Korg Electric Keyboard manual Get From Track, Put To Track, Copy To Track, Rename Track

Get From Track

This command loads musical data from a track into the specified pattern.

1Use “Pattern” and “Pattern Select” to specify the pattern.

2In “Pattern Param.”, specify the pattern length of the “get” destination.

3Select “Get From Track” to access the dialog box.

4In “From: Song,” select the “get” source song.

5In “Track,” select the “get” source track.

6In “Measure,” specify the first measure of the “get” source.

7To execute the Get From Track command, press the [F8] (“OK”) key. To cancel, press the [F7] (“Cancel”) key.

Put To Track

This command places a pattern into a track.

Unlike the Copy to Track command, this command only places the pattern number in the song, so that when play- back reaches that point, the pattern will be recalled. The musical data of the pattern will not actually exist in the track.

By creating patterns that contain frequently-used phrases or drum patterns, and then placing them on the tracks, you can conserve memory.

Be aware that when you edit a pattern, all locations in the song where that pattern has been placed will be affected.

When you execute the Put to Track command, the musical data will be affected as follows.

•Musical data previously existing at the “put” destination will be erased.

•The pattern that you “put” will playback according to the time signature that is specified by the measures of the “put” destination.

•Control data such as pitch bend etc. (but not including volume data) previously existing in the track will be reset immediately before the measure at which the

pattern was “put.”

If you wish to use control data such as pitch bend in the measures in which a pattern is “put,” you must first write the control data into the pattern (☞ BG p.81).

To delete a pattern that has been placed in a track you can use “Erase Measure” (5.2–1b), specifying the area in which the pattern was “put,” and setting “Kind” to All.

Example: Pattern 20 has been Put at measures 2, 4, and 6 of track 10. When those measures are reached, pattern 20 is called and its data is played.

Track 10	1	2	3	4	5	6
(Drums)

Pattern 20

1Select “Put to Track” to access the dialog box

4In “Measure,” specify the first measure of the “put” des- tination.

5To execute the Put to Track command, press the [F6] (“Put”) key. When you execute the command, “Measure” will automatically count up. If you wish to, you can con- tinue “putting” the pattern. To exit the command, press the [F7] (“Exit”) key.

Copy To Track

This command copies the specified area of musical data from the specified pattern to a track as musical data. Unlike the Put To Track command, this command actually writes the musical data of the pattern into the track, so that you can edit the copied data in the track. Even if you later edit the copy source pattern, the musical data of the song will not be affected.

When you execute the Copy to Track command, the musical data will be affected as follows.

•Musical data previously existing in the copy destination measures will be erased.

•The musical data that is copied will playback according to the time signature specified at the beginning of the copy destination measures.

Example: Copy the musical data of pattern 41 to measure 2

Before Copy		1	2	3	4
After Copy	Pattern 41
		1	2	3	4

The procedure is the same as for the Put to Track command.

☞“Put To Track” (5.1–1c).

Rename Track

Press the [F5] (“Name”) key to access the dialog box and rename the selected track.

Up to sixteen characters can be input. (☞ BG p.43)

7.2 7.1 6.1 5.2 5.1 4.4 4.3 4.2 4.1 3.4 3.3 3.2 3.1 2.2 2.1 1.2 1.1 SEQ

2In “Pattern Bank” and “Pattern Select,” select the “put” source pattern. (By default, this will be the pattern selected in page)

3In “To: Track,” select the “put” destination track.

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