(1)

(2)

– Setting for drum program –

If a drum program has been selected for a timbre in Combi- nation mode or for a track in Sequencer mode, you will be able to select DKit for the “BUS Select” parameter. If this is selected, the “BUS (BUS Select)” (GLOBAL 5.1–3a) settings for each individual key will be used, and will be sent to the bus for each drum instrument. In this case, the send level will be determined by multiplying the value of the “S1 (Send1(MFX1))” and “S2 (Send2(MFX2))” settings of each key in the drum kit by the value of the “S1 (Send1(MFX1))” and “S2 (Send2(MFX2))” settings that you make here. (For the drum instruments of keys whose drum kit “BUS (BUS Select)” parameter is set to IFX, this is determined by “S1 (Send1(MFX1))” and “S2 (Send2(MFX2))” after the signal has passed through IFX.) If L/R or Off is selected, the send levels specified by PROG 7.1–1a “OSC1 Send 1” and “Send 2” will be multiplied by the “S1 (Send1(MFX1))” and “S2 (Send2(MFX2))” settings that you make here. (This is the same as when “Oscillator Mode” is Single or Double.) If IFX are selected, the “S1 (Send1(MFX1))” and “S2 (Send2(MFX2))” after the specified insert effect will be used. If 1, 2 or 1/2 are selected, “S1 (Send1(MFX1))” and “S2 (Send2(MFX2))” will be ignored.

2–3. Sampling Mode (if the separately sold EXB- SMPL option is installed)

You cannot use the Master Effects and Master EQ in Sam- pling mode.

2–4. Audio Input (if the separately sold EXB-SMPL option is installed)

In Program, Combination, and Sequencer modes, you can apply the Insert Effect, Master Effects and Master EQ to the signals input from AUDIO INPUTs 1 and 2. These signals are routed to the TRITON Le’s effects, according to the GLO- BAL 1.1: System, Audio In page setting.

The send levels from input 1 and 2 to the master effects are specified by the “Send 1” and “Send 2” (GLOBAL 1.1–4a/b) values. These settings become effective only when “BUS Select” is set to L/R or Off. If IFX is selected, use the “S1 (Send1(MFX1))” and “S2 (Send2(MFX2))” parameters (“3. Mixer”). If 1, 2, or 1/2 is selected, the Send Level 1 and Send 2 settings are ignored.

These settings are ignored in Sampling mode.

Use 7.2: Ed–MasterFX (or Master FX)in Program, Combina- tion, and Sequencer modes to set the Master Effects and Master EQ.

3. Mixer

The send levels determine the input levels of oscillators (Program), timbres (Combination), tracks (Sequencer) that are routed to the Master Effects. The 7.2: Ed–MasterFX (or Master FX) in all modes enable you to set the output levels and Master EQ gain values, and connect the Master Effects in series (chain).

3–1. Rtn (Return1, Return2)

These specify the output levels from MFX1 and MFX2 respectively. The left value of the “W/D” specified for the effect selected in MFX 1 or 2 will be the output level of the master effect; e.g., 25% for 25:75, 100% for Wet, and 0% for Dry. This level multiplied by the “Rtn (Return 1, Return 2)” value will be sent to the L/R bus, and will be mixed with the 7.1–1a “BUS Select” L/R or 7.2–1a“BUS Select” L/R output sound.

For example, with MFX1 “W/D” set to 50:50 (50%) and “Rtn (Return1)” set to 64 (50%), the resultant effect level will be 25%. The effect level is maximum (100%) when “W/D” is set to “Wet” and “Rtn (Return1)” is set to 127.

3–2. MFX Chain

If you check the “MFX Chain” check box, the signal will be routed between MFX1 and MFX2.

The following figure indicates that the output from “MFX1:16: Stereo Chorus” is added to “MFX2: 52: Reverb Hall” input.

3–3. Chain Direction

Specify the direction of the connection when the signal is routed between MFX1 and MFX2.

3–4. Chain Signal

This parameter enables you to select signals routed between MFX1 and 2. If the chain direction (order) is from MFX1 to MFX2, selecting LR Mix will cause the stereo L/R outputs from MFX1 to be mixed and input to MFX2. This setting is useful when you wish to serially connect delays that are panned to L and R (e.g., “43: LCR Delay”). Selecting L Only or R Only will cause only one channel of stereo outputs from MFX1 to be input to MFX2. This setting is suitable for a chain connection of a reverb effect and a modulation effect such as 16: St. Chorus.

3–5. Chain Level

This parameter determines the level of signals routed from one MFX to the other MFX in a chain connection.

3–6. Master EQ Gain[dB]

These parameters are used to set the gain of the Low, Mid, and High stereo three-band EQ that is located right before AUDIO OUTPUT (MAIN) L/MONO and R. Low and High EQs are of the shelving type, and Mid EQ is a band type equalizer. These settings are linked with the Low, Mid, and High “Gain” parameters of the MEQ page. Use this MEQ page to set the center frequency, band width (for Mid), and dynamic modulation of the EQ bands.

Effect

161

Page 168
Image 168
Korg Electric Keyboard manual 161