect(s) will be turned off as a group. If you uncheck these settings, the on/off settings of each mode will be used. The same applies to reception. (vv of 00 is off, and 01 or greater is the original setting.) These messages are transmitted/received on the global MIDI channel. (☞ p.27, p.28 “FX On/Off”)

These messages are defined simply for use in adjusting the effect levels, and may not have the same function on another instrument connected to the TRITON Le.

Using various controllers for control

Foot controller (CC#04) [Bn, 04, vv]

If the above CC# is assigned as the ASSIGNABLE PEDAL function, this message will be transmitted when the control- ler is operated.

•In Combination and Sequencer modes, transmission/ reception of this message can be turned on/off independently for each timbre/track.

☞ “Foot Pedal/Switch” (COMBI 4.4–2a, SEQ 4.4–3(4)a)

Knob modulation 1, 2, 3, 4 (CC#17, 19, 20, 21) [Bn, 11, vv], [Bn, 13, vv], [Bn, 14, vv], [Bn, 15, vv]

If the above CC# are assigned to the B-mode of REALTIME CONTROLS [1]–[4] knobs, these messages will be transmit- ted when the knobs are operated.

•In Combination and Sequencer modes, transmission/ reception of this message can be turned on/off independently for each timbre/track (“Realtime Control Knob1, 2, 3, 4” COMBI/SEQ 4.3).

Controller (CC#83) [Bn, 53, vv]

If the above CC# is assigned to the B-mode of REALTIME CONTROLS [1]–[4] knobs, this message will be transmitted when the knob is operated.

SW1 modulation (CC#80) [Bn, 50, vv]

SW2 modulation (CC#81) [Bn, 51, vv]

If the above CC# are assigned as the function of [SW1] or [SW2], operating the switch will transmit this message with vv=127 [7F] for ON, and vv=00 [00] for OFF. (These can also be set as the B-mode functions of the REALTIME CONTROL knobs [1]–[4].)

•In Combination and Sequencer modes, transmission/ reception of these messages can be turned on/off independently for each timbre/track (“SW1/2” COMBI 4.4–1a, SEQ 4.4–1/2a)

Foot switch (CC#82) [Bn, 52, vv]

If the above CC# is assigned as the function of the ASSIGN- ABLE SWITCH, operating the switch will transmit this mes- sage with vv=127 [7F] for ON, and vv=00 [00] for OFF. (This can also be set as a B-mode function of the REALTIME CONTROL knobs [1]–[4].)

•In Combination and Sequencer modes, transmission/ reception of this message can be turned on/off independently for each timbre/track (“Foot Pedal/ Switch” COMBI 4.4–2a, SEQ 4.4–3(4)a).

When “Foot controller (CC#04)”–”Foot switch (CC#82)” are operated on the TRITON Le, the specified alternate modula- tion or dynamic modulation etc. will be controlled. When these messages are received, the result will be the same as if the controller had been operated. For “SW1 modulation (CC#80)”–”Foot switch (CC#82),” vv of 63 [3F] or less will be OFF, and 64 [40] or greater will be ON.

Damper pedal (CC#64) [Bn, 40, vv]

This message is transmitted when you operate a damper pedal (separately sold Korg DS-1H etc.) connected to the DAMPER jack, and the damper effect will be turned on/off. If the DS-1H is used, a half-damper effect can be applied.

•In Combination and Sequencer modes, transmission/ reception of this message can be turned on/off independently for each timbre/track (“Damper CC#64” COMBI 4.1–2a, SEQ 4.1–3(4)a).

Appendices

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