Korg Electric Keyboard manual Mixer, 158, Pan CC#8

2–3. Sampling mode (if the separately sold EXB- SMPL option is installed)

You can sample sound while applying the Insert Effects to the signal input from AUDIO INPUTs 1 and 2.

Use “BUS (IFX) Select” (SMPL 1.1–3a) to set Inputs 1/2, and the buses by selecting from L/R, IFX, and Off. You cannot select 1, 2, or 1/2 (output to OUTPUTs 1, 2).

In the following example, input signals at Inputs 1 and 2 are routed to IFX. The Insert effect parameters are set in “SMPL 7.1: Insert Effect” and the Insert effect is applied to the input signals for sampling.

3. Mixer

For each mode, use 7.1: Ed-InsertFX (or Insert FX) Setup page parameters “Pan (CC#8),” “BUS Select,”“S1 (Send1(MFX1)),” and “S2 (Send2(MFX2))” to specify the pan, bus select, and the send levels to master effects MFX1 and MFX2 for the signals that have passed through the insert effect.

In Sampling mode (if the separately sold EXB-SMPL option is installed), you cannot use the Master Effects or route signals to INDIVIDUAL 1and 2. You can set only the pan setting for the post-IFX signals.

2–4. Audio Input (if the separately sold EXB-SMPL option is installed)

In Program, Combination and Sequencer modes, you can apply the Insert Effect, Master Effects and Master EQ to the signals input from AUDIO INPUTs 1 and 2. These signals are routed to the TRITON Le’s effect, according to the GLO- BAL 1.1: System, Audio In page setting.

Use “BUS (IFX/Indiv.) Select” (GLOBAL 1.1–4a/b) to set Inputs 1/2 buses by selecting from L/R, IFX, 1, 2, 1/2, and Off.

“Send1” and “Send2” become effective only when “BUS (IFX/Indiv.) Select” (GLOBAL 1.1–4a/b) is set to L/R or Off. If IFX is selected, use “S1 (Send1(MFX1))” and “S2 (Send2(MFX2))” for the post-IFX signal (☞ “3. Mixer”).

This setting is ignored in Sampling mode. Refer to “2–3. Sampling Mode” for information on the Sampling mode settings.

Use “7.1: Ed–InsertFX ( or Insert FX)” in Program, Combina- tion, or Sequencer mode to set up the Insert Effect. You can apply 2-in/4-out effects to the incoming signal from Inputs 1 and 2. You may also combine these signals with the internal sound.

3–1. Pan (CC#8)

Specifies the pan after passing through the insert effect. If the insert effect is a Stereo In–Stereo Out type (☞ ”In/ Out”), setting this parameter to C064 will allow the “Pan” settings of the oscillator (PROG 5.1–1, PROG 5.2–1), timbre (COMBI 1.1–3, 2.1–2), track (SEQ 1.1–4/5) or audio input (if the separately sold EXB-SMPL option is installed, SMPL 1.1– 3, GLOBAL 1.1–4) to be used.

If the insert effect is a Mono In-Stereo Out or Mono In- Mono Out type (☞ “In/Out”), the “Pan” of the oscillator, timbre, track, or audio input (if the separately sold EXB- SMPL option is installed) will be ignored, and the sound will always be panned to the center. In this case, the “Pan (CC#8)” (7.1–1) that follows the insert effect will determine the final panning. L001 is far left and R127 is far right.

Insert Effect = Stereo In - Stereo Out

OSC1		OSC2
		OSC1: Amp1 Pan=L001			OSC1: Amp1 Pan=L032
		OSC2: Amp2 Pan=R127			OSC2: Amp2 Pan=R096
Left	Center	Right	Left	Center	Right
		Post IFX Pan(CC#8)			Post IFX Pan(CC#8)
		C064			C064
		L032			L032
		L000			L000
		R096			R096
		R127			R127
Left	Center	Right	Left	Center	Right

Insert Effect = Mono In - Stereo Out

		Mono In - Mono Out
OSC1		OSC2
			OSC1: Amp1 Pan=L001
			OSC2: Amp2 Pan=R127
Left	Center	Right

Post IFX Pan(CC#8)

C064

L032

L000

R096

R127

Left Center Right

You can control these parameters via MIDI Control Change CC#8.

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