Korg Electric Keyboard manual 215, Resonance Prog 4.1-1b, Filter EG Intensity Prog 4.1-2b

•If you select the same controller for “AMS” and set the Filter A (Low Pass Filter) “Intensity (A AMS 1/2 Intensity)” parameter and Filter B (High Pass Filter) “Intensity (B AMS 1/2 Intensity)” parameter to different values, a single controller operation will simultaneously control the cutoff frequencies of the two filters.

Resonance (PROG 4.1–1b)

This can be used when the “Type (Filter1/2 Type)” is Low Pass Resonance. The resonance level can be controlled by EG, LFO, keyboard tracking, controllers or tempo etc.

•If you select Filter KT or Amp KT as the “Reso.AMS (Resonance AMS),” you can use the filter or amp keyboard tracking settings to control the resonance level. For example if the amp keyboard tracking parameters “Low (KBDTrk Ramp Low)” and “High (KBDTrk Ramp High)” are set to positive (+) values, Amp KT +/+ is selected as the “Reso.AMS (Resonance AMS),” and “Intensity (AMS Intensity)” it set to a positive (+) value, playing toward either end of the keyboard will cause amp keyboard tracking to increase the volume, and “Reso.AMS (Resonance AMS)” to raise the resonance level.

•You can select a controller as the “Reso.AMS (Resonance AMS),” and apply resonance when desired by operating the controller.

•You can select LFO1 or 2 as the “Reso.AMS (Resonance AMS),” and use the LFO to modulate the resonance level.

Filter EG Intensity (PROG 4.1–2b)

Filter EG intensity can be controlled by a controller or tempo etc. You can use “Int. to A (AMS Int. to A)” and “Int. to B (AMS Int. to B)” to independently specify the intensity for Filter A and B.

•If you select JS–Y#02as the “AMS (Filter EG AMS)” and set “Int. to A/B (AMS Int. to A/B)” to a positive (+) value, moving the joystick, such as this instrument, in the –Y direction will gradually increase the effect of the Filter EG. If you set “Int. to A/B (AMS Int. to A/B)” to a negative (–)value, the effect of the Filter EG will be inverted.

•If you select Ribbon#16 as the “AMS (Filter EG AMS)” and set “Int. to A/B (AMS Int. to A/B)” to a positive (+) value, operating the ribbon controller on a connected MIDI instrument, such as the TRITON, toward the right will gradually increase the effect of the Filter EG. Operating the ribbon controller on a connected MIDI instrument, such as the TRITON, toward the left will gradually increase the effect of the Filter EG with an inverted phase.

Filter LFO 1/2 Intensity (PROG 4.1–4a)

The LFO 1/2 filter modulation intensity can be controlled by EG, keyboard tracking, controller, or tempo. You can use “Int. to A (LFO1/2 AMS Int. to A)” and “Int. to B (LFO1/2 AMS Int. to B)” to independently specify the intensity for Filter A and B.

•If you select EG as the “AMS (LFO1/2 AMS),” the auto- wah effect produced by LFO modulation will be controlled by the changes in EG level. If you set “Int. to A (LFO1/2 AMS Int. to A)”/“Int. to B (LFO1/2 AMS Int. to B)” to a positive (+) value, the wah effect will deepen as the EG level rises, and will lessen as the EG level falls. With negative (–)values of “Int. to A (LFO1/2 AMS Int. to A)”/“Int. to B (LFO1/2 AMS Int. to B),” the phase of the LFO will be inverted.

•If you use a controller such as SW1 or 2 as the “AMS (LFO1/2 AMS),” you can apply the auto-wah effect when desired by pressing the [SW1] or [SW2] key.

Amp (PROG 5.1–2b)

The volume can be controlled by the pitch/filter EG, con- trollers, or tempo etc.

•If an EG or controller that changes with a positive (+) value (Amp EG, EXT(+), EXT(SW)) is selected as the “AMS (Amp AMS),” setting the “Int (AMS Intensity)” to +99 will allow you to increase the volume to a maximum of eight times that of the current volume.

•If an EG, LFO, or controller that changes with a ± value (Pitch EG, Filter EG, LFO, KT, EXT(+–) is selected as the “AMS (Amp AMS),” setting the “Int (AMS Intensity)” to +99 will allow you to increase the volume to a maximum of eight times that of the current volume (for positive (+) changes of the AMS), or to decrease the volume to zero (for negative (–) changes of the AMS).

•In addition to the time-variant changes in volume produced by the amp EG, you can also make the volume change in synchronization with the pitch/filter EG. Select PitchEG or FilterEG as the “AMS (Amp AMS),” and adjust “Int (AMS Intensity).” If you wish to cancel the effect of the AmpEG and use the pitch/filter EG to control the volume, set all levels of the AmpEG to +99.

LFO1/2

KT(Flt KT, Amp KT)

KT(Note No.) *1

JS X/Ribbon#16

EXT(+) *2

EXT(+–) *3

EXT(Tempo) *4

–99

...0...

+99

–99

...0...

+99

...36(C2)...

60(C4)...

84(C6)

–Max

...0...

+Max

0

...127

–Max

...0...

+Max

( ) = ...

60...120...

240

...

...

dedicated parameter

–1

...0...

+1[Octave]

dedicated parameter

–1...

0...+1[Octave] *5

0

...+1[Octave]

–1

...0...

+1[Octave]

...–1...

0...

+1...[Octave]

–

–1

...0...

+1[Octave]

...–1

...0...

+1...

[Octave]

–1...

0...

+1[Octave]

0

...+1[Octave]

–1

...0...

+1[Octave]

...–1...

0...

+1...[Octave]

–

–1

...0...

+1[Octave]

...–1

...0...

+1...

[Octave]

–1...

0...

+1[Octave]

0

...+1[Octave]

–1

...0...

+1[Octave]

...–1...

0...

+1...[Octave]

dedicated parameter

–

–

–99

...0...

+99

0...

+99

–99

...0...

+99

...–99...

0...

+99...

–99x2

...0...

+99x2

–99

...0...

+99

...–99

...

0...

+99...

–99

...0...

+99

0...

+99

–99

...0...

+99

...–99...

0...

+99...

–

–

–

–99

...0...

+99

0...

+99

–99

...0...

+99

...–99...

0...

+99...

–

–99

...0...

+99

...–99

...

0...

+99...

–99

...0...

+99

0...

+99

–99

...0...

+99

...–99...

0...

+99...

dedicated parameter

–

–

value x(0...

1...

8)

value x(1...

8)

value x(0...

1...

8)

value x(0...

1...

8...)

–

–99

...0...

+99

...–99

...

0...

+99...

–99

...0...

+99

0...

+99

–99

...0...

+99

...–99...

0...

+99...

–127

...0...

+127

–63

...0...

+63

...–63...

0...

+63...

–63

...0...

+63

0...

+63

–63

...0...

+63

...–63...

0...

+63...

–

–99

...0...

+99

–99...

0...

+99

–99

...0...

+99

0...

+99

–99

...0...

+99

–99...

0...

+99

–

value x(1/64...

1...

64)

value x(...

1/64...

1...

64...

)

value x(1/64...

1...

64)

value x(1...

64)

value x(1/64...

1...

64)

value x( 1/64...

...1

...64...

)

value x(1/128...

1...128)

value x(1/64...

1...

64)

value x(...

1/64...

1...

64...

)

value x(1/64...

1...

64)

value x(1...

64)

value x(1/64...

1...

64)

value x(...

1/64...

1...

64...

) *8

Appendices

215