Korg Electric Keyboard manual Combi 3.2 Ed-Param2, Other, 1a Delay ms, Use Prog’s Scale

■3.1–3b: UTILITY

☞“Write Combination,” “Solo Selected Timbre” (1.1–1c)

For details on how to select the desired utility function, refer to “PROG 1.1–1c: UTILITY.”

Detune BPM Adjust

If the program of a timbre uses a phrase or rhythm loop multisample or sample that was created in the Sampling mode (using the EXB-SMPL option) is matched to a specific BPM (or was loaded in Media mode), you can use this Util- ity to modify its BPM value. “Detune BPM Adjust” changes the BPM of a phrase or rhythm by modifying its pitch.

This is valid for a track when timbre “Detune” is selected. When this Utility is executed, the selected “Detune” value will be set automatically. (☞ PROG 2.1–2c, 2.1–3, GLOBAL 5.1–1b, 5.1–2)

1Select “Detune BPM Adjust” to access the dialog box.

2In “From” specify the original BPM value. In “To” spec- ify the desired BPM value. The appropriate “Detune” value will be calculated automatically from these two values.

For example if you set “From” to 60bpm and “To” to 120bpm, the “Detune” parameter will be set to +1200 (one octave up).

3To execute the Detune BPM Adjust command, press the [F8] (“OK”) key. To cancel, press the [F7] (“Cancel”) key.

The detune value that is calculated when you execute this command will be added to “Detune” +0000. You must set the “From” BPM value when “Detune” is +0000. For example if you execute “From” 60bpm “To” 120bpm, and then execute “From” 120bpm “To” 60bpm, this will not return the original result. (Rather, this will set Detune= –1200, which is one octave down.)

This command is valid when “Detune” (3.1–3a) is selected.

COMBI 3.2: Ed–Param2

3.2–1: Other

Specifies the delay from note-on until sound is produced for each timbre. Also specifies the scale.

3.2–1a

3.2–1b

3.2–1c

3.2–1a: Delay [ms], Use Prog’s Scale

Delay [ms] [0000…5000, KeyOff]

Specifies a delay time from note-on until the sound begins for each timbre.

KeyOff: The note will begin sounding at note-off. In this case, the sound will not die away if the sustain level of the program’s amp EG is other than 0. This setting is used when creating harpsichord sounds.

Normally you will set this to 0.

Use Prog’s Scale [Off, On]

Each timbre can use the scale that is specified by “Scale” (PROG 2.1–1c).

On (checked): The scale specified by the program will be used.

Off (unchecked): The scale specified by “Type (Combi’s Scale)” (3.2–1b) will be used.

3.2–1b: Combi’s Scale, Key, Random

Specifies the scale that the combination will use.

Type (Combi’s Scale)

[Equal Temperament...User Octave15]

Indicates the type of scale.

☞“Type (Scale Type)” (PROG 2.1–1c)

Key [C…B]

Indicates the tonic key of the selected scale.

☞“Key” (PROG 2.1–1c)

Random [0…7]

As this value is increased, an increasingly random devia- tion will be added to the pitch at each note-on.

☞“Random” (PROG 2.1–1c)

■3.2–1c: UTILITY

☞“Write Combination,” “Solo Selected Timbre” (1.1–1c)

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