Main
iii
Conventions in this manual
(example)
Abbreviations for the manuals BG, PG, VNL
About this manual
PROG 5.3: EdLFOs
5.31: OS1LFO1 (OSC1 LFO1)
5.31a: OSC1 LFO1
5.31d: UTILITY
Table of Contents
1. Program mode................................. 1
2. Combination mode..........................31
v
3. Sequencer mode .............................49
vi
4. Sampling mode.............................. 87
5. Global mode.................................121
6. Media mode .................................139
vii
7. Effect Guide.................................. 155
viii
8. Appendices.................................. 211
1. Program mode
1.11: Program
1.11a:Bank, Program Select, Categor y, Cat. Hold, 10s Hold, (Tempo)
Bank [Bank A...D, G, g(d)]
PROG PAGE MENU
Y
Category [00...15: Name]
Cat. HOLD (Category Hold)
10s HOLD
1.11b: Program Information
1.12: P.Edit
1.12a: Bank, Program Select, (Tempo)
1.12b: Performance Editor
Octave [03...+00...+03]
Stretch (Pitch Stretch) [12...+00...+12]
1.13: Arp
1.13a: Arpeggiator
Keyboard [Off, On]
1.1 2.12.23.14.14.25.15.25.36.17.17.2
5
PROG 2.1: EdBasic
Copy Oscillator
Swap Oscillator
2.12: OSC1
2.12a: OSC1 Multisample
Velocity SW LH [001...127]
2.12b: High, Low
High: High MS Bank [ROM, RAM] High Multisample [000...424, 000...999]
1.1 2.12.23.14.14.25.15.25.36.17.17.2
7
S.Ofs (High Start Offset) [Off, On]
Rev (High Reverse) [Off, On]
Level (High Level) [000...127]
2.13: OSC2
2.14: V.Zone
2.14a: OSC 1/2 Velocity Zone
OSC1 Bottom [001...127]
OSC1 Top [001...127]
PROG 2.2: EdCtrl
3.11: OSC1
3.11a: Pitch
Pitch Slope [1.0+2.0]
Ribbon (#16) [12+12]
PROG 3.1: EdPitch
3.11c: Portamento
Enable (Porta. Enable) [Off, On]
Fingered (Porta. Fingered) [Off, On]
Time (Porta. Time) [000...127]
3.12: OS1lfo
3.12a: Pitch LFO1/2 Modulation
LFO1: Intensity (LFO1 Intensity) [12.00+12.00]
JS+Y Int. (LFO1 JS+Y Int.) [12.00+12.00]
AMS (LFO1 AMS) [Off, (PEG, FEG, AEG, KT, EXT)]
3.14: OS2lfo
3.15: EG
3.15a: Pitch EG
L (Level):
S (Start Level) [99+99]
PROG 4.1: EdFilter1
Reso.AMS (Resonance AMS) [Off, (PEG, FEG, AEG, LFO, KT, EXT)]
Intensity (AMS Intensity) [99+99]
4.11c: B (Filter B)
Frequency (B Frequency) [0099]
4.12: Mod.1
4.12a: Keyboard Track
Key:
Low (KBDTrk Key Low) [C1G9]
High (KBDTrk Key High) [C1G9]
4.13: Mod.2
4.13a: Filter-A Modulation
AMS1 (Filter A AMS1) [Off, (PEG, AEG, EXT)]
Intensity (A AMS1 Intensity) [99+99]
AMS2 (Filter A AMS2) [Off, (PEG, AEG, EXT)] Intensity (A AMS2 Intensity) [99+99]
4.14: lfoMod
4.14a: Filter LFO1 Modulation
Intensity to A (LFO1 Int. to A) [99+99]
Intensity to B (LFO1 Int. to B) [99+99]
JSY Int. to A (LFO1 JSY Int. to A) [99+99]
4.15b: Level Mod. (Level Modulation)
AMS (Level Mod. AMS) [Off, (KT, EXT)]
S (AMS SW Start) [, 0, +]
B (AMS SW Break) [, 0, +]
4.15c: Time Mod. (Time Modulation)
PROG 4.2: EdFilter2
PROG 5.1: EdAmp1
Use DKit Setting [Off, On]
5.11c: AMS, Intensity
AMS (Pan AMS) [Off, (PEG, FEG, AEG, LFO, KT, EXT)]
5.12: Mod.
5.12a: Keyboard Track
Key (Keyboard Track Key):
Low (KBDTrk Key Low) [C1G9]
High (KBDTrk Key High) [C1G9]
5.13: EG
5.13a: Amp1 EG
R (Release Time) [0099]
5.13b: Level Mod. (Level Modulation)
AMS (Level Mod. AMS) [Off, (KT, EXT)]
S (AMS SW Start) [, 0, +]
B (AMS SW Break) [, 0, +]
5.13c: Time Mod. (Time Modulation)
PROG 5.2: EdAmp2
D (AMS2 SW Decay) [, 0, +] S (AMS2 SW Slope) [, 0, +] R (AMS2 SW Release) [, 0, +]
Sync Both EGs
5.21: Lvl/Pan 5.22: Mod. 5.23: EG
5.31: OS1LFO1
5.32: 1LFO2
5.33: 2LFO1
5.34: 2LFO2
6.11: Setup
6.11a: Arpeggiator Setup
PROG 6.1: EdArp.
Latch* [Off, On]
Key Sync.* [Off, On]
Keyboard* [Off, On]
6.11b: Arpeggiator Tempo
6.12: Zone
6.12a: Scan Zone
Zone Map
Key: Btm (Bottom Key) [C1...G9] Top (Top Key) [C1...G9]
Vel: Btm (Bottom Velocity) [001...127] Top (Top Velocity) [001...127]
PROG 7.1: EdInserFX
7.12: Setup
7.12a: InsertFX Setup
Pan(CC#8) (Post IFX Pan CC#8) [L000...C064...R127]
7.12b: Routing
7.13: IFX
PROG 7.2: EdMasterFX
1.1 2.12.23.14.14.25.15.25.36.17.17.2
29
7.22: MFX 1 7.23: MFX 2
Page
2. Combination mode
1.11: Combi
1.11a:Bank, Combi Select, Categor y, Cat.Hold, 10s Hold, (Tempo)
Bank (Bank Select) [Bank AC]
Combi Select (Combination Select) [0...127: name]
1.11b: Combination Information
Write Combination
Solo Selected Timbre
1.12: Prog
1.12a:Bank, Combi Select, Cat.Hold, 10s Hold, (Tempo)
1.12b: Timbre Number & Category
Timbre Number & Category 1...8
1.12c: Program Select, Program Name
1.13: Mix
1.13a: Pan, Volume
Pan [RND, L001...C064...R127]
Volume [000...127]
Hold Balance
COMBI 2.1: EdProg/Mixer
2.21a: Knob B Assign
SW1 (SW1 Assign) [Off...AfterT Lock]
SW2 (SW2 Assign) [Off...AfterT Lock]
3.11: MIDI
COMBI 2.2: EdCtrl
COMBI 3.1: EdParam1
2.12.23.13.23.33.44.14.24.34.46.17.17.2
37
3.12: OSC
3.12a: Force OSC Mode, OSC Select, Portamento
Force OSC Mode [PRG, Poly, Mono, LGT]
OSC Select [Both, OSC1, OSC2]
Portamento [PRG, Off, 001...127]
COMBI 3.2: EdParam2
2.12.23.13.23.33.44.14.24.34.46.17.17.2
39
3.31: Key
3.31a: Key Zone Map (1)
COMBI 3.3: EdKey Zone
3.41: Vel
3.41a: Velocity Zone Map (1)
3.41b: Top Velocity, Bottom Velocity
Top Velocity [1127]
COMBI 3.4: EdVel Zone
4.11: MIDI 11
4.11a: Program Change, After Touch
Program Change [Off, On]
After Touch [Off, On]
COMBI 4.1: EdMIDI Filter1
COMBI 4.2: EdMIDI Filter2
4.22: MIDI 22
COMBI 4.3: EdMIDI Filter3
4.22a: JS X/Bend as AMS, Ribbon CC#16
JS X/Bend as AMS [Off, On]
Ribbon CC#16 [Off, On]
4.31: MIDI 31 4.32: MIDI 32
COMBI 6.1: EdArp.
4.42a: Foot Pedal/Switch, Other Control Change
FootPedal/Switch [Off, On]
Other Ctrl Change [Off, On]
6.11: Setup
6.12: Arp. A 6.13: Arp. B
6.12(3)a: Arpeggiator-A(B) Setup
6.12(3)b: (Tempo)
6.14: Zone
6.14a: Scan Zone A/B
COMBI 7.1: EdInsertFX
DKit IFX Patch (DrumKit IFX Patch)
7.12: Setup
7.12a: Ed-InsertFX Setup
Pan(CC#8) [L000...C064...R127]
7.12b: Control Channel
Control Channel [Ch01...16, G ch, All Rt.]
COMBI 7.2: EdMasterFX
7.21d: Master EQ Gain [dB]
7.22: MFX1 7.23: MFX2
3. Sequencer mode
SEQ PAGE MENU
1.11: Play.REC
1.11a:Location, Meter, Reso (Resolution), (Tempo), Tempo Mode
Location [001:01.000...999:16.191]
SEQ 1.1: Play/REC
Tempo Mode [Auto, Manu, REC]
1.11b: Song Select
Song Select [000...199: name]
1.11c: RPPR (Real-time Pattern Play/Rec), Track Select, Selected Track Information
RPPR [Off, On]
Track Select [T01...T16: name, Master Track]
Rename Song
Delete Song
Copy From Song
Copy From Combi (Copy From Combination)
Load Template Song
Save Template Song (Save as User Template Song)
FF/REW Speed
Set Location (Set Location for Locate Key)
GM Initialize
1.12: Prog...8 1.13: Prog...16
1.12(3)a: Program
[A...D/000...127, G001...128, g001...g128:d]
1.12(3)b: PLAY/MUTE/REC, SOLO On/Off
PLAY/MUTE/REC [PLAY, MUTE, REC]
1.14: Mix..8 1.15: Mix..16
1.14(5)a: Pan, Volume
Pan (Panpot) [RND, L001...C064...R127]
Volume [000...127]
1.16: Pref.
1.16a: Rec Setup, Metronome
REC Setup: Recording Mode [Over Write...Loop All Tracks] Over Write
Over Dub
Manual Punch In
SEQ 1.2: Loop
2.11: Cue List
Location [0001:01.0009999:16.191]
Meter (Time Signature) [1/4...16/16]
Cue List Select [C00...C19: name]
SEQ 2.1: Cue List
Cue Edit-Song [S000...S199: name, End, Continue to Step01]
Rep (Cue Edit-Repeat) [01...64, FS]
FX (Cue Edit-Load FX) [Off, On]
2.11c: Step (Current Step)
Step (Current Step) [01...100]
Last Step [Last: 001...100]
2.11d: EDIT/DONE, INSERT, CUT, COPY
EDIT/DONE ([F7])
Copy Cue List
Convert to Song (Convert Cue List to Song)
Copy Song
2.21b: Knob B Assign
SW1 (SW1 Assign) [Off, ..., AfterT Lock]
SEQ 2.2: Controller
3.11: MIDI..8 3.12: MIDI..16
3.11(2)a: Status, MIDI Channel, Bank(EX2) MSB/ LSB
Status [INT, Off, BTH, EXT, EX2]
MIDI Channel [0116]
SEQ 3.1: Param1
Portamento [PRG, Off, 001...127]
3.13(4)b: UTILITY
3.15: Ptch..8 3.16: Ptch..16
3.15(6)a: Transpose, Detune, Bend Range
Transpose [24...+24]
Detune (BPM Adj.) [1200... +1200]
Bend Range [PRG, 24...+24]
SEQ 3.2: Param2
SEQ 3.3: Key Zone
3.33: Slp..8 3.34: Slp..16
3.33(4)a: Top Slope, Bottom Slope
Top Slope [00...72]
SEQ 3.4: Vel Zone
3.43: Slp..8 3.44: Slp..16
3.43(4)a: Top Slope, Bottom Slope
Top Slope [0120]
Bottom Slope [0120]
SEQ 4.1: MIDI Filter1
4.13: 12..8 4.14: 12..16
SEQ 4.2: MIDI Filter2
4.13(4)a: Damper, Portamento SW
Damper CC#64 [Off, On]
Portamento SW CC#65 [Off, On]
4.13(4)b: UTILITY
SEQ 4.3: MIDI Filter3
SEQ 4.4: MIDI Filter4
5.11: Pattern
5.11a: Location, Song Select, Track Select
Location
SEQ 5.1: RPPR
Rename Pattern
Step Rec (Loop)
Event Edit
Pattern Param. (Pattern Parameter)
Erase Pattern
Get From Track
Put To Track
Copy To Track
Rename Track
5.12: RPPR Setup
5.12a: Track Select, (Tempo)
Track Select [T01T16: name]
5.12b: RPPR Setup
Keyboard & Assigned drawing
SEQ 5.2: Track Edit
74
5.21a:Track Select, Measure (From)/Meas. (To End of)
333333
Track Select [T01...T16, Master Trk]
Measure (From) [001...999]
Erase Track
Copy/Bounc. Trk (Copy/Bounce Track)
Erase Measure
Delete Measure
Insert Measure
Repeat Measure
Copy Measure
Move Measure
Create/Ers. Ctrl (Create/Erase Control Data)
Quantize
Shift/Er. Note (Shift/Erase Note)
Modify Velocity
Set Song Length
6.11: Set..8 6.12: Set..16
6.11(2)a: Arpeggiator Run, (Tempo)
SEQ 6.1: Arp.
6.11(2)b: Assign
Assign [Off, A, B]
6.13: Arp. A 6.14: Arp. B
6.13(4)a: ArpeggiatorA(B) Setup
6.13(4)b: (Tempo)
6.15: Zone
6.15a: Scan Zone A/B
SEQ 7.1: Insert FX
7.13b: Control Channel
SEQ 7.2: Master FX
Control Channel [Ch01...16, All Rt.]
7.13c: Routing Map, BUS Select
T01...16: BUS Sel [DKit, L/R, IFX, 1, 2, 1/2, Off]
7.14: IFX
7.22: MFX1 7.23: MFX2
4. Sampling mode
How the [AUDITION] key and [START/STOP] key will function in Sampling mode
1.11: Sample
1.11a:MS (Multisample Select ), Index, Keyboard & Index
SMPL PAGE MENU
SMPL 1.1: Recording
Stereo
1.11b: SMPL, Orig.K, TopK
Orig.K (Original Key) [C1...G9]
TopK (Top Key) [C1...G9]
1.12: Rec.
1.12a: Sample Setup
Time (Sample Time)
Bank (RAM Bank) [1...4]
Mode (Sample Mode) [L-Mono, R-Mono, Stereo]
1.12b: REC Setup
Mode (REC Mode) [Manual, Auto]
Threshold [63dB...0dB]
Count Down (Count Down REC) [Off, 4, 8, 3, 6]
(Tempo) [040...240]
1.12c: Recording Level
Recording Level [inf, 72.0... 0.0...+18.0dB]
1.13: In/Pref
1.13a: Input1, Input2
Lvl (Level) [000...127]
Pan [L000...C064...R127]
BUS (BUS(IFX) Select) [L/R, IFX, Off]
Delete SMPL (Delete Sample)
Copy SMPL (Copy Sample)
Move SMPL (Move Sample)
Rename SMPL (Rename Sample)
SMPL To Stereo (Change Sample Type)
Delete MS (Delete Multisample)
Copy MS (Copy Multisample)
Move MS
Rename MS (Rename Multisample)
MS To Stereo/MS To Mono (Change Multisample Type)
Conv. To Prog (Convert Multisample To Program)
Keyboard Disp. (Keyboard Display)
2.11: Edit1
2.11a: MS, Index, Keyboard & Index, SMPL
2.12: Edit2
SMPL 2.1: Sample Edit
Page
Truncate
Cut
Clear
Copy
Insert
Mix
Paste
Insert Zero
Norm./Level Adj. (Normalize/Level Adjust)
Volume Ramp
Rate Convert
Reverse
Link
Grid
3.11: Edit1
3.11a: MS, Index, Keyboard&Index
3.11b: SMPL, Lp, Tune, Rev
Lp (Loop) [Off, On]
SMPL 3.1: Loop Edit
3.12: Edit2
3.12a: Sample waveform display
Sample waveform display
3.12b: Sample Address, Zero, LpL, (Grid Tempo)
S (Start) [0000000...]
Time Slice
Page
Page
Time Stretch
Page
Page
Page
Crossfade Loop
4.11: Edit1
4.11a: MS, Index, Keyboard & Index
4.11b: SMPL, Orig.K, TopK
Orig.K (Original Key) [C1...G9]
SMPL 4.1: Multisample
Pitch [64.00...+63.00]
Constant Pitch [Off, On]
Pitch BPM Adj. (Pitch BPM Adjust)
4.13: Pref.
4.13a: Create Zone Preference
5.11: Memory
5.11a: Free Memory
5.12: No.
SMPL 5.1: Memory
SMPL 5.2: Controller
7.11: Setup
7.12: IFX
SMPL 7.1: Insert Effect
Page
5. Global mode
1.11: Basic
1.11a: Basic
Master Tune (Master Tune [Cent]) [50cent (427.47Hz)+50cent (452.89Hz)]
Key Transpose [12+12]
1.11b: FX SW
IFX Off [Off, On]
MFX1 Off [Off, On]
MFX2 Off [Off, On]
1.11c: Auto Arp. (Auto Arpeggiator)
Program (Auto Arp. Program) [Off, On]
Combi (Auto Arp. Combi) [Off, On]
Write Global Setting
Load Preload/Demo Data
1.12: Pref.
1.12a: System Preference
Bank Map [KORG, GM]
Power On Mode [Reset, Memorize]
LCD Contrast [062]
1.13: Foot
1.13a: Damper/Assignable Foot Switch, Pedal
Foot SW Assign [Off...Cue Repeat Control]
Foot Pedal Assign [Off...MFX Send 2(CC#91)]
Damper Polarity [() KORG Standard, (+)]
1.14: AudioIn
1.14a: Input1 1.14b: Input2
Level (Input Level) [0...127]
Pan (Input Pan) [L000...C064...R127]
BUS(IFX/Indiv.) Select (Input BUS Select) [L/R, IFX, 1, 2, 1/2, Off]
GLOBAL 2.1: MIDI
Local Control On [Off, On]
2.11b: MIDI Filter
Enable Program Change [Off, On]
Bank (Bank Change) [Off, On]
Combi (Combi Change) [Off, On]
AfterT (After Touch) [Off, On]
Ctrl Change (Control Change) [Off, On]
Exclusive [Off, On]
Transmission
Reception
GLOBAL 3.1: User Scale
Copy Scale
GLOBAL 4.1: Category Name
3.12: All Notes
3.12a: User All Notes Scale
Tune [99+99]
Key Select [C1...G9]
GLOBAL 5.1: DKit
5.11b: High (High Sample)
Drumsample Bank [ROM, RAM]
Drumsample [0000: name...]
S.Ofs (Start Offset) [Off, On]
Trans (Transpose) [64...+63]
5.12: Low
5.12a: Low (Low Sample)
Drumsample Bank [ROM, RAM]
Drumsample [0000...: name]
S.Ofs (Start Offset) [Off, On]
GLOBAL 6.1: Arp.Pattern
6.11b: Lgth, Reso, Oct, Sort, Latch, K.Sync, Kbd
Lgth (Length) [01...48]
Reso (Resolution) [ , , , , , ] Oct (Octave) [1, 2, 3, 4]
K.Sync (Key Sync.) [Off, On] Kbd (Keyboard) [Off, On]
6.11c: Arpeggio Pattern Setup
6.12: Edit
62a: Step, Ptch, Gt, Vel, Flam
Step (Step No.) [01...48]
Ptch (Pitch Offset) [48...+48]
Gt (Gate) [Off, 001...100%, LGT]
Flam [99...+99]
Initialize Steps
Copy Step
Delete Step
Insert Step
6. Media mode
Files, directories, and icons
1.11a: Current directory
1.11b: Directory window
Directory window
MEDIA PAGE MENU
1.11: Load
Hide unknown le
Load selected
If the le to load cannot be found, or when loading a le that was saved in parts
Page
Page
Loading sample data
Loading multiple les
Loading AIFF les and WAVE les
Loading AKAI S1000/S3000 format Sample les and Program les
Page
If the data does not t on the media when saving
Save All (PCG, SNG and KSC)
1.12: Save
Save PCG & SEQ
Save PCG
Save SEQ (Songs and Cue Lists)
Save Sampling Data (Multisamples and Samples)
Save to Std MIDI File (Save Song as Standard MIDI File)
Save Exclusive (Receive and Save MIDI Exclusive Data)
Export Smpl AIF/WAV (Export Samples as AIFF/ WAVE)
Rename
Copy
1.13: Utility
Delete
Create Directory
Set Date/Time
Format
1.14a: Media (Media select)
1.14: Media Information
Page
7. Effect Guide
1. Effects in each mode
2. Dynamic modulation
(p.164).
function (p.168).
Insert Effect
22. Combination, Sequencer mode
23. Sampling mode (if the separately sold EXB- SMPL option is installed)
24. Audio Input (if the separately sold EXB-SMPL option is installed)
3. Mixer
31. Pan (CC#8)
32. BUS Select
33. Send level
4. Controlling the Insert Effects via MIDI
Master Effects
2. Routing
21. Program mode
22. Combination, Sequencer mode
23. Sampling Mode (if the separately sold EXB- SMPL option is installed)
24. Audio Input (if the separately sold EXB-SMPL option is installed)
3. Mixer
31. Rtn (Return1, Return2)
32. MFX Chain
33. Chain Direction
34. Chain Signal
Program mode
Master EQ
Individual Outputs
Combination, Sequencer mode
MFX2
Sampling mode (if the EXB-SMPL option is installed)
MFX1
Master EQ
00: No Effect
03: St.Limiter
02: St.Compressor
04: Mltband Limit
(Multiband Limiter)
05: St.Gate
(Stereo Gate)
a: Envelope, b: Env. Dmod Src
f: Polarity
c: Threshold, d: Attack, e: Release
07: St.Para.4EQ
(Stereo Parametric 4-Band EQ)
b: B1 Type, c: B4 Type
d: B2 Dyn.G Src, d: (Amount), f: G
You can control the gain of Band 2 using the modulation source.
08: St.Graphic7EQ
(Stereo Graphic 7-Band EQ)
a: Type
09: St.Wah/AutoW
(Stereo Wah/Auto Wah)
10: St.Rndm Filter
(Stereo Random Filter)
a: LFO Wave, c: Freq, d: Step
Fx:09,
When LFO Wave is set to Random, the Step parameter uses a random LFO cycle.
11: St.Exct/Enhcr
(Stereo Exciter/Enhancer)
D
a: Blend
b: Point
13: Talking Mod
(Talking Modulator)
d: Top, d: Center, d: Bottom
e: Formant Shift
h: Resonance
14: St.Decimator
(Stereo Decimator)
a: Pre LPF
d: Resolution, e: Output Level
15: St.AnalogRecd
Pitch/Phase Mod.
g: Feedback
18: MltTap ChoDly
(Multitap Chorus/Delay)
19: Ensemble
c: Shimmer
20: St.Flanger
(Stereo Flanger)
a: Shape
Changing the LFO waveform shape controls the peak sweep of anging effects.
g: Feedback, i: W/D
22: St.Env.Flanger
(Stereo Envelope Flanger)
e: Swp Mode, e: Src
f: EG Attack, g: EG Decay
Attack and Decay speed are the only adjustable parameters on this EG.
24: St.Rndm Phasr
(Stereo Random Phaser)
25: St.Env.Phaser
(Stereo Envelope Phaser)
26: St.BiphaseMod
(Stereo Biphase Modulation)
27: St.Vibrato
(Stereo Vibrato)
b: LFO Freq Mod, f: AUTOFADE Src, g: Fade Rate, g: Dly
28: St.AutoFd Mod
(Stereo Auto Fade Modulation)
29: 2Voice Reso
(2Voice Resonator)
30: Doppler
31: Scratch
Other modulation and pitch shift effects
32: St.Tremolo
(Stereo Tremolo)
a:LFO Wave
Mod./P.Shift
34: St.Auto Pan
(Stereo Auto Pan)
a: Shape
You can change the panning curve by modifying the LFO wave- form.
35: St.Phasr+Trml
36: St.Ring Mod
(Stereo Ring Modulator)
a: Pre LPF
b: OSC Mode
This parameter determines whether or not the oscillator fre- quency follows the note number.
37: Detune
e: InLvl Mod, e: Src
This parameter sets the dynamic modulation of the input level.
38: Pitch Shifter
a: Mode
39: PitchShft Mod
(Pitch Shift Modulation)
a: Pitch Shift [cent], e: Depth
These parameters set the amount of pitch shift and amount of modulation by means of the LFO.
f: Pan, g: W/D
ER/Delay
42: Auto Reverse
a: Rec Mode, b: Reverse Time
c: Envelope, c: Src, d: Threshold
43: LCR Delay
(L/C/R Delay)
44: St/Cross Dly
(Stereo/Cross Delay)
45: St.MltTap Dly
(Stereo Multitap Delay)
a: Mode
46: St.Mod. Delay
(Stereo Modulation Delay)
b: Dmod
e: LFO Sync, e: Src, f: L Phase, f: R Phase
47: St.DynamicDly
48: St.AutoPanDly
(Stereo Auto Panning Delay)
This stereo delay effect pans the delay sound left and right using the LFO.
49: LCR BPM Delay
(L/C/R BPM Delay)
50: St.BPM Delay
(Stereo BPM Delay)
This stereo delay enables you to set the delay time to match the song tempo.
f: Time Over? L >, f: R >
51: Sequence Dly
Reverb
56: Rev Room
(Reverb Room)
57: Rev Brt. Room
(Reverb Bright Room)
g: ER Level, h: Reverb Level
Mono Mono Chain
60: P4EQCho/Fl
(Parametric 4-Band EQ Chorus/Flanger)
This effect combines a mono-type four-band parametric equalizer and a chorus/anger.
h: Out
61: P4EQPhaser
62: P4EQM.Dly
(Parametric 4-Band EQ Multitap Delay)
This effect combines a mono-type four-band parametric equalizer and a multitap delay.
63: CompWah
(Compressor Wah/Auto Wah)
64: CompAmpSim
(Compressor Amp Simulation)
65: CompOD/HG
(Compressor Overdrive/Hi.Gain)
66: CompP4EQ
67: CompCho/Fl
(Compressor Chorus/Flanger)
g: Out, h: [Routing]
68: CompPhaser
(Compressor Phaser)
69: CompM.Dly
(Compressor Multitap Delay)
70: LimitP4EQ
(Limiter Parametric 4-Band EQ)
71: LimitCho/Fl
(Limiter Chorus/Flanger)
72: LimitPhaser
(Limiter Phaser)
73: LimitM.Dly
(Limiter Multitap Delay)
74: ExctComp
(Exciter Compressor)
75: ExctLimiter
76: ExctCho/Fl
(Exciter Chorus/Flanger)
This effect combines a mono-type limiter and a phaser.
This effect combines a mono-type limiter and a chorus/ anger.
77: ExctPhaser
79: OD/HGAmpSim
(Overdrive/Hi.Gain Amp Simulation)
tortion and an amp simulation. You can change the order of the effect connection.
80: OD/HGCho/Fl
(Overdrive/Hi.Gain Chorus/Flanger)
81: OD/HGPhaser
(Overdrive/Hi.Gain Phaser)
tortion and a phaser. You can change the order of the effect connection.
82: OD/HGM.Dly
(Overdrive/Hi.Gain Multitap Delay)
83: WahAmpSim
(Wah/Auto Wah Amp Simulation)
84: DeciAmpSim
(Decimator Amp Simulation)
85: DeciComp
86: AmpSimTrml
(Amp Simulation Tremolo)
This effect combines a mono-type amp simulation and a trem- olo.
87: Cho/FlM.Dly
(Chorus/Flanger Multitap Delay)
88: PhasrCho/Fl
(Phaser Chorus/Flanger)
This effect combines a mono-type phaser and a chorus/ anger.
89: ReverbGate
This effect combines a mono-type reverb and a gate.
Master EQ
Page
8. Appendices
About Alternate Modulation
Alternate Modulation
About Alternate Modulation Sources
Alternate Modulation Source (AMS)
AMS (Alternate Modulation Source) List
Page
Alternate Modulation settings
The effect of alternate modulation on various parameters, and example applications
Pitch (PROG 3.11a)
Pitch EG Intensity (PROG 3.11b)
Pitch LFO1/2 Intensity (PROG 3.12a, 3.14)
Resonance (PROG 4.11b)
Filter EG Intensity (PROG 4.12b)
Filter LFO 1/2 Intensity (PROG 4.14a)
Amp (PROG 5.12b)
Amp LFO 1/2 Intensity (PROG 5.12b, 5.2)
Pan (PROG 5.11b)
EG Level Pitch EG (PROG 3.15b) Filter EG (PROG 4.15b) Amp EG (PROG 5.13b)
EG Time Pitch EG (PROG 3.15c) Filter EG (PROG 4.15c) Amp EG (PROG 5.13c)
LFO Frequency (PROG 5.31b)
Dynamic Modulation Source
D
Page
About the BPM/MIDI SYNC function
Example 1. LFO
Example 2. Delay Time
SW1, SW2 Assign List
Ribbon Lock: N/A, JS X&Rbn Lock : N/A, JS+Y&Rbn Lock: N/A, JS-Y&Rbn Lock: N/A
SW1/2 Assign
Realtime Control Knobs B Assign List
Knob 1...4 B Assign
Foot Switch Assign List
Foot Switch Assign
Foot Pedal Assign List
Foot Pedal Assign
MIDI transmission when the TRITON Les controllers are operated
Page
Page
Page
TRITON Le operations when control changes are transmitted/received
Page
Page
About MIDI
Connecting MIDI devices/computers (MIDI connectors)
Controlling an external MIDI tone generator from this instrument
Controlling this instruments tone generator from an external MIDI device
MIDI applications
Messages transmitted and received by this instrument
MIDI channels
Note on/off
Program Change/Bank Select
Changing the program/bank
After touch
Pitch bender
Control change
Selecting program/combination banks
Using the joystick to apply modulation
Controlling the portamento effect
Controlling the volume
Controlling panpot (stereo position)
Effect control
Using various controllers for control
Controlling via the controllers of a connected MIDI instrument such as the TRITON
Controlling the tone/envelope of a program
Silencing all notes on a specic channel
Using RPN to edit
Tuning
Transposing
Changing the pitch bend range
Controlling the arpeggiator (NPRN)
About system exclusive messages
Universal system exclusive
Transmitting sound settings data (Data Dump)
Editing sounds etc.
If notes are stuck
Playing the TRITON Le multi-timbrally from an external device
Synchronizing the playback of the arpeg- giator or sequencer
Using this instrument as master and the external MIDI device as slave
Using the external MIDI device as master and this instrument as slave
Recording musical data from an external device
Recording the arpeggiator or RPPR function on an external MIDI sequencer/computer
About GM/GS/XG
Converting the GS/XG bank/program maps to the GM2 bank/program map
Support for GS/XG part mode exclusive messages
Support for NRPN messages used in GS/XG music data
About standard MIDI les
A
C
D
E
Various messages
F
File already exists
Medium changed
Front sample data used in rear sampleCant overwrite
File contains unsupported data
N
No data
Not enough memory to load Not enough memory to open pattern
Not enough multisample memory
Not enough relative parameter memory
O
Oscillator Mode conicts (check PROG P2.1)
P
Pattern conicts with events
Pattern exists across destination to-end-of-measure or source from-measure
T
There is no readable data
U
Unable to create directory Unable to save le
Y
Data compatibility
Parameters that are valid on TRITON keyboard models, but invalid on the TRITON Le
Parameters that are valid on the TRITON-Rack, but invalid on the TRITON Le
Parameters that are invalid on the TRITON-Rack, but valid on the TRITON Le
Chunks that are supported
When loading
Media mode information
AIFF les
WAVE les
About KORG format les
KMP (KORG Multisample Parameter) les
KSF (KORG Sample File) les
KSC(Korg SCript) le
Filename conventions
Page
Please read this before you begin installation
Safety precautions Warnings
Cautions
Memory that can be used with the option board
EXB-SMPL sampling upgrade
Memory that can be used
Please note when installing an option board
Option board/memory installation procedure
1. Preparations for installation
21. Detaching cover A for the EXB-SMPL
22. Detaching cover B for DRAM SIMM
31. Installing the EXB-SMPL
32. Installing DRAM SIMM (sample data RAM) modules
33. Installing additional DRAM SIMMs
4. Checking after installation
Index
258
Numerics
A
B
259
D
E
F
G
260
M
N
O
P
261
Q
R
S
T
262
V
W
X
Z